Sentences with phrase «visual effects designer»

Its founder, Mr. Rosenfeld, is a highly accomplished computer graphics / visual effects designer and animator who has developed several patented programs that are used across the industry.

McRo's founder, Maury Rosenfeld, the named inventor on the patents, is a highly accomplished, award winning computer graphics / visual effects designer and animator recognized for his advancement and contributions to the industry.

- Three audio commentaries (Filmmakers and cast: Sam Raimi, Laura Ziskin, Grant Curtis, and Kirsten Dunst; Visual effects designer and crew: John Dykstra and special effects crew; and Actors: Tobey Maguire and J.K. Simmons)

Hollywood visual effects designer Ash Thorp (Prometheus, Ender's Game, RoboCop) has created a series of limited edition giclee prints based on the principles of...

Auryn, the most award - winning children's ebook publisher and the brain child of Academy award - winning visual effects designers, ahs launched four new titles, just in time to grab students» attention and engage them in self - selected reading over the summer months.

Not exact matches

Camera (color, widescreen, HD), Mac Fisken; editor, Valerie Krulfeifer; music, Giona Ostinelli; music supervisors, Timothy Bickford, Mandi Collier; production designer, Angel Herrera; art director, Priscilla Watson; set decorator, Carl Turner; costume designer, Lauren Howard; sound, Nathan Whitcomb; re-recording mixer, Shawn Duffy; visual effects supervisor, Joel Hebner; stunt coordinator, Hebner; line producer, Moana Sherrill; associate producer, Fadi Saab; assistant director, Adam Werth; casting, Lindsey Weissmueller.

Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual effects supervisor: Geoffrey Baumann Special effects supervisor: Dan Sudick Casting: Sarah Finn

Camera (color, widescreen, HD), Bobby Bukowski; music, Anthony Partos, Matteo Zingales; music supervisor, Michael Hill; production designer, Alex DiGerlando; art director, Christina Kim; set decorator, Monique Champagne; costume designer, Meghan Kasperlik; sound (Dolby Digital), Micah Bloomberg; supervising sound editor, Odin Benitez; re-recording mixer, Mark Mangini; visual effects supervisor, Tarn Fox; stunt coordinators, Kevin Beard, Danny Cosmo; assistant director, Thomas Deckaj; casting, Douglas Aibel, Tracy Kilpatrick.

Across these, we get comments from director De Bont, stunt coordinator Simon Crane, actors Angelina Jolie, Christopher Barrie, Noah Taylor, Ciaran Hinds and Gerard Butler, story writer James V. Hart, personal trainer Ed Chow, stuntwoman Nicola Berwick, horse trainer Gerard Napliox, action vehicle coordinator Graham Kelly, armorer Richard Hooper, special effects director Chris Corbould, line producer Phillip Lee, visual effects supervisors Steven Begg and Ben Shepard, production designer Kirk M. Petrucelli, and composer Alan Silvestri.

Star Hugh Jackman gives us more details about his character, Charlie Denton, and we speak with production designer Tom Meyer and visual effects artist Jason Matthews.

Production companies: Scott Rudin, DNA Films Distributor: Paramount Cast: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac Director - screenwriter: Alex Garland, based on the novel by Jeff Vandermeer Producers: Scott Rudin, Andrew Macdonald, Allon Reich, Eli Bush Executive producers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual effects supervisor: Andrew Whitehurst Casting: Francine Maisler

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cvisual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cvisual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie CVisual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Camera (color, HD), Daniel Grant, Amar Ahrab; editor, Eamonn O'Connor; music, Phil Strong; sound, Jason Milligan, Dominique Kerboeuf; sound designer / supervising sound editor, Strong; re-recording mixers, Daniel Pellerin, Christopher Guglick; animation / visual effects, Mark Alberts.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Written and directed by the Wachowski Brothers; director of photography, Bill Pope; edited by Zach Staenberg; music by Don Davis; production designer, Owen Paterson; visual effects supervisor, John Gaeta; produced by Joel Silver; released by Warner Brothers Pictures.

Here we hear from Rick Porras, Peter Jackson, Richard Taylor, Barrie Osborne, Ben Wootten, John Howe, Jamie Beswarick, Mark Ordesky, Weta senior animator Jason Schleifer, actor Andy Serkis, Christian Rivers, animation designer and supervisor Randy Cook, visual effects DP Brian Van't Hul, Elijah Wood, Sean Astin, Weta creature facial lead Bay Raitt, Weta visual effects supervisor Joe Letteri, motion capture supervisor Remington Scott, visual effects supervisor Jim Rygiel, Weta systems architect Jon Labrie, visual effects producer Dean Wright, Philippa Boyens, Weta animation department head Adam Valdez, animation supervisor Richie Baneham, Warren Mahy, Weta 3D sequence lead Ken McGaugh, and Gino Acevedo.

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.

Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant David Keighley, visual effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.

Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production designer: Charles Wood Costume designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual effects supervisor: Dan DeLeeuw Casting: Sarah Finn

Camera (color, widescreen, Red Digital Cinema, 3D), Simon Duggan; editors, Matt Villa, Jason Ballantine, Jonathan Redmond; music, Craig Armstrong; executive music supervisor, Anton Monsted; production designer, Catherine Martin; supervising art director, Ian Gracie; art directors, Damien Drew, Michael Turner; set decorator, Beverly Dunn; costume designer, Martin; sound (Dolby Digital / Datasat / SDDS), Guntis Sics; sound designer / supervising sound editor, Wayne Pashley; re-recording mixers, Steve Maslow, Phil Heywood, Pashley; visual effects supervisor, Chris Godfrey; visual effects producer, Joyce Cox; visual effects, Animal Logic, Prime Focus, Rising Sun Pictures, Iloura, Industrial Light & Magic, Method Studios; stunt coordinator, Glenn Ruehland; assistant director, Jennifer Leacey; casting, Ronna Kress, Nikki Barrett.

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.

David Lazan; set decorator, Leslie E. Rollins; set designers, Amy Heinz - Barnett, Sarah Contant, Jeremy Woodward; costume designer, David Robinson; sound (Datasat / Dolby Digital), Tom Williams; sound designer, David Esparza; supervising sound editor, Mandell Winter; re-recording mixers, Steve Pederson, Daniel J. Leahy; visual effects supervisor, Sean Devereaux; visual effects, Zero VFX; stunt coordinators, Keith Woulard, Lin Oeding; associate producer, Kat Samick; assistant director, Philip A. Patterson; casting, Mary Vernieu, Lindsay Graham.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

Craftsmen: Michael Barrett (cinematographer), Christopher Blauvelt (cinematographer), Chung - hoon Chong (cinematographer), Corrine Clark (casting), Pau Costa (visual effects), Dean DeBlois (animation biggie), David Hutchison (stunts), Grant Imahara (visual effects), Steve Jablonsky (composer), Karin Justman (stunts), Henry Kingi Jr (stunts), Harvey Lowry (special effects makeup), Trevor Morris (composer), Atli Örvarsson (composer), Adrian Rigby (makeup), Lawrence Sher (cinematographer), MoinGenndy Tartakovsky (animation biggie), Freddy Waff (production designer), Tricia Wood (casting), and Haris Zambarloukos (cinematographer).

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

«Before Your Very Eyes: From Kansas to Oz» takes a stroll into the visual effects world with Production designer Robert Stromberg.

With the help of Joseph Gordon - Levitt, cinematographer Dariusz Wolski, production designer Naomi Shohan, and visual effects supervisor Kevin Baillie, he's created an amazing film that makes dazzling use of cinematic storytelling and deserves to be seen in 3 - D.

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

(Production designer Mark Digby, visual effects supervisor Andrew Whitehurst, and cinematographer Rob Hardy, conjure and sustain this audacious aura.)

Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume designer, Marylou Lim; sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual effects supervisor, Woei Hsi Lee; visual effects, Atomic Fiction; special effects coordinator, Mark Gullesserian; stunt coordinators, David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.

So one of the first things I did is I got the director of photography, the production designer, the visual effects supervisor — we rented a big IMAX screen and projected these films all in one day and watched as many of them as we could to immerse ourselves in the detail of it, the feeling of it.

A «David Fincher Film» does not feature David Fincher as the director, writer, producer, cinematographer, gaffer, production designer, costume designer, visual effects artist, etc. (though, to be honest, he could probably do those jobs incredibly well).

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

Crew: Camera (Deluxe color), Don Burgess; editor, Arthur Schmidt; music, Alan Silvestri; production designer, Rick Carter; art directors, Jim Teegarden, Stefan Dechant, Elizabeth Lapp; set decorators, Rosemary Brandenburg, Karen O'Hara; costume designer, Joanna Johnston; sound (Dolby / SDDS), William B. Kaplan; sound designer, Randy Thom; visual effects supervisor, Ken Ralston; associate producer, Steven Boyd; assistant directors, Alan B. Curtiss, Josh McLaglen; casting, Victoria Burrows.

Camera (color, widescreen), Wang Yu; editor, Manda Wai; music, Eli Marshall; production designer, Zhao Hai; costume designer, Man Lim - Chung; sound (Dolby Digital), Tu Duu - Chih; visual effects, Illumina; assistant director, Thomas Chow; casting, Cheng Jie.

(Color, widescreen); editor, Chris Plummer; music, Marius de Vries; feature animation, Industrial Light & Magic; animation supervisor, Kim Ooi; sound designer (Dolby Atmos), E.J. Holowicki; supervising sound editor, Steve Slanec; re-recording mixers, Tom Johnson, Juan Peralta; senior visual effects supervisor, Tony Plett; visual effects supervisor, Nigel Sumner; senior animation producer, Jacqui Lopez; casting, David Rubin, Richard Hicks, Lindsay Perlman.

Camera (Deluxe color, Arri Alexa digital, widescreen), Ben Seresin; editors, Roger Barton, Matt Chesse; music, Marco Beltrami; production designer, Nigel Phelps; supervising art director, Jon Billington; senior art directors, Alan Gilmore, Julian Ashby; art directors, Ben Collins, Matthew Gray, James Foster; set decorator, Jennifer Williams; costume designer, Mayes C. Rubio; sound (Datasat / Dolby Surround 7.1), Stuart Wilson; supervising sound editors, Nigel Stone, Ethan Van Der Ryn; re-recording mixers, Anna Behlmer, Lora Hirschberg; visual effects producer, Robin Saxen; visual effects, MPC, Cinesite, Industrial Light & Magic, Lola VFX; assistant director, Toby Hefferman; second unit director / stunt coordinator, Simon Crane; second unit camera, Igor Meglic; casting, Kate Dowd.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

The behind - the - scenes team includes Academy Award ® - winning director of photography Dion Beebe («Memoirs of a Geisha»), production designer Oliver Scholl («Jumper,» «Independence Day»), editor James Herbert («Sherlock Holmes,» «Sherlock Holmes: A Game of Shadows»), costume designer Kate Hawley («Pacific Rim»), and Oscar ® - nominated visual effects supervisor Nick Davis («The Dark Knight»).

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

Keynote speakers include Baobab Studios executive and «Madagascar» movies Eric Darnell, who will discuss immersive storytelling in virtual reality; Weta Digital senior visual effects supervisor and four - time Oscar winner Joe Letteri, who will discuss the evolution of visual effects technology and one of his latest projects, «War for the Planet of the Apes»; and «World of Warcraft» game designer Rob Pardo, the CEO of Bonfire Studios.

Joining del Toro on the film are long time collaborators costume designer Luis Sequeira (THE STRAIN, MAMA, CARRIE), director of photography Dan Laustsen -(JOHN WICK: CHAPTER TWO, CRIMSON PEAK, MIMIC), visual effects supervisor Dennis Berardi (CRIMSON PEAK, MAMA, FIGHT CLUB) and editor Sidney Wolinsky («The Strain,» «House of Cards,» «The Sopranos»).

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc relevisual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releVisual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

Making appearances are Don Hahn, Rob Minkoff, Mona May, Jay Redd, production designer Rob Myhre, make - up effects wizard Rick Baker, visual effects producer Lynda Thomspon, and actors Eddie Murphy and Jennifer Tilly.

It features director, writer, and producer Gore Verbinski, head of story James Ward Byrkit, production designer Mark «Crash» McCreery, animation director Hal Nickel, and visual effects supervisor Tim Alexander.

The first includes producer Don Hahn, visual effects supervisor Jay Redd & writer David Berenbaum, and the second features director Rob Minkoff & costume designer Mona May.