Sentences with phrase «visual effects film»

I thought the second movie was a great visual effects film if you wanted to see robots beating the crap out of each other, but overall it was so poorly executed that I actually wanted to walk out of the theater and I almost did.

To no one's surprise, two blockbuster visual effects films led the way at today Visual Effects Society (VES) nominations.

Not exact matches

Thanks to eye - popping visual effects, the film was a runaway success.

They're one of a team of vendors, a number of special effects companies, working together under a visual effects supervisor on the film.

«But what it actually did is it allowed films to do even bigger visual effects and we had to enhance what they did — whether it's an asteroid hitting the ground or blowing 10 cars up in the air.

It's a combination of practical and visual effects to make that great film — that's what we're striving to do.»

Independence Day set the stage for the modern disaster film, lending new levels of visual spectacle (the film picked up an Oscar for visual effects) and global appeal to the genre.

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

Won: Best cinematography, best director, best film editing, best original score, best sound editing, best sound mixing, best visual effects

After filming with a practical puppet of TARS, the visual effects team made minor edits which included taking out some wires, physical props and rigs, and wiping out any instances of Irwin in the film.

Independent of Lucasfilm and its parent company, Disney, ILM provides visual effects services for films from all the major movie studios.

CORE broke into feature films even before it had its own office space, winning visual - effects contracts for two Darkman films and for the 1995 Keanu Reeves film Johnny Mnemonic.

The visual effects required for «The Irishman» are part of the reason the film's budget is over the $ 100 million mark.

The curse in the film creates a striking visual for the shackles that our character flaws or attitudes can lock us into and the dramatic effects and harm that this can cause to those around us.

In fact, the details are so vivid, that if a film director tried to portray Genesis 2 in a movie, it would require massive visual and special effects.

Not many of the following films will likely be making appearances at any award shows (well, aside for their visual effects), but that doesn't mean they won't be a lot of fun to watch.

They experimented to find the best combination of microbes to create the desired visual effect as the bugs emerged to reveal the film's title.

Although the film lacks the polished visual effects of Hollywood sci - fi thrillers, the timely political themes — including out - of - control wiretapping, job outsourcing, and border security — make the plot both engaging and chillingly plausible.

My major is film and video with a general focus on computer animation and visual effects.

multi talented aspiring visual effects artist with a background in fine art, graphic design, photography, film and videography.

And the film is just beautifully shot and it has the best visual effects I have seen in a long time.

However, the stellar cast and visual effects, which are dazzling at times, can't save the film from being mediocre.

Forster finds a nice way of visualizing this last quirk by showing Harold surrounded by shifting diagrams and mathematical equations, but in one of the film's many missteps, these visual effects show up only sporadically throughout the rest of the story, as if the filmmakers couldn't decide to either fully utilize them or get rid of them after paying the special effects studio a lot of money to create something so nifty - looking.

An average film with good effects, unique visual style and mediocre pretty much everything else.

Given that this film is over 50 years old, I can forgive many aspects of it (such as dialogue, special effects, visual effects, etc) that would cause many people to regard this as a complete turkey in the vein of Edward D. Wood, Jr..

After that hour, though, the scheme goes into action, and with Zemeckis» consummate control of tone and pacing and visual effects, the film, especially once Philippe prepares to take his first steps across and over the void, becomes something altogether astonishing.

The world of the film is further fleshed out due to the amazing visual effects used to so vividly create the aliens, their spaceship and other pieces of hardware.

Whether you have a film like Ex Machina winning the Oscar for best visual effects over films like Mad Max: Fury Road or The Hurt Locker taking precedence over behemoth's like Avatar for best picture, independent films have always had a way of winning over the hearts of many viewers.

Here was a film with no action, no sex, no noticeable visual effects.

I would like to say that this film would make a good example of how visual effects look on a home television experience for a rental, but I still think the better recommendation for that would be the first film.

The film's Oscar - winning visual effects (by Art Cruickshank) chart the progress of the voyagers through the scientist's body, burrowing past deadly antibodies, chunks of tobacco residue in the lungs, and other such obstacles.

Really, the only area is which the film falls back a bit is in its reliance on visual effects to play a primary role in the action sequences, a common shortcoming in recent superhero movies.

The performances sell this film, but the true star of this movie is the editor (excluding the very off - putting visual effects of the skater's faces).

Transformers is an entertaining film with epic action, breathtaking visual effects and some humor as well, but sadly the film suffers from bad performances and a cheesy story.

Really the film excels with its visuals, a lovely looking old fashioned 30's New York complete with dated cars, store fronts and atmospheric swirling mist, the invisibility effects, shadow effects, hands on makeup and a surprisingly cool looking outfit for the Shadow (did someone pinch ideas for «Dark City» here?).

Cameron «s superb action direction and stunning visual effects — plus Schwarzenegger «s ultimately endearing (yes, endearing) performance — will blast every other summer film to kingdom come.

yowls the unhinged Eleanor (Taylor) to one of the hoary phantasms (by visual effects master Phil Tippet) in the closing moments of De Bont's film.

The film's well - blended genre mixture with visual landmarks and audacious effects illustrates its impact and evolution in sci - fi / action filmmaking.

With many noticeable green screen effects and animals that looked a little less than artificial, the visuals clashed with the plot of the film for me.

Sometimes horror films work best when your imagination is required to see what is behind that door — and not some fancy visual effect by ILM and Tippet Studios.

The film has a certain visual allure in its gaudy colours and low - budget special - effects.

It's not, though, because this is one of those «too good to be true» tales perfectly suited for a narrative feature film and one helmed by a maestro of visual effects and other technical facets.

The film looks great on the big screen, excepting when we're subjected to the disappointing visual effects.

More talk than action, the film from director Craig Zobel (Compliance) mostly dispenses with the visual effects and futuristic gadgets you might expect in such a story.

However, the visual effects, which only become more important as the film progresses, vary in quality.

This felt like an old - school, big budget sci - fi film with massive special effects, great visuals and a concept that made you think in Director Joseph Kosinski's love letter to 80s and 90s science fiction trendsetters.

This being said, the film's visual effects and style, along with a well executed soundtrack, deserve accolades (particularly with its modest 1.3 million budget) and, as a whole, it does inspire philosophical reflection.

, presented in HD but without any visual effects in place, that's even sillier than anything in the finished film.

The most interesting feature is about the film's visual effects, which talks about the post-production contains over 600 effects shots.

Oscar ® - winning visual effects studio Weta Digital is again handling the visual effects for the film, led by senior visual effects supervisor Joe Letteri.