The screenplay by
visual effects guy turned writer Glenn Standring gives us a few lines explaining their logic, but that's as far as we get.
The best zombie movies don't contain buckets of senseless gore or just ninety minutes of
the visual effects guy getting creative with his walking cadaver designs.
Not exact matches
Achievement in
visual effects «Gravity» Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould * WINNER «The Hobbit: The Desolation of Smaug» Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds «Iron Man 3» Christopher Townsend,
Guy Williams, Erik Nash and Dan Sudick «The Lone Ranger» Tim Alexander, Gary Brozenich, Edson Williams and John Frazier «Star Trek Into Darkness» Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton
For A Wrinkle in Time, the Lidar
Guys modeled various shots of the New Zealand countryside, which were then handed off to larger
visual effects vendors to generate new imagery to be added.
It briefly shows how the Oscar - nominated
visual effects team mapped Cushing's facial features onto the British actor
Guy Henry using a combination of «lightstage» motion capture and CGI.
I really liked the
effects in «Black Swan» and a lot of the Aronofsky movies so we picked this
guy Dan Schrecker, who's our
visual effects supervisor who is doing a wonderful job.
He's a
visual effects spectacle to behold (a CGI marvel, really)-- nasty, mean and a massive threat, but the character doesn't add up to more than an infuriated bad
guy who chases people around and burns their bums with fire because they've woken him up.
by Walter Chaw I'm completely unfamiliar with the Min - Woo Hyong graphic novels on which
visual -
effects guy Scott Stewart's Priest is based, and the biggest surprise of the picture isn't that the
guy who did the abominable Legion managed to make something so watchable, but that Priest made me want to track down Hyong's work.
Achievement in
visual effects «The Hobbit: An Unexpected Journey» Joe Letteri, Eric Saindon, David Clayton and R. Christopher White «Life of Pi» Bill Westenhofer, Guillaume Rocheron, Erik - Jan De Boer and Donald R. Elliott «Marvel's The Avengers» Janek Sirrs, Jeff White,
Guy Williams and Dan Sudick «Prometheus» Richard Stammers, Trevor Wood, Charley Henley and Martin Hill «Snow White and the Huntsman» Cedric Nicolas - Troyan, Philip Brennan, Neil Corbould and Michael Dawson
Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer,
Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special
effects coordinator, Bruno Van Zeebroeck;
visual effects producers, Amber Kirsch, Petra Holtorf - Stratton;
visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.
This is the
guy that got an Oscar nomination for his
visual effects work from the first movie.
Do you
guys believe that the Avatar sequel will have better, cutting edge
visual effects that can captivate and attract audiences as significantly as the first movie did?
The Yogi Bear script was written by the same
guys who did Tooth Fairy starring Dwayne Johnson, and will be directed by former
visual effects supervisor Eric Brevig (Journey to the Center of the Earth).
The other yak - track reunites makeup head and creature performer Walter Phelan, creature
effects head (and head of the company who did the
effects for the series) Todd Masters, mechanical
effects guy Thomas Bellissimo, and
visual effects supervisor John van Vilet and is full of great information congenially delivered, along with a lot of fooling around.
Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer
Guy Hendrix Dyas, special
effects supervisor Chris Corbould, stunt coordinator Tom Struthers,
visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special
effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.
by Walter Chaw A gyno - centric reimagining of Disney's own Sleeping Beauty,
visual -
effects guy Robert Stromberg's directorial debut Maleficent (from a script by never - good Disney house - overwriter Linda Woolverton) takes all the ingredients for a horrible disaster and somehow wrestles a fitfully fascinating film from them.
Tarkin was originally played by Peter Cushing and here, Cushing (who passed away in 1994) is brought back to life through the magic of
visual effects and a physical performance by
Guy Henry.
Rodriguez (writer, director, editor, producer, editor,
visual effects, some of the music, man this
guy does everything!)