Sentences with phrase «visual effects like»

However, the video is worth watching as it shows a lot of visual effects like fire, smoke, sparks and melting.

For example, the Messages apps lets you share GIFs in your texts, as well as fun visual effects like Fireworks.

The advanced visual effects like lighting, shadows, dynamic weather, water spray, reflections and anything you could care to mention are superb.

Visual effects like the nitro boost or the water jets when you go through pounds are absolutely amazing!

He talked about the technical advancements they made to create Smaug, how they decided to visualize Smaug's speech, the time required to render visual effects like the billion coins in Smaug's vault, just how many people worked on the film, the Desolation of Smaug extended edition, and so much more.

Both games will be playable in arcade - authentic and «evolved» varieties, with the latter including prerendered graphics with visual effects like motion blur and particle - based explosions.

It has the same visual effects like a corset, it's ultra flattering and ultra feminine, drawing the eye to very sensual parts of the body.

In his powerful and evocative series, Monologues the washes create a visual effect like a waterfall or a mist; a natural, shifting phenomenon.

The phone's new white sandstone is estimated to bring excellent visual effect like the OnePlus 5T Star Wars edition does.

Not exact matches

They also started working on projects like «Chef» and «Selma,» where visual effects are important, but are most effective if they're not noticeable.

Responsible for some of the greatest visual effects pulled off on screen in the last 40 years, he's done everything from James Bond movies like «Moonraker» and «GoldenEye,» to Christopher Nolan's Batman trilogy and «Inception» (which he won an Oscar for).

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

Matthias MÃ 1/4 ller, a visual effects producer and SendOwl customer, suggests that bitcoin has a valuable role to play in the global economy, â $ œI think cryptocurrencies like bitcoin can help to bring back some variety and freedom to the way we run our economyâ $ ¦.

The pilot uses visual effects generously, both for thrills and as storytelling elements, a style which is complimented by a jittery score that feels a lot like Junkie XL's soundtrack for Batman vs. Superman: Dawn of Justice (great music for a very average movie).

Considering expenses like visual effects, producers and casting, the total cost of the show is expected to be north of $ 1 billion.

While ASEPTO Spark makes the most of the holographic and metallic effects to boost the visual appeal of the carton packs, ASEPTO Premium deploys intricate procedures like embossing, foil stamping, Fresnel lens, multi-lens technology among others.

I'd quite like to do this with whole chillies and leave a chilli in each bottle, for visual effect.

Features such as ridged outsole pay homage to the original's tire - like construction, while design on the upper creates a 3D visual effect.

Dr. Wang plans to continue studying the effects of TNF and IL - 17 on melanocytes, and would like to expand the research to 3D skin models — fabricated samples of tissue in vitro that behave like human skin — that would give a better visual of how the melanin production process is being disrupted by these two cytokines during skin inflammation or wound healing.

Andrew Huberman, PhD: We know a lot about the biology of healthy ganglion cells, both in terms of what those connections look like and how those cells signal information about the visual world to the brain, in effect, how they tell the brain what's out there in the visual world.

Smittie, the jeggings and leggings «fit» over curvier bottom halves - but liking the visual «sausage casing» effect is not universal.

The texture detail of the jacket is superb and I like the visual effect of the oversized rolled up sleeves.

It mostly serves as a visual effect than a palpable one, so even the people who dislike textured polish may like this one.

I feel like the visual effect of having my tops over my pants creates the optical illusion that my backside is more reasonable.

This occurs outside the piano lesson Samuel has insisted she take (though she has declared her preference for swimming, in effect, present bodyguard over absent dad), which underlines Creasy's dad function, and also, as Scott notes, shows the character's thinking, by way of a stunning visual composition: «It feels like part documentary, part grabbed real footage, and part opera.

«Shrek's Guide to Parenthood» isn't even remotely as clever as it sounds, the «Meet the Cast» featurette is little more than EPK fluff, and the visual effects featurette («Tech of Shrek») comes off sounding like a commercial for Hewlett Packard and AMD.

Its time, I think, is the 1970s, when directors like Alejandro Jodorowsky («El Topo,» «The Holy Mountain») and Nicolas Roeg («Don't Look Now,» «The Man Who Fell to Earth») made viscerally intense features with subjective visuals and sound effects and music and dissociative editing.

Whether you have a film like Ex Machina winning the Oscar for best visual effects over films like Mad Max: Fury Road or The Hurt Locker taking precedence over behemoth's like Avatar for best picture, independent films have always had a way of winning over the hearts of many viewers.

The movie looks like it cost a fortune, with Dean Cundey's glistening widescreen compositions and Bill Brzeski's towering, storybook sets providing the backdrop for seamless visual effects.

I liked the 3D effects but not the overall visual effects.

I would like to say that this film would make a good example of how visual effects look on a home television experience for a rental, but I still think the better recommendation for that would be the first film.

Instead, it's a modern, Hollywood version of the Japanese sequels to Gojira and like - minded, derivative works, pumped up by millions of dollars spent on visual effects to make the incalculable destruction of property and the deaths of thousands of people look as inoffensive — and lovely — as possible.

This time Spielberg does not rely on the visual effects for which he is famous in movies like «Indiana Jones and the Kingdom of the Crystal Skull,» «Jurassic Park» and «Empire of the Sun.»

I like the visual effects but not the plot line.

It's cheap, which is not inherently a problem, but it certainly doesn't help when you run into the real barriers like acting, visual effects, audio quality, costuming and set design.

This felt like an old - school, big budget sci - fi film with massive special effects, great visuals and a concept that made you think in Director Joseph Kosinski's love letter to 80s and 90s science fiction trendsetters.

If, like me, you have no fondness for the original, then you'll likely enjoy this vampiric comedy horror that boasts some decent visual effects and ambitious action sequences.

They probably had CG people — like the visual effects people were on set to supervise a couple of moments because, as you saw in the trailers, the ghosts are kind of see - throughish.

I really liked the effects in «Black Swan» and a lot of the Aronofsky movies so we picked this guy Dan Schrecker, who's our visual effects supervisor who is doing a wonderful job.

While it would be easy to shoot an entire film like this on a sound stage and use visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to experience the elements firsthand by shooting on location in Nepal on the foothills of Everest, as well as the Italian Alps.

Extras begin with a ho - hum yak - track featuring Fletcher and Chiarelli wherein they talk about locations, draw attention to the visual - effects backdrops that put Alaska's mountains behind the Massachusetts location, and too often simply explain, out loud, what's happening up there on the screen, like we're morons.

With the success of the National Treasure films, how was it like to work with Nicolas Cage in a different type of film, especially with a film that is very visual effect driven?

An encounter with «Never Birds», giant skeletal birds mentioned in Barrie's text but rarely touched since, seems like an obligatory foray into visual effects.

EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.

I kinda liked Avatar when I saw it and appreciated the spectacle, but that film winning any kind of awards not related to visual effects is ridiculous.

«They are like predatory animals that can't control themselves,» Visual effects supervisor John Nelson («Iron Man «-RRB- told EW about the undead on this film.

DVD Extras The visual effects items are particularly interesting for those who like to know how things are done, and the commentary with Tom Clancy is very revealing.

The New York Times has a audio commentary slideshow with Aaron McBride, the visual effects art director for Iron Man, describing how the suit up machine was created for the film, featuring concept art like the photo seen above.

Films like this are surefire contenders in the sound and visual effects areas.

It's like a joke about visual effects: «Look, we've got this snazzy software — if you want hordes of fire demons, we can pile on a few hundred more, no problem.»