Sentences with phrase «visual effects men»
The first is an audio commentary featuring author / screenwriter Ray Bradbury, director of photography Stephen Burum, and visual effects man Harrison Ellenshaw.
http://www.dvdizzy.com/ Not exact matches
Achievement in visual effects «Gravity» Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould * WINNER «The Hobbit: The Desolation of Smaug» Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds «Iron Man 3» Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick «The Lone Ranger» Tim Alexander, Gary Brozenich, Edson Williams and John Frazier «Star Trek Into Darkness» Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton
Summer blockbusters trade in expectation, but it's hard to figure out what to expect from «Ant - Man» other than the prerequisite visual effects and Paul Rudd charm.
He notes in passing that five men with colour blindness dropped out of the trial «because they were experiencing visual effects».
Foods that naturally improve circulation, increase visual and sensual impact as well as stimulate the brain (the brain is the largest sexual organ in the body although I'm sure some men would disagree haha) will have a positive effect on your mojo.
Its time, I think, is the 1970s, when directors like Alejandro Jodorowsky («El Topo,» «The Holy Mountain») and Nicolas Roeg («Don't Look Now,» «The Man Who Fell to Earth») made viscerally intense features with subjective visuals and sound effects and music and dissociative editing.
Since «Iron Man» in 2008, the Marvel Cinematic Universe (MCU) has been using cutting - edge visual effects to tell entertaining stories on a grand scale, and has billions in box office gross to show for it.
The crazy color schemes and visual effects once made this a popular head picture, though you'd have to be stoned to tolerate the score, which includes The Candy Man.
Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
Surprisingly, though seventeen years of technological advances should have made for smoother man - to - dog transformations, the visual effects don't hold up as well as the original film's.
A couple days ago, George Clooney «s The Monuments Men was delayed to 2014 in order to work on the visual effects and find the right tone for the story.
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
«They are like predatory animals that can't control themselves,» Visual effects supervisor John Nelson («Iron Man «-RRB- told EW about the undead on this film.
G - Force marks the feature directorial debut of veteran visual effects artist Hoyt H. Yeatman, Jr., who also receives story credit with fellow effects man David P.I. James.
The New York Times has a audio commentary slideshow with Aaron McBride, the visual effects art director for Iron Man, describing how the suit up machine was created for the film, featuring concept art like the photo seen above.
Visual effects WINNER: «Gravity» «The Hobbit: The Desolation of Smaug» «Iron Man 3» «Pacific Rim» «Star Trek Into Darkness»
The director of one of the best time - travel films of all time is doing visual effects work on Rian Johnson's time - travel - and - hit - men movie Looper, according to Looper's Twitter feed.
The visual effects used to depict the fires are impressive, but the scenes showing these brave men fighting them just aren't compelling.
The laughs and visual effects are out of sight when Chevy Chase headlines Memoirs of an Invisible Man.
Co-directed by Zhao Xiaoding, Oscar - nominated cinematographer of House of Flying Daggers, and Anthony LaMolinara, Oscar winner for his visual effects on Spider - Man 2, Once Upon a Time involves a star - crossed romance between a 140,000 - year - old goddess and a heavenly prince, 70,000 years her junior, over the course of several realms and lifetimes.
This is understandable considering that first - time director Scott Stewart comes from a visual effects background (he has worked on such movies as Harry Potter and the Goblet of Fire, Superman Returns, Grindhouse and Iron Man).
Camera (color, widescreen), Wang Yu; editor, Manda Wai; music, Eli Marshall; production designer, Zhao Hai; costume designer, Man Lim - Chung; sound (Dolby Digital), Tu Duu - Chih; visual effects, Illumina; assistant director, Thomas Chow; casting, Cheng Jie.
Visual effects: «Spider - Man 2,» John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier.
Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).
VISUAL EFFECTS Interstellar Dawn of the Planet of the Apes Guardians of the Galaxy X Men: Days of Future Past Captain America: The Winter Soldier
Marcus has worked in visual effects before, and also made the short The Flying Man, and is currently set to direct the horror thriller Snowblind starring Karl Urban.
But between its top - notch visual effects and the indefatigable charisma of the only man who can dwarf not one but three giant mutated animals, Rampage provides so much destruction that audiences indisputably get their money's worth, even if afterward they'll probably feel as leveled as the cities on screen.
The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.
The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
The Scorecard Review Movie Awards: Best of the Decade (Almost) CLICK HERE to vote Best Visuals — special effects 2002 — Lord of the Rings: Two Towers 2002 — Star Wars: Episode II — Attack of the Clones 2003 — Lord of the Rings: Return of the King 2003 — Matrix Reloaded 2004 — Spider - Man 2 2004 — House of -LSB-...]
SPECIAL VISUAL EFFECTS ANT - MAN: Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke EX MACHINA: Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst MAD MAX: FURY ROAD: Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams THE MARTIAN: Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner STAR WARS: THE FORCE AWAKENS: Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan
NEW 2K scan of the Inter-positive supervised and approved by director of photography Dean Cundey NEW 4.1 created from the original 70MM Six Track Dolby Stereo soundtrack NEW Audio Commentary with director of photography Dean Cundey NEW The Men of Outpost 31 — interviews with Keith David, Thomas Waites, Peter Maloney and more... NEW Assembling and Assimilation — an interview with editor Todd Ramsay NEW Behind the Chameleon — interviews with visual effects artists Peter Kuran and Susan Turner, special make - up effects artist Rob Burman and Brian Wade and more....
Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.
From the Ground Up: The Visual Effects of Little Man (15 minutes) features comments from the visual and digital effects teams, and we get to see how Marlons head was digitally placed on the body of a small Visual Effects of Little Man (15 minutes) features comments from the visual and digital effects teams, and we get to see how Marlons head was digitally placed on the body of a small visual and digital effects teams, and we get to see how Marlons head was digitally placed on the body of a small actor.
The sequences are clean (There is nothing approaching the visual noise of the first movie's neon - soaked climax) and feature some impressive effects, even if the laws of physics don't seem to apply to Spider - Man (long plunges followed by last - second saves that would probably rip his arms from their sockets).
«Iron Man,» a Marvel Studios Production (Paramount and Marvel Entertainment)(2 nominations) Sound editing Visual effects
The man is a visual - effects wizard.
Finally, pointing to two Oscar inevitabilities, the Animation award will go to Andrew Stanton for «WALL - E» (well, duh), while «Iron Man» will be recognised for its visual effects.
SPECIAL VISUAL EFFECTS «Ant - Man,» Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke «Ex Machina,» Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst < — predicted winner, Stone «Mad Max: Fury Road,» Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams < — predicted winner, Flores «The Martian,» Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner «Star Wars: The Force Awakens,» Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan
The visual effects wizardry that's been applied to their mo - cap performances is top - notch as well, proving once again why this technology is incredibly useful in not only creating more realistic CG characters, but giving them a human element that could never be achieved by men in rubber suits.
The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).
Rodriguez (writer, director, editor, producer, editor, visual effects, some of the music, man this guy does everything!)
Winners for short film, animated feature and technical categories like sound, visual effects and cinematography were all men.
It's been a good year for super hero films, but when it comes to originality, writing, visual effects, and action, Hellboy 2 runs circles around Dark Knight, Iron Man, and The Hulk.
Whereas one of the downsides of the previous Iron Man films was too much emphasis on visual effects and not enough on people, Iron Man 3 has cracked this problem with new remote - control armor that allows Downey to appear on camera while Iron Men fly all around him (he can jump into any suit at any time).
It is with this visual energy and layers of detailing that Schoultz delivers poignant commentary about the relationship between man and nature as well as the effects of globalization and capitalism in today's world.
In thinking about him one can not remain within the limited and relatively simple categories of the evolution of visual form: one is forced to consider the spiritual character of the man, the problem of the effect upon talent of certain kinds of experience in the modern world, the problem of the relation between traditional forms of intellect and the creative impulse in this world — and other questions of an equally unmanageable sort.
He won the best visual effects award in 2006 for the movie Pirates of the Caribbean: Dead Man's Chest.