Sentences with phrase «visual effects movie»

Not exact matches

For example, a Hollywood director can bypass visual effects specialists and tweak movie shots directly.

Responsible for some of the greatest visual effects pulled off on screen in the last 40 years, he's done everything from James Bond movies like «Moonraker» and «GoldenEye,» to Christopher Nolan's Batman trilogy and «Inception» (which he won an Oscar for).

Since the «Star Wars» prequels, in which George Lucas was heavily criticized for using too much CGI to create the worlds and characters, many big - budget movies have tried to find that happy medium of practical and visual effects to give the action on screen a more grounded feel.

Independent of Lucasfilm and its parent company, Disney, ILM provides visual effects services for films from all the major movie studios.

«The Irishman» will follow in the footsteps of «Hugo» as a Scorsese movie that depends heavily on visual effects.

In fact, the details are so vivid, that if a film director tried to portray Genesis 2 in a movie, it would require massive visual and special effects.

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The pilot uses visual effects generously, both for thrills and as storytelling elements, a style which is complimented by a jittery score that feels a lot like Junkie XL's soundtrack for Batman vs. Superman: Dawn of Justice (great music for a very average movie).

Star Wars: The Last Jedi is nominated for a best Visual Effects Oscar, and perhaps as part of their campaign for the award, Industrial Light and Magic (they produce all the special effects for Star Wars) has released some YouTube clips of how they were able to computerize some of the movie's most impressive set pieces, including that opening space battle with the bombing run.

Teleportation is actually the least impressive visual effect in the movie,»cause it's extremely fast and violent so it's over before you can even see it.

The new movie «Pompeii» reconstructs one of the most famous volcanic eruptions in history with unprecedented «3D» special effects — but even the best visuals can't help if the science is wrong — so how geological accurate is the movie?

As well as producing Oscar - nominated visual effects for the movie, Thorne and the effects team also unearthed some unexpected physics, such as that an observer close to a rapidly spinning black hole would see more than a dozen images of individual stars just outside one edge of the black hole's «shadow.»

«We learned more about hairstyling than perhaps we wanted to know,» reports Ken Bielenberg, the visual - effects supervisor for both Shrek movies.

Theoretical physicist Kip Thorne, an «Interstellar» executive producer, worked closely with the movie's visual - effects crew to come up with an unprecedentedly realistic portrait of «Gargantua,» the monstrous black hole at the movie's core.

Just an awesome dude from south america and just moved to california to study visual effects in movies

The HFR version is great in detailed action sequences involving visual effects — the prologue and Goblin Town look particularly good — and is otherwise so haphazardly hit and miss from shot to shot to shot that I don't think I was «in» the movie for more than eight seconds at a time for the entire two hours and forty - five minutes.

There's almost no visual tone to the movie and the effects sequences are atrocious.

Critics Consensus: The movie is overwhelmed by its chaotic visual effects and disjointed storyline.

However there could have been some improvements, especially in the acting and visual effects, but what can you expect from a low budget B movie monster flick?

The two lead characters are effective and you root for them to live, which is the opposite of most horror movies, and the visual effects aren't bad either.

The climactic battle between the forces of Voldemort and Harry and his loyal followers is vividly staged, with flourishes that command our attention, even after seven previous movies full of impressive visual effects.

Critic Consensus: The movie is overwhelmed by its chaotic visual effects and disjointed storyline.

Maybe the filmmakers are so lost in their slambang visual effects that they don't give a hoot about the movie's scariest implications.

The movie looks like it cost a fortune, with Dean Cundey's glistening widescreen compositions and Bill Brzeski's towering, storybook sets providing the backdrop for seamless visual effects.

Really, the only area is which the film falls back a bit is in its reliance on visual effects to play a primary role in the action sequences, a common shortcoming in recent superhero movies.

It's a strong (albeit familiar) premise that's immediately threatened by a surprisingly (and distractingly) low - rent visual sensibility, as filmmaker Craig Gillespie, along with cinematographer Javier Aguirresarobe, has infused Fright Night with a hackneyed artificial darkness - ie it's almost as if the pair were trying to emulate the appearance of David Fincher's movies - that both holds the viewer at arm's length and highlights the laughably unconvincing computer - generated special effects.

The performances sell this film, but the true star of this movie is the editor (excluding the very off - putting visual effects of the skater's faces).

This time Spielberg does not rely on the visual effects for which he is famous in movies like «Indiana Jones and the Kingdom of the Crystal Skull,» «Jurassic Park» and «Empire of the Sun.»

What the movie needs is a director, and what it gets instead is Pitof, a French visual - effects maestro so much fonder of technological wizardry than of human flesh that he manages to turn even his slinky, sinuous star attraction into a digitized synthespian frolicking about endless CGI cityscapes.

For the first 4 / 5ths of the movie, there are very very very few visual effects.

There's also the beautiful cinematography, costumes, visual effects and * ahem * Chris Hemsworth that made the movie visually stunning.

The dialogue is smart and hilarious, the casting is perfect, the visual effects are amazing and I didn't want this movie to end.

only the brave star wars the last jedi the lego batman movie ves visual effects society war for the planet of the apes

I really liked the effects in «Black Swan» and a lot of the Aronofsky movies so we picked this guy Dan Schrecker, who's our visual effects supervisor who is doing a wonderful job.

Even the Fast and Furious movies have taken to having more visual effects heavy action sequences when they used to rely on real stunt driving.

The movie is a triumph of visual imagination, too, finding all of its exotic locales in ingeniously repurposed parts of Kaufman's beloved San Francisco, and with marvelous visual effects that seamlessly insert the actors into real historical footage.

While there are a number of things to recommend within this live - action retelling of «a tale as old as time,» including many fine performances and the beautiful visual effects, the movie, as a whole, feels strangely inert.

Director Gareth Edwards (Monster) packs the movie with visual references to A New Hope, cleverly matching the design work by avoiding fakey digital effects in lieu of more practical, battle - scared models and lively settings on a series of new planets and a familiar one.

I thought the second movie was a great visual effects film if you wanted to see robots beating the crap out of each other, but overall it was so poorly executed that I actually wanted to walk out of the theater and I almost did.

Visual effects artist turned director Stewart played around with the casting (Brad Dourif and Urban share a scene, a mini «Lord of the Rings» reunion) and indulges himself in Western iconography to such a degree that you kind of wish he'd designed this movie, then found a better script to go with it.

The best zombie movies don't contain buckets of senseless gore or just ninety minutes of the visual effects guy getting creative with his walking cadaver designs.

A re-visiting of the somewhat seminal work — which scored a visual effects Oscar nomination, rang up over $ 50 million in its initial theatrical run, and expanded upon the notions of what was an acceptable Hollywood studio animated release — reveals a spirited but flawed rendering of a deliciously wonky premise, a movie long on cultish personality but lacking in the sort of storytelling vim and vigor that sticks to the imagination outside of a captive viewing.

Guardians is laden with visual effects, but it's the relationships and the sharp dialogue inspired by them that makes the movie enjoyable.

The director of one of the best time - travel films of all time is doing visual effects work on Rian Johnson's time - travel - and - hit - men movie Looper, according to Looper's Twitter feed.

A brief helping of equally brief extras — each infested with too many clips from the movie — begins with «Until Gravity Do Us Part» (4 mins., HD), which surveys the multi-stage production of the Flash Gordon / Star Wars - inspired bedtime story, complete with interviews from the visual effects supervisor and fight choreographer.

Grossing just under $ 19 M domestically and barely matching that total overseas, the movie was one of several to lose money last year for young distributor Relativity Media, whose $ 25 M budget (identical to Piranha's) seems excessive but at least yields animatronics and CGI clearly better than the visual effects of Corman's shoestring Syfy productions.

The money was well spent, though, with the show's visual effects similar to that of a movie — 10 years later, they still look crisp and sharp on repeat viewings.

ANDERSON: The first movie was a British - German co-production, starring a woman who was born in the Ukraine, with a hybrid British / German crew, and we did all the visual effects in London.

This means the Blu - ray / DVD combo pack has deleted scenes, a gag reel, blooper reel, featurettes about the visual effects, behind the scenes and the original Jay & Seth vs. The Apocalypse short film that the movie is based on.

The movie does indeed have amazing visuals, fantastic 3D effects, and thunderous sound, but when the Transformers themselves are not on - screen, the movie just crawls to an uninteresting stop.