Yates's dispassionate shooting of those scenes in clinically sound locations certifies the grimness of Higgins's thesis (one gets a grubbily incontestable, time - and - money demonstration that crime often pays miserably), and ultimately he improves upon the experience of the book simply because
the visual experience of the film is less monotonous than the verbal experience of the book.
Not exact matches
During the medial stretch
of the
film (about an hour), the latter journey (the
visual sequences) will mimic one's
experience at a planetarium, or perhaps a viewing
of an environmental documentary, minus a top - rate actor's narration; if watching it on television, one might have the strong urge to check the channel.
The
film has two directors, Chris Miller and Raman Hui, neither
of whom has ever made a feature
film, though both have extensive
experience working on the
visual side
of animation.
I would like to say that this
film would make a good example
of how
visual effects look on a home television
experience for a rental, but I still think the better recommendation for that would be the first
film.
We
experience the delay
of the fantasy
of the happy old couple in their country home in cinematic time as, for most
of the
film, the only body these lovers have is the spellbinding combination
of visual fragments serving as apparitions to their voices.
While it would be easy to shoot an entire
film like this on a sound stage and use
visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to
experience the elements firsthand by shooting on location in Nepal on the foothills
of Everest, as well as the Italian Alps.
Disney Animation has gotten the hang
of CG well enough for you to expect a dynamic audio -
visual experience and the
film does not let down in that regard at all.
Through Taymor's trademark
visual flair and creative direction, the
film presents even the most devoted Shakespeare fans an opportunity to
experience one
of the Bard's most beloved works in a unique and exhilarating new production.
In the 1970 ′ s and 1980 ′ s, Brian De Palma championed the use
of this tool to enhance the
visual and emotional
experience of his
films.
Enrico is clearly a personal filmmaker — he returns obsessively to themes
of time and memory, images
of families and homes shattered in the most terrible, irreparable ways — but all his
films after Au coeur de la vie... and Zita fail
of deftness and suggestibility as
visual experiences, being all but indistinguishable from the hackwork
of other commercial French filmmakers typified at their best by the «Tradition
of Quality» boys.
You get what Fluk is going for: The vibrant
visuals (and intensified ambient sounds)
of the
film's middle section represent the world as James is
experiencing it, literally through new eyes.
For Nugent, the work was to keep the momentum
of the propulsive first act going, and to keep viewers from
experiencing too much «
visual lethargy» during the
film's first half, which all takes place within the 10 - by -10-foot shed.
Unfortunately, the movie - going
experience of the
film did not live up to its hype as the slow plot and long running time undermine amazing the
visuals, sounds, and performances.
Since seeing the recent adaptation
of Gillian Flynn's novel I have also come into the understanding that the
film experience is merely half the picture; that reading what Flynn is able to elucidate in greater detail in print is somehow more compelling than the
visual spectacle
of Ben Affleck and Rosamund Pike operating at extremely high levels.
Again, the
film's
visuals take on the characteristics
of Georges»
experience, veering between the real and imagined.
The four - minute
visual work
of art is a fully - immersive, 360 ° narrative
experience set in the world
of the upcoming feature
film The Divergent Series: Insurgent and features stars from the
film including Academy Award winner Kate Winslet, Miles Teller and Mekhi Phifer.
In its very simple construct, the
film presents time in a
visual and spatial context, a singular
experience that offers the viewer an opportunity to step outside
of the time spectrum and feel its passage as a witness.
Experience the nonstop action, incredible fight sequences and stunning
visual effects
of 2 epic
films in The Scorpion King Action - Pack.
This restored edition features a relatively new video transfer, along with several new audio transfers to ideally bring viewers the best viewing
experience possible for this landmark
film utilizing some
of the earliest
of visual effects for the sake
of an imaginative feature.
Much was made
of the
film's striking
visual aesthetic, a byproduct
of the directors»
experience in the world
of music videos, but not enough credit has gone the way
of Dano and especially Radcliffe, who are both phenomenal here.
I was lucky enough to be able to watch the
film on a projector at a friend's house, but it is a shame that so many people won't be able to
experience the gorgeous
visuals of Annihilation on a large format.
It's a compelling visceral
film — sound, images and characters combined into a decidedly odd
visual experience that evokes the feel
of a graphic novel.
Interactive
experiences have yet to adopt these on as formal
of a level as literature,
visual art (like paintings, drawings and sculptures) and
film.
After 16 wonderful years at Pixar, working on most
of the studios»
films as a character, environment, graphic artist, art director and production designer, I was excited to bring my
experience and passion for
visual storytelling to Dynamighty.
From The Creative Assembly's attempt to provide Alien aficionados with an
experience that matches the white - knuckle tension
of the original
film to
Visual Concept's sixteenth iteration in their beloved basketball franchise, this week itinerary
of...
From The Creative Assembly's attempt to provide Alien aficionados with an
experience that matches the white - knuckle tension
of the original
film to
Visual Concept's sixteenth iteration in their beloved basketball franchise, this week itinerary
of new releases has a number
of notable highlights.
The artistic goal
of all
of these artists was to recover something like a pre-cognitive sensation
of visual experience: an image
of the world as a field
of colored patches and
films.
We work with international and UK artists to produce extraordinary
experiences, creating an exciting mix
of thought - provoking drama, dance,
film and contemporary
visual art with a strong focus on international work, new commissions and talent development.
Hart's desire to disrupt our appetite for
visual imagery is reminiscent
of 2012 Turner Prize - winner Elizabeth Price, seeking to dismantle
film by re-presenting a fractured yet deeply choreographed visceral
experience.
In similar fashion, Rooftop Routine played on the limitations
of the camera in capturing the sequences
of all the movements in one shot, and viewers
of the
film are left to imagine the communal
experience and the
visual rhythms
of the hula hoopers with their circular movements against the grid - like views
of the city.
Practical
experience, public presentation, and reflection are integrated into the educational process in many ways, such as through Internships and Cooperative learning assignments, play production, musical performance and recording,
visual arts production and exhibition, and the production and viewing
of video,
film, and design.
Citing Cy Twombly's scratches and scribbles on canvas, Granat physically etches into her
film strips and notes the performative and physical aspect
of her
film installations — both during the creative process but also as a finished product for the viewer as they take in an environmentally
visual and aural
experience.
THOMAS ALLEN HARRIS Thomas Allen Harris, an award - winning Director, is the President
of Chimpanzee Productions, Inc. a company dedicated to producing unique audio -
visual experiences that illuminate the Human Condition and the search for identity, family, and spirituality, including feature length
films, performances and live multimedia productions.
A number
of iPad drawings and a series
of new
films produced using eighteen cameras will be displayed on multiple screens, providing a spellbinding
visual experience.
Richards feeds the tension already present in Bacon's painting with a orchestral soundscape
of public silences - acts
of mourning remembrance or suspenseful pauses in
films, to form a unique
visual and audio
experience.
The brainchild
of «The Festival
of Fatimah», Armina Mussa — a D.C. - native who could easily be described as a captivating hybrid
of modern nymph and irreverent wit — the
visual experience is an edited yet expressive collection
of unexpected faces captured on
film in her late Bed Stuy apartment.
Niro creates complex
visual experiences in a variety
of media, including beadwork, painting, photography and
film.
Thomas Allen Harris is an award - winning director and President
of Chimpanzee Productions, Inc. a company dedicated to producing unique audio -
visual experiences that illuminate the human condition and the search for identity, family and spirituality, including feature length
films, performances and live multimedia productions.
The panel, moderated by Alexandra Sachs, executive director
of SCAD FASH Museum
of Fashion +
Film and Atlanta exhibitions, will explore how these three artists — who work in a range
of media and formats from
film and video, to painting and sculpture, to site specific wall drawing — utilize their research and
experiences of place to inform their personal
visual language and creative pursuits.
Sarah works internationally on multiple collaborations and exhibitions, with extensive
experience of working in contemporary
visual art, independent
film and engagement.
Described as a
visual poet, social critic, and aesthetic researcher, she uses
film, photography, performance, installation and mixed media as platforms to communicate the complex
experience of being a diasporic person and to wrestle with the notion
of a disembodied identity.
The fair unites photography,
film - making and other forms
of visual art with intellectual debates and discussions to form an educational and thought - provoking
experience for a contemporary art loving audience.
Sarah Perks Artistic Director, (
Visual Art & Film), Cornerhouse & HOME (Manchester) Sarah Perks is an international curator, film programmer and producer with significant experience of contemporary visual art, independent film and engag
Visual Art &
Film), Cornerhouse & HOME (Manchester) Sarah Perks is an international curator,
film programmer and producer with significant
experience of contemporary
visual art, independent film and engag
visual art, independent
film and engagement.
Irwin's subtle interventions will enhance the
visual experience and include the use
of long transparent scrim walls in black and white, as well as window
films that manipulate and frame the changing light conditions that occur throughout the course
of the day.
Season 2 uses the medium
of film to provide an
experience of the
visual arts that goes far beyond a gallery visit.
Creating ephemeral monuments through
film, photography, and assemblage Cordova seeks to expand the overall
experience of the
visual arts as a platform for discussing our common
experiences, needs, and struggles.
Penkala plays with optics and
film conditions as
visual bait to conflate the actual and the representation; fragmenting the
visual experience into a series
of changing moments, into a state
of flux, into an «unfixing»
of conceptual models rather than concretizing them.
Calling for public participants interested in Walking Meditation to assist with
filmed recordings
of the
visual and visceral
experience of walking in unison above and along the water's edge
of the Schuylkill Banks Park.
Take advantage
of our
experience preparing resumes for performing arts, writing and publishing,
visuals arts and crafts,
film and television, broadcasting, digital media, music and sound recording opportunities, to name a few.