Even in these cautious days, there's no shortage of strangeness in cinema, but it usually comes in the more demonstrative, immediately recognizable variety — the
flamboyance of a Paolo Sorrentino, say, or the skewed linguistic conceptualism of a Yorgos Lanthimos... We're used to seeing strangeness that's manifest, located right on the surface of a filmmaker's
visual language.
Coordinate markings with your teammates, highlight your corporation, or just make a personal
visual statement with bold
flamboyance or tasteful understatement.