Sentences with phrase «visual framing of the painted»

Not exact matches

«Loving Vincent,» a «Citizen Kane» - style multiple - perspective mystery about the death of Vincent Van Gogh, is known for its ambitious visuals: each frame is hand - painted in oils in the style of the artist.

In so doing, the philosophical continuity of the artist's disparate visual strategies will be framed, strategies the artist has repeated and contradicted, as his investigation into the painted form has changed direction or reversed course over the past five decades.

«6 But there is nothing «antioptical» about Piper's careful attention to framing, visual balance, and hue here — rather, she cannily mobilizes the opticality of modernist painting to highlight the ocular elements of racialized recognition.7

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

The brothers approach painting as a visual representation of pure energy: everyday scenes explode in vortexes of blinding color, movement is practically animated, and products make their placement, an effect similar to viewing every frame of a film simultaneously.

The visual stars of the show are two large gestural black paintings, Black Orpheus and The Berlin Conference, created by pouring a hot mixture of wax and black soap (a substance made from the ash of West African plants) into a 2 - inch - deep frame and clawing grooves into the material with a palette knife as it cools.

Frequently using the visual language of cartography, Dahlia's paintings employ symbols of hard data - geologic forms, borders, markers, coastlines — to frame the soft data of the ephemeral, adapting a quantitative schema to the qualitative.

In a 1956 letter to Sweeney, 32 artists, including De Kooning and Motherwell, also say that «The basic concept of curvilinear slope for presentation of painting and sculpture indicated a callous disregard for the fundamental rectilinear frame of reference necessary for the adequate visual contemplation of works of art».

Organized by CAAM's visual arts curator Mar Hollingsworth, the show includes work by nearly 50 artists starting with the stunning 1964 painting by Daniel LaRue Johnson, Big Red, a square of dark red stripes framing a smaller square of charred black detritus, a piece that in itself contains both meanings of «Hard Edged.»

The exhibition's title refers to a visual device used in landscape painting, in which the painter includes an object in the foreground as a means of framing the view of the landscape.

In the group show that brings PIPA nominated artists Adriano Costa, Deyson Gilbert, Marcius Galan, Paulo Nazareth and Roberto Winter, works of installation, sculpture, painting, video and collage reflect the multiple means through which visual information is encountered and how it can be framed to serve a particular motive or audience.

The Western tradition tends to portray painting as a two dimensional artefact, whose sides are hidden in frames, and whose reverse if of no visual or cultural interest.

Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT

«Mixing empty frames that have a flash of gilding or an unusual moulding with unframed canvases and vintage paintings is an easy way to create a strong visual look,» says antiques collector and interior designer Josephine Ryan.

Large panes of glass allow light to flood in and give panoramic views of the surrounding woodland, and the steel frame has been painted bright green to give it a visual connection with the surrounding trees.