Sentences with phrase «visual history of the world»

Her friendship with Joe Gould, who claimed to be writing an «Oral History of the World,» inspired Neel to create what she called a «Visual History of the World» and which she compared to Balzac's «The Human Comedy,» a sprawling series of interconnected novels — an apt metaphor for her entire body of work.

Called The Watercolour World, the initiative aims to create a visual history of the world from the era before photography became the standard medium of documentation.

Not exact matches

The Waldorf pedagogy integrates literature, movement, theatre, and the visual and musical arts with a rigorous academic study of science, math, world languages, history, and geography.

What is striking about the film is what Jarmusch drapes over these visual and auditory flourishes with the content of the characters and the content of this world, and how unconcerned it seems to be with the prior history of vampires in literary and pop culture.

Set in Paris in 1899, his new film combines outrageously styled visuals, songs from every era of pop music history, and a classic story of impossible love between a struggling writer and a world nightclub siren.

«Last year I thought of doing this project to provide students with a visual teaching tool to help understand the history of their town,» Barger told Education World.

Gift books for history buffs A History of the World in 100 Objects, Rome: A Cultural, Visual, and Personal History, The Library of Congress Illustrated Timeline of the Civil War and Life Upon Thesehistory buffs A History of the World in 100 Objects, Rome: A Cultural, Visual, and Personal History, The Library of Congress Illustrated Timeline of the Civil War and Life Upon TheseHistory of the World in 100 Objects, Rome: A Cultural, Visual, and Personal History, The Library of Congress Illustrated Timeline of the Civil War and Life Upon TheseHistory, The Library of Congress Illustrated Timeline of the Civil War and Life Upon These Shores

Allyson Latta a picture's worth 1000 words author interview Blog of Green Gables Canada) Carin Makuz Cheryl Andrews Christy Ann Conlin Costa Rica creative nonfiction Endymion Studios Photography family history Kristen den Hartog life writing lifewriting Matilda Magtree memoir memoir writing memories Memories into Story memory memory prompt memory trigger memory triggers nature photography poetry publishing success Second World War Seven Treasures (a memoir series) short memoir summer travel visual writing prompt wildlife Wordless Wednesday writers retreat writing writing advice writing contest writing inspiration writing method writing prompt writing tip writing tips

As guests travel through the building the app becomes an audio and visual companion for four specific areas: the Sustainability Exhibit, the «Dare to Dream» Exhibit about the history and construction of the building, and the world - famous 86th and 102nd floor Observatories.

We're home to the California Center for the Arts, Escondido, a unique visual and performing arts complex and museum; the San Diego Zoo Safari Park, an expansive wildlife sanctuary; the amazing sculpture garden, Queen Califia's Magical Circle, created by the late world - acclaimed artist Niki de Saint Phalle; the San Diego Children's Discovery Museum; and Daley Ranch, a wilderness preserve with extensive hiking, biking and equestrian trails... as well as equestrian trail riding at The Ranch at Bandy Canyon and exploring 10,000 years of San Diego history at the San Diego Archaeological Center.

The most important feature of the game is exploration, we try to offer a world where it is always possible to find something new to do, in addition to a deep and dark history behind an adorable visual aspect.

Kingdoms of Amalur: Reckoning was brought together by a stellar team of creative minds that joined World Series Champion pitcher and founder of 38 Studios, Curt Schilling, including 24 - time New York Times bestselling author R.A. Salvatore who created Amalur's 10,000 - year history, Spawn creator Todd McFarlane who lent his signature visual style to the artistry of the game, and Ken Rolston, internationally celebrated game designer.

An Unforgettable Story Unfolds: Mask of Deception offers a story - rich visual novel experience that lets players shape the future of a fully realized world filled with fantastical lore and history!

The developers are tennis and history fans in real life, and their goal with World of Tennis: Roaring»20s is to create a tennis game that lets players experience the vibrant atmosphere of the 1920s — with a unique visual style anchored by deep tactical play and motion capture for added realism.

Kingdoms of Amalur: Reckoning was developed by a stellar team of creative minds that joined World Series Champion pitcher and founder of 38 Studios, Curt Schilling, including 24 - time New York Times bestselling author R.A. Salvatore who created Amalur's 10,000 - year history, Spawn creator Todd McFarlane who lent his signature visual style and artistry to the game, and Ken Rolston, internationally celebrated game designer.

The pixel plumber's 16 - bit debut blew out the classic premise with loads of distinctive new worlds, all sorts of fresh play mechanics, loads more visual detail than was possible on the NES, and one of the greatest soundtracks in the history of gaming.

However, the inspiring backdrop of London, its fascinating charm, rich history and buzzing everyday life enchanted her and brought her back to the world of dreams and visual beauty.

She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art world.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).

The Archives of American Art is the world's pre-eminent and most widely used research center dedicated to collecting, preserving, and providing access to primary sources that document the history of the visual arts in America.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

She is known for her work to dismantle the sexist, racist and homophobic structure of the art world, and seeks to elaborate a queer, anti-racist, feminist history and theory of modern and contemporary Euro - American visual arts.

2015 The 56th International Art Exhibition - All the Worlds Future's, Venice Art Biennale Go East, Art Gallery of New South Wales, Sydney 2014 Taiping Tianguo: A History of Possible Encounters, e-flux, New York State of Emergency, Davidson College, Belk Visual Arts Center, Davidson, USA Beyond and Between, Leeum Samsung Museum of Art, Seoul, South Korea Beyond Stuff, Mizuma Gallery, Singapore The 14th International Architecture Exhibition - Fundamentals, Venice Architecture Biennale Unscrolled: Reframing Tradition in Chinese Contemporary Art, Vancouver, Canada

Equally drawn to the history of figurative sculpture as to a wide range of craft and artisan traditions around the world — from ceramic techniques to glass blowing, enameling to welding — Upritchard pushes these practices in new directions, bringing them together to create a striking and original visual language of her own.

In his visual juxtapositions, Yang, regardless of his ethnicity, is not unlike many other artists, bloggers, Tumblr's and Pinterest participants all over the world, picking and choosing what speaks to them from throughout history and re-contextualizing it into their own reality.

As Zhang says, he is creating a «societal landscape,» one where, whether he is manipulating an image of a building in Chelsea or one half way around the world in China, his aim is not to efface but to meld disparate concepts and histories, disparate types of visual information, and make yet a third thing — a multifaceted, multi-media, object for contemplation.

Covering a millennium of Islamic history in regions extending from Spain to India, this comprehensive exhibition surveyed the extraordinary range and visual virtuosity of one of the world's great artistic traditions.

Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the 2004 Kraszna - Krausz Book Award in Culture and History — a prize awarded to «the world's best book on the moving image» — and has provided new directions for visual studies.

Her self - proclaimed mission is «to re-write a black queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in SA and beyond».

An internationally renowned visual artist who has been showing in major museums of modern and contemporary art, and a distinguished thinker, Bracha L. Ettinger is also one of the world's leading theorists in the realm of art and philosophy of aesthetics, ethics, sexual difference and French psychoanalysis and feminism, whose writings have influenced film and literary thinking, queer studies, contemporary aesthetics and ethics, and art history.

The questions of repression, disenfranchisement, and resistance that dominate the lives of many people around the world are fused with lessons from US history, African spiritualism, and the rich visual traditions of Afro - diasporic art.

«World War I and the Visual Arts» ran at The Metropolitan Museum of Art through January 7, 2018, «An Incomplete History of Protest» at The Whitney Museum of American Art.

15.20 Between the Arab world and South Asia: Culture, Mobility and Society, Iftikhar Dadi, Associate Professor, Cornell University, Department of History of Art and Visual Studies

Throughout history, the world of games — with its inversions of mastery, dependence on chance and reliance on both verbal and physical play — has intrigued and inspired visual artists.

With more than 100 illustrations, Sean Scully: Vita Duplex provides a comprehensive look at the artist's visual oeuvre, as well as his world of ideas, and defines its place in the history of abstract painting.

Muholi's self - proclaimed mission is «to re-write a black queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in South Africa and beyond.»

The physicality of 16 mm film, in distinction to digital video, reflects the tactile, tangible worlds of the characters he portrays and Rivers uses his awareness of the history of the medium and its multiple genres to break away from traditional audio and visual narratives.

It allows art goers to expand their knowledge and gain access to some of the best art in the world, teaching us about our human history and culture through the visual world.

Drawing on a wealth of concepts and subjects from the atomic and the cosmic, geometry and optics, to time, rotation and visual perception, Seeing Round Corners will also include a selection of objects and images from world cultures, religions and history such as scientific instruments, technological images and works from spiritual and mystical traditions.

Collectively, they represent visual images of how Black people were perceived throughout world history.»

EVOLUTION OF VISUAL ART For the chronology and dates of key events in the evolution of visual arts around the world see: History of Art TimelinOF VISUAL ART For the chronology and dates of key events in the evolution of visual arts around the world see: History of Art TimVISUAL ART For the chronology and dates of key events in the evolution of visual arts around the world see: History of Art Timelinof key events in the evolution of visual arts around the world see: History of Art Timelinof visual arts around the world see: History of Art Timvisual arts around the world see: History of Art Timelinof Art Timeline.

However, two weeks later he announced his nomination of Jane Chu to lead the N.E.A. (National Endowment for the Arts), and wisely wrote a hand - written apology to Ann Collins Johns, a professor of art history at the University of Texas at Austin, who had written a letter to the White House reminding him that art history is an indispensible field of study through which we gain our comprehension of our world culture through the visual arts.

Viewing topographies from another angle, Paranyu Pithayarungsarit's featured Landscape and Nature piece, The Great Wall of Namib, explores the history of the oldest desert in the world, highlighting the surprising visual symmetry and sublimity of the locale.

Muholi's self - proclaimed mission is «to re-write a black queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in SA and beyond».

2013 Toot Toot Tootsie Goodbye, V1 Gallery, Copenhagen, DK 10th Anniversary Exhibition, Malaga Contemporary Art Center (CAC), ES Iconoclasm, Tate Britain, London, UK Island, Dairy Art Centre, London, UK Damage Control: Art & Destruction Since 1950, Hirshhorn Museum & Sculpture Garden, Washington D.C., US Théâtre du Mondem, la maison rouge, Paris, FR Viewing Room, All Visual Arts, London, UK Art under Attack: Histories of British Iconoclasm, Tate Britain, London, UK Victoriana: The Art of Revival, Guildhall Art Gallery, London, UK Capita Selecta, Groninger Museum, Groningen, NL Adventures of Truth - Painting and Philosophy: A Narrative, Fondation Maeght, Saint - Paul - de - Vence, FR Art in the event of the world, Depoland, Dunkerque, FR Sculpture in the City, London, UK FULL HOUSE, Schönewald Fine Arts, Düsseldorf, DE

Convenience demands that a 65 year - old American artist with more than 30 years of exhibition history, bolstered by one of the longest - operating contemporary galleries in the world, would overpower (in visual and literal modes) a 36 year - old German academic and painter who has never shown in New York before (with San Francisco being his only other American host city).

The afternoon symposium, «Allies, Enemies, Citizens: Figuring Asianness in World War II America,» will focus on the visual representation of Asianness and Asian - Americanness in the United States during World War II, featuring presentations by leading scholars in the field, including Gordon H. Chang, Professor, Department of History, and Olive H. Palmer Professor in Humanities, Stanford University; Amy Lyford, Professor of Art History, Occidental College; ShiPu Wang, Associate Professor of Art History and Visual Culture, UC Merced; and K. Scott Wong, James Phinney Baxter III Professor of History and Public Affairs, Williams Covisual representation of Asianness and Asian - Americanness in the United States during World War II, featuring presentations by leading scholars in the field, including Gordon H. Chang, Professor, Department of History, and Olive H. Palmer Professor in Humanities, Stanford University; Amy Lyford, Professor of Art History, Occidental College; ShiPu Wang, Associate Professor of Art History and Visual Culture, UC Merced; and K. Scott Wong, James Phinney Baxter III Professor of History and Public Affairs, Williams CoVisual Culture, UC Merced; and K. Scott Wong, James Phinney Baxter III Professor of History and Public Affairs, Williams College.