Sentences with phrase «visual identity work»

Gates's visual identity work will be used in the design for the exhibition catalog, VIP brochure and bag, and all printed materials.

Not exact matches

Tracking the visual elements you include in your content efforts — such as cover images, logos, illustrations, charts — will make it easier to ensure that your work has a signature look and cohesive brand identity.

This work ultimately encompassed every aspect of the brand's visual identity and brand components, but in particular involved developing one of Glenfiddich's most iconic attributes - its stag's head.

Juventus» new visual identity is selected among the best works at the prestigious D&AD Professional Awards ceremony in London

For the life of me, I somehow can't find the identity of this series» cinematographer, but whomever this person may be, my hat is off to him or her, as his or her efforts, while not breathtaking, is consistently quite tasteful in its plays with coloring and lighting, which has a tendency to sometimes go from tasteful to just plain stunning, thus making the series a strong visual piece, as surely as it is something of a strong musical piece, as Christopher Dedrick must also gain some recognition for his spirited and sometimes upstanding score work.

Minority Report's visual identity owes a lot to Spielberg's vision of a future society that's at the same time dystopian and utopian, but also to the brilliant work of cinematographer Janusz Kaminski, who shot it with high - speed film.

As a feature, it works well, adding some visual width without losing identity.

Hiring the same designer to design the cover and the interior of all your books in a series will give your work a strong and consistent visual identity, reinforcing your brand.

They will create work that matches the game look, feel, and overall visual identity of the game.

Speaking of their work, Kokoro & Moi said: «The visual identity highlights the importance of playfulness and curiosity, when learning about coding.

An exhibition of his work, Gordon House: Paint to Print, is running at Broadway Gallery, Letchworth Garden City until 28 January, and designing the visual identity for the show fell to Cambridge - based design studio The District.

Karpavicius works on projects for clients across art, fashion, culture and commerce sectors on books and publications, visual identities, editorial design, type design and exhibition design.

Pentagram was appointed to work closely with the charity to develop a brand strategy, tone of voice and visual identity that presents Battersea as both a compassionate caregiver and a leading authority in animal welfare, creating a brand that strikes a balance between warmth and expertise, putting the charity's multi-faceted offering at the centre of its story.

Hank Willis Thomas, of the United States, is a multidisciplinary contemporary African - American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture.

Hank Willis Thomas (b. 1976) is a multidisciplinary contemporary African - American visual artist, photographer and arts educator, working primarily with themes related to identity, history and popular culture.

Zanele Muholi at Yancey Richardson «Zanele Muholi» Through December 9, 2017 Visual artist and activist Zanele Muholi's arresting work revolves around themes of blackness and queer identity in South Africa.

This display encompasses many artists taking different political positions and of differing identities and backgrounds, but a lot of the work on display is looking at how social and political experience is reflected in broader visual culture, including pop culture.

JTD: Your work engages with ideas of cultural history, individual identity, and the female persona through complex, multi-layered pieces, both visual and performative.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

Dirk H. Wilms, born 1966, is a german photographer and visual artist whose work focuses on mortality, sexuality and queer identity.

Over the course of its 22 - year history, Supreme has worked with some of the most groundbreaking designers and artists, who have helped define its unique visual identity.

The original space was co-curated by Ann Catherine Carter, who championed student work and emerging artists almost exclusively, establishing a visual identity for the space along with co-curator Zack Rafuls.

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA

Consistent with his work to date, this latest series mines emergent evolutions of identity, narrative, language, and visual culture for content, and propels these matters forward as expressive mediums, through darkly jubilant and categorically frenetic formal experimentations.

For more than thirty years, Roni Horn (b. 1955) has been developing work of concentrated visual power and intellectual rigor, often exploring issues of gender, identity, androgyny, and the complex relationship between object and subject.

The line - up will consist of film, exhibitions, talks and debates, literature, music, politics, visual arts, fashion and cuisine, including: Light from the Middle East, an exhibition of contemporary photography from the Middle East, an evening of song with Emel Mathlouthi, a discussion of the role of art and culture in Syria with journalist Malu Halasa and an evening with poet Al Saddiq Al - Raddi whose work reflects his identity as an African poet writing in Arabic.

Kathryn Trumbull Fimreite is a Chicago based visual and teaching artist whose work explores the relationship between personal identity and legacy.

Smith frequently uses his own name as a visual trope running through his work, making it both an image and a signifier of his identity.

For more than thirty years, Roni Horn has been developing work of concentrated visual power and intellectual rigor, often exploring issues of gender, identity, and androgyny.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.

It is these recurrences, erasures and repetitions in Sarmento's work that imply that the doubling of something is never mere repetition but the problematisation of both identity and visual demarcation.»

Interested in the concepts of design and spatial relationships, her work explores the idea of perception, place identity and visual memory.

Some of his more recognizable works that examine visual representations of «blackness» and identity, including «Black Power» 2008 (above) will appear on Chicago bus benches.

Working mainly in glass, the sculptor Josiah McElheny revisits Modernist theories, movements, and leaders and gives them a dazzling new visual identity.

Hank Willis Thomas is a visual artist working primarily with themes related to identity, history, race, and popular culture.

Jeffrey Gibson: Like a Hammer will reveal how the artist draws upon his heritage and remixes his older works to create a distinct visual vocabulary in artworks that explore his multi-faceted identity and the history of modernism.

A first New York trip, in 1994, seems to have concentrated ideas and inspired themes of Blackness and Black identity which introduced new visual references into his work.

A designer whose work helped shape the visual language of British cultural identity in the 20th century, this exhibition also serves to remind us that Games, born to Jewish émigré parents, also had a strong sense of Jewish identity which informed his work, particularly during the war.

Jen Liu, born in 1976 in Smithtown, USA, is a New York - based visual artist working in video, performance, and painting, on topics of national identity, economy, and the re-motivating of archival artifacts.

For her first major solo project made specifically for a UK regional visual arts institution and her largest exhibition of new work to date, Dawn Mellor has made a series of paintings based on the complex identity of the Southend - raised actress Dame Helen Mirren.

A pioneer of Mail art in Brazil in the 60s, associated with Fluxus in the 70s, and influenced by the work of pioneers of the avant - garde such as Marcel Duchamp and John Cage; Bruscky's practice resists straightforward classifications, boldly combining visual and literary language to voice his artistic identity and position within society.

Sanaz Sohrabi is a visual artist working with video, performance and installation to explore the tension between different materials and the body, enduring gestures, and formation of identity.

The solo exhibition by Polish visual and performance artist Justyna Scheuring, who lives and works in London, brings together sign language interpreters and consecutive translators, in order to compose a performance through a multitude of voices and forms of expression to question issues of identity in a context of personal trauma, global migration and the experience of otherness.

A true contemporary master of pop art with a net worth of well over $ 300 million, Koons has worked with Lady Gaga on the visual identity and music videos of her albums.

It is this powerful sense of identity that continues to uphold the enduring visual quality of Basquiat's works.

The work begins with a visual analysis of historical Baroque painting (e.g. Poussin, Vermeer, etc.) as a basis for understanding painting, not as a fixed identity but as a specific spatial construction with a pictorial and spatial vocabulary.

Lina Bertucci is a visual artist working in photography, video, and film known for her provocative portraits that investigate identity and sexual politics.

Among the delights in his portfolio are books, catalogues, magazines, brochures, newspapers, visual identities, posters and album covers; but the recent work that caught our eye was his publication and poster designs for Notions of the Future, an essay publication by Gauthier Roussilhe of French design agency Flair.

Based in PAris and with an outpost in Miami, Atelier à propos was founded by Vincent Champenois, and specialises in visual identity and print work.