Sentences with phrase «visual image projects»

The interior dual modules (xenon outboard, parking light / turn signals inboard) each have a chrome pod through which a very impressive visual image projects.

Not exact matches

VISUALS: Pictures of Project Sites to Receive Funding; Images of Neighborhood Assemblies Conducted Throughout Participatory Budgeting Process.

The world may someday be full of pop - up images like those imagined in the film Jurassic World, where museum patrons walk through a hall where a projected dinosaur image stands on display, or like the free - standing visuals used by the character Tony Stark in designing his metal suits in the Iron Man films.

The # 1.3 m Engineering and Physical Sciences Research Council - funded project will see academics working with newly - developed dynamic visual sensors, which drastically reduce computing power and data storage requirements by only updating the parts of an image where movement occurs.

Instead, Pitt's digital image was recreated on screen by teams of visual effects artists, leaving the actor free to work on other projects.

Saatchi, which is owned by France's Publicis Groupe, SA, chose LifeStraw over a field of competitors that included a reusable controller to improve the distribution of IV fluids, a collapsible wheel that can be folded down for easier storage when not in use on bicycles or wheelchairs, an energy - efficient laptop designed for children in developing countries, a 3 - D display that uses special optics and software to project a hologramlike image of patient anatomy for cancer treatment, an inkjet printing system for fabricating tissue scaffolds on which cells can be grown, a visual prosthesis for bypassing a diseased or damaged eye and sending signals directly to the brain, books with embedded sound tracks to help educate illiterate adults on health issues, a phone that provides telecommunications coverage to poor rural populations in developing countries, and a brain - computer interface designed to help paralyzed people communicate via neural signals.

The image is projected onto a hemispheric surface and expands rapidly to fill the fly's visual field, simulating the approach of a predator.

Photographs, particularly those in online dating profiles, can never show us the reality of what we would think of that person in real life, primarily due to technologies like Photoshop, which create visual illusions that projects deceptive characteristics from the one displaying the image.

Stålenhag's artbook was produced with the help of a Kickstarter campaign, where you can see a pitch video for the project and number of images that reveal the world - building and visual scope of Stålenhag's vision for apocalyptic America.

No matter how close a video transfer gets to the visual qualities of a projected film — and a good transfer to Blu - ray can get very close indeed — a video image is not a film image.

He has quickly established a singular visual style, filled with underground caverns and images of gears and clockwork, and he has shown an ability to jump back and forth between personal projects (Cronos, The Devil's Backbone) and Hollywood movies (Blade II, Hellboy) without compromise.

These images could be used in projects later in the week, or at the end of the school year as a visual for reflecting on what has been learned.

Descriptions and images of those featured projects and dozens of others are available at Models of Excellence: The Center for High - Quality Student Work, a newly launched, searchable repository of exemplary K — 12 assignments that embed the visual arts with other disciplines.

These images could be used in later projects or at the end of the year as a visual for reflecting on what has been learned.

Your students will love creating a large visual image of Ebenezer Scrooge for this project for A Christmas Carol!

There were no visuals or images and the project mainly just sounded good on paper.

The Storm's touchscreen was originally dubbed «ClickThrough», but RIM has recently changed that up and is now calling it SurePress, which I do think projects a softer visual image and keeps their branding simplified since RIM already uses the SureType name in reference to their non-full qwerty keyboard.

«About the new project,» he said, «I can't say many things, but until now the priority for me is visual image.

Proposals should include: A one - page project description, sketches, photos or other visual representations of proposed project; Artist's resume; Up to 10 images of previous works (emphasis on site - specific); Artist statement.

Often putting in front of himself the demanding tasks, Longo worked for one year on the Magellan project (1995), drawing 366 pieces, every day per one, documenting the images that impacted his thoughts, representing his cultural and personal environment through his distinctive visual language.

Since the early «60s, appeared in contemporary art with a peculiar, very personal visual vocabulary, as we all know, originally projected an and then reached to the creation of artworks composed of images of the most recent industrial - urban past.

VIEWLIST is our online project space where we invite artists and others to curate a visual essay of images.

With Prof Lubaina Himid she co-directed the interdisciplinary visual art research project Making Histories Visible based at UCLan and contributed the show reel Images and Conversations from the 1980s to the exhibition Thin Black Line (s) at Tate Britain in 2011.

My exploration for this exhibition began in the offices of Visual AIDS, reviewing the Frank Moore Archive Project's pages of slides and digital images.

Fortuna opts for visual saturation, offering over 2,000 images, but the bigger picture proves more daunting: designing a conceptual framework for a book to encompass the profound complexity, subtlety, and incisiveness of Kentridge's project.

2010Russo, Karen, «The Remote Viewing Project», The Center for Contemporary Art, Tel Aviv, 2010 «Art, Word and Image»: 2000 Years of Visual / Textual Interaction, Hunt, John Dixon, Lomas, David and Corris, Michael, Reaktion Books,, London, 2010 p. 231

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Stephanie Dinkins is a visual artist who uses the power and potential of images to investigate subjectivity and social equity through moving image, community - centered projects and installations.

Co-existing in my mind are both scientific facts and these mysterious visual images that underlie the entire ADRIFT project.

Irene Revell is the Director of Electra, an organisation which curates, commissions and produces projects by artists working across sound, moving image, performance and the visual arts.

SELECTED GROUP SCREENINGS 2016 Greater New York, MoMA PS1, Long Island City 2015 UnionDocs Collaborative Projects, Spectacle Theater, Brooklyn 2015 Slideluck LA VII, The Space, Los Angeles 2014 Convergence, New York Film Festival, NYC 2014 Slideluck NYC XVIII, Photoville, Brooklyn 2013 Aberrations of Time, 14 Lilienblum Street, Tel Aviv 2013 7th Annual Red Hook Film Festival, Brooklyn Waterfront Artist's Coalition, Brooklyn 2013 Distrital 2013, District Film Festival, Mexico City 2013 Video Dumbo, Eyebeam, NYC 2012 ExDox, Cologne Art and Moving Image Awards, Cologne 2012 Endless Plain, Armory Center for the Arts, Pasadena 2012 Our Haus, Austrian Cultural Forum, NYC 2012 End Tymes Fest, Outpost Artist Resources, Brooklyn 2012 Videorover: Season 3, Contemporary Arts Center, New Orleans 2012 Videorover: Season 3, Manhattan Neighborhood Network, NYC 2012 Videorover: Season 3, Nurture Art Gallery at IndieScreen Cine Club, Brooklyn 2011 UnionDocs» Looking at Los Sures, Carpenter Center for the Visual Arts, Cambridge 2011 Visible Evidence, Tisch School of the Arts, New York University, NYC

For installation, performance, social practice, site - specific, and web - based work, please submit no more than a ONE - page description of the proposed project, how you intend for it to be displayed at SoEx and up to two visual support materials such as a schematic, prototype, drawing or image.

Creative Capital is pleased to announce its 2015 awardees in the categories of Moving Image and Visual Arts, representing a total of 46 funded projects selected from a nationwide pool of more than 3,700 proposals.

★ «Waterweavers: The River in Contemporary Colombian Visual Arts and Material Culture» (through Aug. 10) With its glades of abstract patterning, eddying pools of woven fiber, and projected images of water sluicing through galleries, this show of art and craft from and about Colombia's great waterways is one of the most unassumingly beautiful shows of the summer — politically one of the subtlest, and visually one of the coolest.

Sama Alshaibi has been awarded two production grants, Visual Arts AFAC Grant - Arab Fund for Arts and Culture (2017) and Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia series that, according to the artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.»

For the 2008 project «La Favorita», Collía gathered together with Erick Menchú, Guatemalan visual artist, images of folk sign designs from Guatemala, sharing the anonymous voices of the country.

Pendleton also continues to expand the visual language of his Black Dada project, whose core paintings depict cropped images of Sol LeWitt's Incomplete Open Cubes (1974) with isolated letters from the phrase «BLACK DADA.»

Creative Capital funds innovative moving images and visual art projects and artists from across the country.

Perceptual psychologists have long dismissed the notion that our brain records images like a camera; seeing is an interactive process of grazing, in a visual field that extends around us on all sides, rather than a series of flat images projected to a single point.

Tel Aviv Museum of Art presents Moby Dick a group exhibition on view through 05 October 2013, that brings together Herman Melville's great novel, Moby Dick, and works of art, while examining the ways in which the readings and interpretations of the novel echo questions of representation and project on the readability of the visual image.

Van de Velde expands this experience of traditional projected image by taking advantage of recent technological advances in both hardware and software to combine light, non-pictorial visuals, color and abstract geometric forms into three - dimensional environments.»

The public programme related to «Image Diplomacy «project includes a series of talks, reading groups, film screenings and workshops by Russian and foreign experts in cinema, visual culture, photojournalism and philology.

, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

In 1973 he joined the Visual Arts Committee of Project Arts Centre, Dublin followed by the Figurative Image Group in 1979.

It presented film as the verbal and visual representation of sequential movement (storyboards drawn on blackboards); as sound (dubbing sheets and the work Foley Artist); as projected images and as stories (in the films); and as investigations and working processes (framed materials and documents).

«One Minute, One Image...» is based on Micol Hebron's column in X-TRA, a quarterly journal published to promote and provoke critical discourse about contemporary visual art in Los Angeles, and is a recreation of a project produced by Belgian director Agnès Varda.

Electra is a London based contemporary art organisation which curates, commissions and produces projects by artists working across sound, moving image, performance and the visual arts.

Solo exhibitions 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Ljubljana 2016 «AAASSEMBLAGE», Dvir Gallery, Brussels 2016 «All Day All Year», T293, Rome 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac and Croatian Film Association, Zagreb 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, London 2015 «New Collection», Blondeau & CIE, Geneve 2015 «Negatives, with Konstantin Grcic, Centre d'édition contemporaine, Geneve 2014 «In Low Resolution», Palais de Tokyo, Paris 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbon 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Rome 2012 «A Long Day for the Form», Sprueth Magers, Berlin 2012 «Morgenlied» (w / Latifa Echakhch), Kunsthalle Basel 2012 «Scene, Hold, Ballast» (w / Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (w / Rosa Barba), Loop Festival, Barcelona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Ljubljana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basel 2010 «Lost Cabinet», Nogueras Blanchard, Barcelona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, London 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Naples 2009 «David Maljković», Sprueth Magers, Berlin 2008 «Handed Over» (w / Rosa Barba), Project Art Centre, Dublin 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Paris 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (w / Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Turin 2007 «Almost Here», Kunstverein Hamburg, Hamburg 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basel 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, London 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrade 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (w / Yael Bartana), Gallery Nova, Zagreb 2006 «It's gonna happen» (w / Rosa Barba), Croy Nielsen, Berlin 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

At Higher Pictures Roysdon presents a salon - style hang of her photographic projects made over the last decade, distilling her variform thinking and production into an engagement with the specific visual language of photography — its sitedness, its relationship to abstraction, and the translation of physical actions (in the darkroom) into a static image.