Students will develop drawing skills and insights and consider basic
visual language issues.
Not exact matches
A training booklet describing many strategies for the most common additional learning needs I have come across in schools and FE colleges, including Autism, behavioural
issues, hearing /
visual impairments, Dyslexia, Dyscalculia, handwriting difficulties and
language needs.
Her research interests include teaching English
language learners with
visual disabilities, multicultural educational
issues and orientation and mobility.
Without formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their
visual language from traditional black Southern vernacular art forms like the scrap quilt and the yard show but adapted it to speak of personal philosophies, social
issues and the African - American experience.
Throughout his career, Erizku has created a unique
visual language and distinctive iconography that address
issues of race, identity, politics and cultural history, while drawing from myriad references ranging from urban culture to advertising to the art historical canon.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal
language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass
visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political
issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
He employs his
visual language in a myriad of ways to draw attention to geo - political
issues, as seen in his Taliban bullet series, and cross cultural fertilization demonstrated in his immaculate puzzle ball work.
The solo exhibition by Polish
visual and performance artist Justyna Scheuring, who lives and works in London, brings together sign
language interpreters and consecutive translators, in order to compose a performance through a multitude of voices and forms of expression to question
issues of identity in a context of personal trauma, global migration and the experience of otherness.
The artists included in Cities of Conviction use
visual language to explore the pertinent cultural
issues facing Saudi Arabia and its citizens, which are in parallel with those facing artists from Utah and, in a world becoming ever more global, the artists also address the dilution of specific elements of culture.
By bringing these different but related works together, «Snippets» presents a
visual conversation between the participating artists on these same
issues, connecting through ideas of
language.
FormContent's course explores
issues within
visual language that lie at the core of its current programme It's moving from I to It.
While Kim incorporates the
visual language of color and abstraction, he also addresses cultural and personal
issues, positioning himself closely with many of his contemporaries, including Glenn Ligon and Felix Gonzalez - Torres.
The era's limited palette of bright colors, dynamic compositions, and strong graphic qualities allowed artists to tackle formal
issues with the playful
visual language of stardom and comic books, while contemporary artists cite these formal systems -LSB-...]
The exhibition series The Neighbors investigates artistic concerns and
visual languages dealing with identity, an
issue tackled less as a personal exploration of ethnicity alone than as an examination of the ways in which social classes are constructed and their divisions purportedly manifested.
After treating the undoubtedly political position of the artist in «Hercules» (2007) and the problems related to psychological
issues and
language in «Horizon Problems» (2011), Agut now proposes a physical and
visual experience that brings us closer to the moment zero of artistic creation, the moment when the artist confronts himself with his work and starts to think about it.
Sarmento has developed a multi-media
visual language — combining film, video, sound, painting, sculpture and installations — which often deals with
issues of complex interpersonal relationships.
Exhibition co-curators Andrea Andersson, chief curator of the
visual arts at the Contemporary Arts Center, New Orleans, and Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, discuss Cecilia Vicuña's work, including
issues of lost
languages and the politics of ephemerality, in this exhibition walkthrough.
Central to The Neighbors is an investigation of the artistic concerns and
visual languages dealing with identity, an
issue tackled less as a personal exploration of ethnicity alone than as an examination of the ways in which social classes are constructed and their divisions purportedly manifested.
The comms team resolved these
issues by establishing a clear
visual link between the Pinsent Masons and Cerico brands, and by rewriting all marketing materials in
language that general counsel would understand, as well as revamping its website.
In our written reports, common areas of discussion include attention and concentration, intellectual abilities,
language skills,
visual spatial abilities, executive functioning
issues, learning and memory and psychological functioning.