Working with live performance, painting, sculpture and textiles, the Berlin - based, Bolivian American artist will extend
her visual language through a new series of works including paintings, sculpture, video and performance, building a terrain which echoes itself.
Despite their differing aesthetics and preferred mediums, this close knit community speaks the same cutting edge
visual language through paintings, drawings, installations and mixed - media work.
Bourgeois transformed her experiences into a highly personal
visual language through the use of mythological and archetypal imagery, adopting objects such as spirals, spiders, cages, medical tools, and sewn appendages to symbolize the feminine psyche, beauty, and psychological pain.
Working with materials such as sand, clay and turmeric and exploring live performance, painting, sculpture and textiles, in «Cell Echo» Donna Huanca will «extend
her visual language through a new series of works including paintings, sculpture, video and performance, building a terrain which echoes itself».
Bourgeois transformed her experiences into a highly personal
visual language through...
This exhibition takes viewers into Rødland's enticing and ambiguous
visual language through a broad selection of his photographic works from the past 20 years.
He has created his own distinctive
visual language through a unique cinematic and architectural approach.
Until the mid-1970s he produced paintings that, responding to minimalism's limitations, examined the codes of
visual language through a calculated placement of colored bars around monochrome squares.
For more than three decades Longo has been a prominent figure in New York cultural scene, shaping
the visual language through his artworks, performances, films, and videos.
She has created a unique
visual language through her drawings, videos, and most notably her video / shadow play installations.
Using the language of pop art, one of the most relevant comparisons is how both artists have made work to reach a wide and popular audience, creating symbolic
visual languages through the use of everyday objects.
He self - consciously immerses us in
these visual languages through his artwork»» paying homage to and simultaneously subverting a wide variety of artistic genres.
Not exact matches
They create a personal connection, like shareholders,
through a
visual language that outsiders can't understand.»
Through this hands - on, integrated learning process, we support the child's growth in social - emotional development,
language and literacy development, science and math exploration, healthy physical growth and the
visual and performing arts.
In a cultural context, kente is more important than just a cloth and it is a
visual representation of history and also a form of written
language through weaving.
«Though the «blind brain» wiring may change greatly in the blind in its frontal
language related parts, it still retains the most fundamental topographical and functional connectivity organizational principles of the
visual cortex, known as «retinotopic mapping» — the processing of two - dimensional
visual images
through the eye,» said co-lead researcher Amir Amedi, associate professor of medical neurobiology at the Hebrew University's Edmond and Lily Safra Center for Brain Sciences and IMRIC, the Institute for Medical Research Israel - Canada.
Jane Campion's rapturously sensual meditation surmounts this challenge ingeniously by creating an alternative
visual language for the verse of John Keats, conveying the man's moods, thoughts and influence
through the subtlest accents of nature, material and weather.
It's one of those films that doesn't age, as it contemplates timeless themes of identity and purpose, delivered
through a mesmerizing
visual language.
While not exactly subtle in a few key scenes, particularly those pesky flashbacks that may or may not have drawn the ire of others, the script gives Superman a much needed emotional context for the superb
visual language and iconography Snyder is able to define him
through.
Through this concentrated, hands - on process, the Fellows workshop and make key discoveries about their scripts, collaborate with actors and find a
visual storytelling
language for their films.
Students learn
through a logical and step - by - step learning journey, including: - Understanding the context of the poem and defining the key terminology «bayonet», «over the top», «trenches», and «no - man's land»; - Understanding key information about the poet Ted Hughes; - Reading and interpreting the poem; - Interpreting the poem, with a particular emphasis upon how Hughes creates
visual and auditory imagery; - Finding and analysing the
language features used throughout the poem, and considering how these link to the poet's message; - Writing an extended analysis piece based upon how Hughes creates imagery in order to capture the soldier's horrifying final moments; - Peer assessing each other's learning attempts.
They develop
visual language skills
through classroom practice, guided experimentation, and sketchbook exercises.
SIOP includes teaching comprehension of the content for students
through techniques such as the use of
visual aids, modeling, demonstrations, graphic organizers, vocabulary previews, predictions, adapted texts, cooperative learning, peer tutoring, multicultural content and native
language support.
At the same time, the arts have always encouraged flexibility and inclusion
through their multifaceted media (i.e.
visual art, movement, sound, and written and oral
language).
In grades seven
through twelve, the following courses «should be offered: English, social sciences; foreign
languages (starting no later than seventh grade); physical education; science; mathematics;
visual and performing arts; applied arts; career technical education; automobile driver education; and other studies that may be prescribed by the governing board.»
This summer, more than 200 K -
through - 12 LAUSD teachers from all subject areas attended arts integration development sessions, which guided arts and non-arts teachers on how to integrate dance, music, theater and
visual arts into basic subjects like math, science and
language arts.
In an industry where business progress often is heavily dependent on sharing stories, conveying powerful
visual elements, negotiating complex matters, and regularly communicating
through different cultures and
languages, ATTA's Hub offers powerful Web tools and features that allows for more effective communication between people.
Neither of the games titular characters speak, the story instead progresses
through visual cues and a gibberish
language allowing for an immediate sense of player interaction and engagement.
Its
visual language, and how both in control and out of control I felt floating
through its worlds, touched something in the -LSB-...]
If you dream of creating your own games and love to build your own stories, «Project Spark» provides a powerful creation engine that unlocks world building
through intuitive sculpting tools to shape and paint a new world, as well as a simple yet incredibly powerful
visual programming
language to make anything happen.
This palette evolves as you pull
through the game and there are some iconic elements, it has its own
visual language that combines design and art... There is an art bible containing a huge amount of information that tells us how things work, kind of a set of rules.
That
visual language, and the cultural stories being conveyed
through the work, are an important part of the global conversation.»
Many painters (and
visual artists) express themselves
through art because because it's a different
language on itself and there's things that can't be communicated
through words.
His themes develop
through long - term research, articulating a
visual language that challenges the prevailing concepts of multiculturalism.
You'll be able to enjoy a
visual journey inspired by lyrics and
language; hubbub and stillness; heritage and science;
through to the wildlife and nightlife of our diverse and multi-layered cities.
It brings together
visual artists who use both written and spoken
language structures in their work
through translation, abbreviated means of communication such as symbols and glyphs, and visually coded ways of conveying information.
The exhibition begins chronologically, spanning the artist's oeuvre from the early 1940s, straight
through the late 1960s, offering a penetrating glimpse at the progression of his
visual language.
Using the
visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new
through lines in Dunham's practice that are both formal and autobiographical in nature.
Charlesworth adds, «I got interested not just in how women are positioned
through visual language,» she says, «but how as a culture we order and organize our relationships to world events.»
Sites, subjects, and methods of observation are critical to each artist's
visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at
through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.
By the end of 1964, the emergence of a new
visual language was spreading
through Manhattan.
His rhythmic patterns of repeating images, often featuring symbols of contemporary folk culture, are hand painted and rendered
through the
visual language of printmaking.
Brendan Fernandes's dance - based practice explores the intersections between dance and
visual arts
through language, architecture, and the body.
The inspiration for Wylie's paintings often comes from a particular sight or
visual moment that strikes her with a «special quality» that she tries to capture
through her own
language of painting.
Their collaborative, ephemeral, and
visual works reflect on contemporary culture
through the
language of popular music, consumer culture and other genres.
Firstly, it presents the
visual artist
through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic
language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.
Through a strong sense of integrity and an explorative approach she has developed an enduring
language and a
visual expression of her own that takes us into the realm of the unexpected.
Through varied subject matter, the grouped works show the culmination of a long and articulated artistic practice, utilizing an established
visual language and unifying approach.
The tactic Proust deploys is a succession of extraordinarily close readings of the paintings, in
language so luminous that the text easily embodies the series» title, ekphrasis, or the translation of
visual art into poetry, often
through objective description.
Cutting a swathe
through 500 years of history, and tracing not only the movement of artists but also the circulation of
visual languages and ideas, this exhibition will include works by artists from Lely, Kneller, Kauffman to Sargent, Epstein, Mondrian, Bomberg, Bowling and the Black Audio Film Collective as well as recent work by contemporary artists.