But she believed also that abstract art did not simply reach its own natural if small audience, but gained some of its validity by feeding back into the broader
visual life of the nation as fashion and architecture and design.
One part
of the exhibition, titled The Eyes
of the
Nation:
Visual Art in a Country Without Boundaries, curated by Ellen Ginton, included the recreation
of Michael Druk's 1977 work, Territory,
Living Space (first presented at Sammlung Ludwig, Aachen, Germany)