Sentences with phrase «visual luminosity»

This star has been estimated to have around 21 to 27 percent of Sol's mass (Tuomi et al, 2014; and Bonfils et al, 2013), 27 percent of its diameter (Pasinetti - Fracassini et al, 2001), and about 0.2 percent of its visual luminosity).

It has about 1.7 + / - 0.4 times Sol's mass (Allende - Prieto and Lambert, 2000; and Drake and Smith, 1990), 8.8 + / - 0.1 times its diameter (Hatzes et al, 2006), and 32 times its visual luminosity.

The star may have 1.6 times Sol's mass (Klaus Fuhrmann), around 4.7 to 8.2 times its diameter (Klaus Fuhrmann; Walker et al, 1992; and Johnson and Wright, 1983, page 705), and 8.2 times its visual luminosity.

Based on its visual luminosity, a planet may be able to hold water on its surface around 0.057 AU of GJ 1214, with an orbital period slightly over 12.6 days.

Based on an interpolation table, the star's has around 2.10 of Sol's mass (NASA Stars and Exoplanet Database; and David F. Gray, 1992), 1.58 times its diameter (Akeson et al, 2009), and around 11.5 times its visual luminosity and 13.4 times its theoretical bolometric luminosity (Akeson et al, 2009; NASA Stars and Exoplanet database; and Kenneth R. Lang, 1980).

Lacaille 9352 may have 50 to 58 of Sol's mass (Demory et al, 2009, Table 4; RECONS; and NASA Star and Exoplanet Database, interpolation table of Henry and McCarthy, 1993), less than half (43 to 46 percent) of its diameter (Demory et al, 2009, Table 4; and NASA Star and Exoplanet Database, derived from the power law formula of Kenneth R. Lang, 1980), 1.1 percent of its visual luminosity and 3.5 percent of its bolometric luminosity (NASA Star and Exoplanet Database, derived from the exponential formula of Kenneth R. Lang, 1980), and only about one tenth to 60 percent of Sol's abundance of elements heavier than hydrogen («metallicity»)(Demory et al, 2009, Table 4).

The star has a mass that is six to eight times greater than Sol's (see Petr Harmanec, 1988; and James Kaler), 14.4 (+ / - 0.4, polar) to 24.0 (+ / - 0.8, equatorial) times its diameter (ESO; and Domicano de Souza et al, 2003), and 1,070 times its visual luminosity and at least 2,900 to 5,400 times its bolometric luminosity (depending on the estimate of ultraviolet radiation).

The star has about 70 to 77 percent of Sol's mass (RECONS; and NASA Star and Exoplanet Database, interpolated from David F. Gray, 1992), 68 to 76 percent of its diameter (Johnson and Wright, 1983, page 701; and NASA Star and Exoplanet Database, derived using the power law formula from Kenneth R. Lang, 1980), and about 14.7 percent of its visual luminosity and 20.4 percent of its theoretical bolometric luminosity, correcting for infrared output (NASA Star and Exoplanet Database, derived using exponential formula from Kenneth R. Lang, 1980).

Alpha Centauri A (α Cen A) has 1.1 times the mass and 1.519 times the luminosity of the Sun, while Alpha Centauri B (α Cen B) is smaller and cooler, at 0.907 times the Sun's mass and 0.445 times its visual luminosity.

In any case, CD - 51 5974 may have only around four - tenths of Sol's mass, 39 percent of its diameter (Pasinetti - Fracassini et al, 2001), and about 41/10, 000 th of its visual luminosity.

61 Virginis is a yellow - orange main sequence dwarf of spectral and luminosity type G5 - 6 V, with about 92 to 96 percent of Sol's mass (95 percent using the isochrone mass estimate of Valenti and Fischer, 2005; and NASA Star and Exoplanet Database, based on David F. Gray, 1992), 94 to 98 percent of its diameter (96 percent for Valenti and Fischer, 2005; Johnson and Wright, 1983, page 677; and NASA Star and Exoplanet Database, derived from the exponential formula of Kenneth R. Lang, 1980), and around 78 percent of its visual luminosity and nearly 81 percent of its theoretical bolometric luminosity, with infrared radiation (Sousa et al, 2008; Valenti and Fischer, 2005; NASA Star and Exoplanet Database, based on Kenneth R. Lang, 1980).

This very cool, main sequence red dwarf (M5.5 Ve) is one of our Sun's dimmest stellar neighbors within 15 ly, with only 14/100, 000 th of Sol's visual luminosity.

The star has a mass around 82 + / -3 percent of Sol's (Bouchy et al, 2005), 0.753 + / - 0.025 percent of its diameter (Winn et al, 2006; Masana et al, 2006; and Bouchy et al, 2005), and a visual luminosity as low as 26.4 percent of Sol's.

With a visual luminosity that has reportedly varied between 0.000053 and 0.00012 of Sol's (based on a distance of 4.22 light - years) the star is as much as 19,000 times fainter than the Sun, and so if it was placed at the location of our Sun from Earth, the disk of the star would barely be visible.

It has 43 percent of Sol's mass (Bonavita and Desidera, 2007, HD 16895 in Table 8; and Worley and Heintz, 1983), a smaller diameter, and only around one percent of its visual luminosity.

According to various estimates, the star has about 1.7 times Sol's mass (RECONS), 1.8 times its equatorial diameter (JPL press release, 2001; T. Moon, 1985; Morossi and Malagnini, 1985, page 369; and Johnson and Wright, 1983, page 695), and about 10.7 times its visual luminosity and 9.845 its bolometric luminosity (NASA Star and Exoplanet Database, derived from of Kenneth R. Lang, 1980).

Not exact matches

The visual omniscience which is naturally proper to the Celestial Being is proper to him because of the luminosity of the heavens.

The star has almost a half (48 to 49 percent) of Sol's mass (Zechmeister et al, 2009, from Delfosse et al, 2000; and NASA Star and Exoplanet Database, derived from Henry and McCarthy, 1993), 48 to 57 percent of its diameter (NASA Star and Exoplanet Database, derived from Kenneth R. Lang, 1980; and Johnson and Wright, 1983, page 673), and percent of its visual and around 3.3 + / - 0.2 of its bolometric luminosity and McCarthy, 1993), 48 to 57 percent of its diameter (NASA Star and Exoplanet Database, derived from Kenneth R. Lang, 1980).

The star has 15.7 ± 1.9 percent of Sol's mass, 21.1 (± 0.97 percent of its diameter, and under 0.02 percent of its visual and over 0.328 percent of its bolometric luminosity (Rogers and Seager, 2009).

The star has a mass that may be around 1.5 times Sol's (see Professor Jim Kaler's Stars page on Arcturus), at least 24.5 times its diameter (0.019 - 0.027», according to the Yale Bright Star Catalogue, 1991 5th Revised Edition notes entry for HR 5340), and 113 (visual) to 215 times (with infrared) its luminosity (James B. Kaler, 2002, pp. 21 - 22).

The star has almost a half (49 + / - 0.014 percent) of Sol's mass (Endl et al, 2008), 52 to 53 percent of its diameter (NASA Star and Exoplanet Database, derived from Kenneth R. Lang, 1980; Pasinetti - Fracassini et al, 2001; and Johnson and Wright, 1983, page 655), and less than 0.8 percent of its visual and 3.5 ± 0.3 of its bolometric luminosity (NASA Star and Exoplanet Database, derived from Kenneth R. Lang, 1980).

It has a visual magnitude of 7.5 and an absolute magnitude of -0.5, which means that the nebula has an intrinsic luminosity roughly 100 times that of the Sun.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

But he employs light like a poet, particularly in the book's opening series of spreads, an overture of full - bleed details with metaphoric resonance, which announce Wyeth's visual themes: reflection, illumination, luminosity, shadows and patterns.

In this latest series, a subtle luminosity returns to Zinn's work, which weaves prior series with the present by referencing light and incorporating geometric compositions with visual syncopation into her visual explorations.

Working on these premises, the exhibition aims to analyze this dialogue between spaces and volumes, exploring the silent conversations and connections between artworks and the forces that structure them — gravity, luminosity, balance — but also between visual creation and philosophical thought.

Reflection, geometry, luminosity, and rich visual texture are common threads that emerge in unexpected installations that newly sensitize viewers to the KMA's site.»

This gives the painting an all - over visual sparseness and vibrant luminosity; the thick white gesso sealing and emphasising the slightly toothy texture of the linen canvas support.