Sentences with phrase «visual of the actual experience»

Simply put, a client journey map is a visual of the actual experience a client has in working with any organization.

Not exact matches

Whitehead's judgment is that within the body there is considerable conformity of the percipient or dominant occasion to the feelings of the other actual occasions it prehends, but that when we go beyond the body, as in our visual experience of colors, any such element of conformity becomes much more doubtful.
In new research published, scientists at the Hebrew University of Jerusalem and in Germany and the USA show that the way in which the brain organizes its visual sense remains intact even in people who are blind from birth, and that at least the pattern of functional connectivity between the visual area and the topographical representation of space (up / down, left / right, etc.) can develop on its own without any actual visual experience.
In some cases of cardiac arrest, memories of visual awareness compatible with so called out - of - body experiences may correspond with actual events.
This is going to be an authentic LEGO experience like never before, with a brand new LEGO visual animation style which simulates the movement and feel of actual LEGO toy sets.
This quest to capture pure optical sensation goes back to the Impressionists, who argued that their paintings were more faithful to actual visual experience than were the carefully drawn and shaded compositions of the Salon painters.
With each layer of actual painting, photography, reproduced paint and digital manipulation, she simulates the experience of shifting vision and investigates the complexities and nuances of visual truth.
Judd identified actual space as «inherently more powerful and specific than paint on a flat surface,» a sentiment characteristic of Minimalist faith in the productive reality of embodied, as opposed to purely visual, experience.1 Hammons, however, combines the purified geometry of a Judd or an early Robert Morris with the cast - off traces of African - American urban life.
Penkala plays with optics and film conditions as visual bait to conflate the actual and the representation; fragmenting the visual experience into a series of changing moments, into a state of flux, into an «unfixing» of conceptual models rather than concretizing them.
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