"Visual perception" refers to the way our eyes and brain work together to make sense of what we see. It involves recognizing and understanding shapes, colors, sizes, and other visual details in the world around us.
Full definition
Contemporary artists continue to
explore visual perception by using many of the same formal properties as in the 1960s combined with new technologies and materials.
One system is responsible
for visual perception and is necessary for identifying objects — such as approaching cars and potential mates — independent of their apparent size or location in our visual field.
Modern driving schools indicate the emphasis of teaching learners
about visual perception being the main component of driver education.
Much of what we take for granted about our inner lives,
from visual perception to memories, is little more than an elaborate construct of the mind.
The occupational therapy team offers assessments and treatment for fine motor development and
visual perception skills, sensory processing and integration and uses programs to help children develop self - regulation.
Using various printmaking techniques she creates layered images
investigating visual perception and the underlying patterns, rhythms and codes found in nature.
And research shows that this characterization is more than a metaphor: open people literally see things differently in terms of
basic visual perception.
This highly convincing audio component aims to trigger emotional and physical reactions, which in turn
affect visual perception.
In collaboration with the museum's curators they have selected works of art and conceived architecture and the exhibition's content using their sensations and
visual perception experience.
Individuals and dogs with maturing eyes or coming up
short visual perception could profit by everyday servings of kale.
The paintings are made with great patience and they require the viewer to explore their
own visual perception.
The artist embraces digital media as a vehicle for modern communication while experimenting with both video and sculptural objects that
examine visual perception and temporal awareness.
Using a visual language informed by geometric abstraction, he creates artworks that examine how color and form create shifts
in visual perception.
Until this moment, brain - machine interfaces are operated by relying largely
on visual perception: the robotic arm is controlled by looking at it.
He explored not only color as object and color as abstraction, along with his colleagues, but also a fascination
with visual perception.
He has a longstanding interest in the interface between art and the scientific study
of visual perception, including portraiture, the general principles of composition, and the historical development of space representation.
«
As visual perception becomes less reliable,» the authors write, «tactile perception assumes a greater role in the recognition of object shape.»
Working with Conway, who was then an associate professor studying
visual perception at Wellesley College, Gibson decided to delve further into this variability.
Owen Kydd's work pivots on a nuanced exploration of
visual perception through tightly contained video loops that simultaneously function as still videos and extended photographs.
Nature, rooted in movement and progression, reveals the interconnectedness of meaning
between visual perception and formal transformation.
Particularly concerned with the study of chromatic interaction, in
which visual perception of a color is affected by those adjacent to it, Albers writes, «To this end, we study gradation by producing so - called grey steps, grey scales, grey ladders.
More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding
visual perception by creating the illusion of three - dimensional space and motion using mostly line and color.
Kreiter, who uses macaques to study the brain's
visual perception system, is caught up in a high - profile legal saga surrounding primate research in the German city of Bremen.
This ethnographic approach has combined with a developing interest in the visual field, inspired by Alva Noe's inquiries
into visual perception as active construction, considering the field not as a camera viewfinder but as an all - encompassing space.
Disrupting visual perception, her scraps of materials take on new life, becoming a vehicle of territorial reclamation and spiritual agency for the artist amid the pressures of economic and political globalization.
Phrases with «visual perception»