Sentences with phrase «visual perception of the world»

«The more interesting implications of the research concern what constitutes our conscious visual perception of the world,» he says.

Not exact matches

The importance of auditory experiences for the interpretation of reality is proven through observation of deaf children... A world without sound is a dead world; when sound is eliminated from our experience, it becomes clear how inadequate and ambiguous is the visual experience if not accompanied by auditory interpretation... Vision alone without acoustic perceptions does not provide understanding.

Research done by Dr. Mel Goodale, from the University of Western Ontario, in Canada, and colleagues around the world, is showing that echolocation in blind individuals is a full form of sensory substitution, and that blind echolocation experts recruit regions of the brain normally associated with visual perception when making echo - based assessments of objects.

Your visual system «thinks» this perception is a more economical description of the data than is the vision of independent barber poles scattered in the world in precisely this manner by some mad Martian intent on confusing you.

UC Berkeley scientists have discovered a visual mechanism they call «ensemble lifelikeness perception,» which determines how we perceive groups of objects and people in real and virtual or artificial worlds.

Study pursues the genes with which a zebrafish views its world Neuroscientist biologist Herwig Baier, PhD, UCSF assistant professor of physiology and formerly of the Max Planck Institute in Tubingen, is working to identify zebrafish genes that play a role in visual perception.

Any predictions about what will happen in the future and whether animals will be able to cope with changes in their environment will require a thorough understanding of their biology, visual perception and cognitive abilities in conjunction with the parameters that define the world that has shaped them.

Using Solution Fluency to connect to her students» inner awareness set the tone for visual communication projects that would demonstrate how what we see can shape our opinions and perceptions of the world around us.

The relationship between drawing and sculpture is particularly interesting in contemporary art practice; Antony Gormley is one of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications and development of a visual language to assuage the spiritual or emotional privations of the modern world.

Taking its cue from Ways of Seeing, John Berger's 1972 critical text on visual culture, this exhibition explores the various formalistic strategies that artists employ to re-configure our perception of the world.

Swerving between abstract imagery and glimpses of the world, Lloyd's exhibition explores light as both a medium and subject of digital technologies and draws attention to both the possibilities and limits of visual perception.

Swerving between abstract imagery and glimpses of the world, the exhibition explores light as both a medium and subject of digital technologies and draws attention to the possibilities and limits of visual perception.

The visual and aural elements in the show are bound together by an anxiety of fecundity, the narrative of the show located in a world of heightened perception.

Although it may not lead directly to personal expression or occupational skills, a visual - literacy curriculum reveals to students how the presentation of ideas through images affects their perception of the world.

He created images that reveal the power of memory and dreams to transform our perception of the visual world.

Drawing on a wealth of concepts and subjects from the atomic and the cosmic, geometry and optics, to time, rotation and visual perception, Seeing Round Corners will also include a selection of objects and images from world cultures, religions and history such as scientific instruments, technological images and works from spiritual and mystical traditions.

The art she makes is far less dependent on the perception of the visual world than might be expected from a genius of contemporary portraiture.

At the time they were produced, these works transcended the art world and shared an inventiveness that expanded perceptions of our visual experiences in the natural world.

Known for his innovative manipulation of digital media, Pfeiffer recasts the visual language of popular spectacle to examine how images shape our perception of ourselves and the world.

Here she discusses other works made at a similar time, and returns to themes of light and darkness, visual perception and judgement, explaining: «I'm trying to explore how we see the world».

Hearing this, I imagine Fernández, a contemporary artist who has long been concerned with American landscape, with the visual perception and conceptual concoction of the putatively natural world, grappling like Jacob grappled with the angel all night and through to dawn.

As this show suggests, what emerges from Finch's diverse probing of human perception and visual memory is a heightened awareness of the profound depth of visual experience offered by the outside world — an awareness simultaneously explored by Finch's work across a variety of media.

In his Tuesday Evenings presentation Walking Through Hedges Backwards, Wentworth presents his photographs, sculptures, and installations, which tease our expectations of art and position us to reconsider the visual world and our perceptions of it.

Central to a career spanning nearly six decades is Jaramillo's drive to express materially our sensory perceptions of space and time in what she describes as «an aesthetic investigation which seeks to translate into visual terms the mental structural patterns we all superimpose on our world.»

In this edition of TateShots, Houshiary discusses themes of light and darkness, visual perception and judgement, explaining: «I'm trying to explore how we see the world».

Binocular vision is a visual and mental process that generates depth perception from the overlapping but slightly different images of the world formed in two eyes.