Sentences with phrase «visual practices pointing»

Not exact matches

Screenwriting is deemed to be part of «Literature,» as I said, so Guest rakes in points there and in «Visual and Performing Arts» Criticism and Practice (including Art, Architecture, Sculpture, Music, Theater, Film, and Dance).»

After watching the videos, you can refer to these guides for the main points and visuals of each posture as you work through or guide others through the practices.

If they need help during Guided Practice, they will get five seconds of your time as you point out a critical feature in your Visual Instructional Plan.

Using digital and wireless platforms, as well as analog printing and traditional casting techniques as a point of departure, each of the artists» creative processes explore the development of artistic practices and visual vernacular in the post-information age.

Taking this shift and the artist's penchant for experimentation across media as a point of departure, Winslow Homer and the Camera questions how new visual technology impacted the artist's production and engagement with subjects, and unveils how photography became increasingly a part of Homer's visual investigation and broader creative practice.

The work of this Dutch artist spans diverse media and reference points: the work's aesthetic practice holds on the transformation of imagery, and studies the suspension of visual information and physical touch.

Åkerlund's practice takes its starting point in the periphery of visual perception.

Love Action Art Lounge is supported by a generous two - year grant from The Andy Warhol Foundation for the Visual Arts and with support from Connecticut Office of the Arts & Social connections as the starting point for collectively creating art is at the core of House of Ladosha and Go!PushPops practices.

They produce programming that challenges prevailing notions of exhibition making, introduce new forms of artistic practice, embed dialogues from other regions into local conversations, and create points of intersection between visual, political, and technological cultures.

Sara Jordenö is a NYC - based Swedish visual artist, documentary filmmaker and researcher, whose work resides in the crossing points of site - specific and public art, documentary cinema, and community - based participatory performative practice.

Curated by Jananne Al - Ani, David A. Bailey, Zineb Sedira and Gilane Tawadros, this is the first project to address the question of the veil from the vantage point of contemporary visual art practice.

Similarly, Jorge Macchi has underlined the significance of his watercolors in relation to his artistic practice; «they facilitate the way I expect the audience to look at my pieces,» the artist pointed out.1 For Macchi, drawing has become a way to both transcribe and incite a purely visual experience.

Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.

This free tool informs the design and planning process at the point of inspiration, presenting the best information and practices through powerful visuals and straightforward language.

By making use of varying modes of presentation including handouts, small group discussions, visuals, power points, and videos, the session stays vibrant and fresh as important concepts are covered in - depth, including: contributing factors to challenging behavior; who challenges you and why; your own emotional reactions to behavior; why children engage in challenging behavior; reflective tools and techniques; and how t implement these practices successfully in the «real world.»