Not exact matches
Surprisingly, recent work demonstrates that
visual brain maps are dark - centric and that, just as stars rotate
around black holes in the Universe, lights rotate
around darks in the brain representation of
visual space.
As a consequence of the greater spatial mapping of darks, a 0.5 x 0.5 mm cube of
visual cortex can represent the same position of a dark spot but different positions of light spots that appear to rotate
around a dark anchor in
visual space.
Roughly speaking, the balance system uses three overlapping components: the vestibular, or «inner ear,» system, the
visual system and proprioception, the feeling of our bodies in the
space around us — a position - movement sensation.
Their minds were blown by our collection of low - and high - tech tools, the
visual «shop» aesthetic of the
space, the large work tables, the ability to write on surfaces, and the freedom move
around the room whenever they wanted.
You move
around one of two ships in a vast empty map, with
visuals straight from the most generic
space shooters from the beginning of the millennium, and all you need to do is defend your motherships (named after Canadian provinces, by the way) from enemy attacks.
Talk:
Visual AIDS Last Address Tribute Walk at Whitney Museum The sixth annual Last Address Tribute Walk, run by the arts and activism organization
Visual AIDS, will center
around a tour of West Village
spaces that have significance within larger histories related to AIDS in New York.
They locate themselves in place and
space by paying attention to what is
around them, and each artist's work is marked by a certain attentiveness to the mundane, the quotidian — the physical structures that form the background of our
visual lives.
On a repeated cycle, brilliant halogens come on for short bursts and then plunge the viewer and
space into darkness in which the subject is implicated in a
visual field framed by unstable but insistent glowing perspectives that allow free movement
around and within them.
Echoing the
visual flow of vessels in the piece, the design encourages visitor circulation
around the
space and onto the multi-sided structure.
Expanding Narratives uses the formal relationship between the figure and the ground in art history as a conceptual springboard into discussions
around visual representation, the museum
space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.
«Kelly's
visual vocabulary is drawn from observation of the world
around him — shapes and colors found in plants, architecture, shadows on a wall or a lake — and has been shaped by his interest in the
spaces between places and objects and between his work and its viewers.
The first iteration in a three - part exhibition series, Expanding Narratives uses the formal relationship between the figure and the ground in Western art history as a conceptual springboard into discussions
around visual representation, the museum
space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.
Nathan Cohen's paintings explore the nature of our relationships with phenomena in the world
around us, and how this can be altered through images and physical interaction with
space and
visual form.
Over the five weeks EFA Project
Space will function as a meeting site, reading room and accumulative bulletin board where participants and audience members are welcome to post and distribute diverse
visual and textual materials
around the subject of debt.
after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation,
Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets
around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami
Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to light.
David Zimmerman is the recipient of numerous awards, including the 2009 Sony World Photography Awards L'Iris d'Or Prize for his work in the deserts of the southwestern United States, and is the founder of the Himalayan Art Centre in Jogiwara Village, a studio and school that provides free education in
visual storytelling and is a meeting
space for artists and writers from
around the world.
Drawing a line
around the electrical charge of the
space gives
visual and physical life to this energetic presence.
Gino Miles has always been interested in the classic harmony between man and nature, sing spare
visual language to create lyrical forms in tight balance with the negative
space around them.
The project, which joined hands with the Culturunners initiative led by British artist Stephen Stapleton, has previously facilitated an exhibition of Saudi conceptual artist Abdulnasser Gharem at the Los Angeles County Musuem of Art in 2017, as well as spearheading a multi-city tour of the United States for Saudi artists, bringing
around a dozen
visual practitioners, including Ahmad Angawi and 2017 Abraaj Group Art Prize shortlisted artist Sarah Abu Abdallah, to
spaces such as the Minnesota Street Project in San Francisco and the Bates College Museum of Art in Maine.
Addressing the expressive potentials embedded in and
around the coded data of popular
visual noise, the exhibition Outer Storage
Spaces includes sculpture and drawings by Norm Paris, paintings by Lucy Lord Campana, and a video by Zach Nader.
Helen Pashgian» 56, a
visual artist who lives and works in Pasadena, Calif., is a pioneering member of the Light and
Space art movement, which developed in Southern California in the 1960s
around the use of industrial materials which offered unique optical and color possibilities.
Today, the
space is housed in a simple one - story converted typewriter factory and hosts events
around many disciplines, from
visual arts to lectures, films or musical performances.
In positioning himself between worlds — the art world, his family and community, peripheral
spaces he seeks to inhabit — Murillo has made room for a new
visual language, one that draws as easily and subversively on his personal narratives and the narratives
around the places he has visited, as it does on traditional vocabularies of painting, installation, and sculpture.
-LSB-...]... To allow ourselves to be inhabited by what left our field, perhaps our
visual field;
around us, in the hole inside us, we learn the fullness of other dimensions of existence...... The
spaces left empty are the place of the most intense energy, emanations, auras, tensions, thoughts and the fascinations of the human presence... -LSB-...] The drawn objects serve as a backdrop for creating states of mind, from which the attempt at concentration, at falling inside, at finding the rhythm, the exhaustion through rhythm and the reaching of a conclusion which is a static stage before a new beginning.»
This evaluation of both
visual and bodily experience via materials and
space has a precedent in work of the 1960s and 1970s, something well understood before the mid - «60s, when dogmas hardened
around different styles like Pop, Minimalism, Color Field painting, etc..
The Writer in Residence engages with Jerwood
Visual Arts» programme of exhibitions and Project
Space commissions, with the aim of opening up wider contextual debate
around the enquiries and themes of each initiative.
in
Visual Arts Practice
around the theme of document work
space and is a component of the seminar studies module at IADT.
His
visual vocabulary was drawn from observation of the world
around him — shapes and colors found in plants, architecture, shadows — and has been shaped by his interest in the
spaces between places and objects, and between his work and its viewers: «In my work I don't want you to look at the surface; I want you to look at the form, the relationships.»
The Good The HTC Vive offers a flat - out amazing virtual reality experience with sharp
visuals, great motion controls and full - room sensing to walk
around in virtual
space.
Sounds move in three - dimensional
space — flowing above and
around the listener in step with the
visuals to bring a new sense of height and reality.
No back cushions to wiggle
around, a nice low back so it didn't take up too much
visual space, rolled arms, gorgeous tufting... I could go on and on.