Like
the visual works in the exhibition, the recordings in the music library span the 1950s to the present.
Not exact matches
Visual art center presenting
exhibitions, educational programming, and artists
working in open studios.
The programs consist of
exhibitions, concerts, receptions, and performances of student - produced
work in:
visual art, music, theatre, and dance.
Her
work has been included
in exhibitions at Intersection for the Arts, Southern Exposure, RayKo Photo Center and Root Division
in the Bay Area, BC Space Gallery and the Robert V. Fullerton Art Museum
in Southern California, the Minneapolis Photo Center, Perspective Fine Art
in Evanson, IL, the
Visual Arts Center
in Portsmouth, VA and the Washington Square Art Galleries
in New York City.
* A couple of really good galleries
in premium places that invite you to have a solo
exhibition or group showing once a year; * one or two pop up shows a year
in a suitable spot
in a town near you (empty shops
in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who
worked in visual merchandising / interior design / blogging to be my agent
in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.
The
exhibition explores the history of American modernist ballet and new representations of the body through a combination of contemporary
works by Mauss and historical
works from the 1930s and 1940s
in ballet design, the
visual arts, theater, and fashion.
His
work is included currently
in the American Academy of Arts and Letters Invitational
Exhibition of
Visual Arts.
The
exhibition will consist of a series of
works of a standard size,
in which the artist explores abstract and representational
visual languages.
This spring, the two Serpentine Gallery spaces
in London's Hyde Park present a career - spanning
exhibition of Latham's
work, coupled with a
visual response by four contemporary artists influenced by him.
Select Group
Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists
in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo
in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters,
work on display
in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal
Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and
Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight
Visual Artists Fellowship
Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art
in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
Halvorson's
work will be included
in the upcoming 2014 Invitational
Exhibition of
Visual Arts at the American Academy of Arts and Letters.
The
Visual Arts Program at Wave Hill presents the
work of contemporary artists who explore the dynamic relationship between nature, culture and site through
exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.
LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and
works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial,
works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course
in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO
EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected
Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial,
Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP
EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.
Selected Group
Exhibitions 2016 — «Faculty
Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty
Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery
in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer
Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery
in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer
Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery
in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery
in Chicago, Los Angeles, CA 2005 — «New
Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting
in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small
Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge,
Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small
Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small
Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
The UB Art Gallery
in collaboration with UB's Department of
Visual Studies is excited to present Noncommittal: A Prospective Glance 2, an annual
exhibition celebrating the exceptional
work Read More»
by Stephanie Cristello Curated by and including
work of artist Jessica Stockholder, whose
exhibition Door Hinges is concurrently on view
in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a
visual essay on form and object - hood.
FILM Rising art stars Bradford Young (cinematographer, whose
work was featured
in Black Radical Brooklyn
exhibition over the summer) and Jason Moran (composer, who collaborates with
visual artists and joined Luhring Augustine this year) add the much - anticipated «Selma» to their resumes.
Whether ironic or sensuous, the
works in the
exhibition explore the
visual delight of food and its related themes.
Heidkamp's
work is currently featured
in Talking Pictures, an
exhibition at the Metropolitan Museum of Art, New York, which presents sets of
visual correspondence between twelve pairs of artists.
Curated by and including
work of artist Jessica Stockholder, whose
exhibition Door Hinges is concurrently on view
in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a
visual essay on form and object - hood.
The
exhibition showcases artwork by the seven finalists competing for the Janet & Walter Sondheim Artscape Prize, a $ 25,000 fellowship given each year to a
visual artist or
visual arts collaborators living and
working in the Greater Baltimore region.
The
exhibition slated for Portland
in fall 2019 and traveling to additional US museums
in 2020, highlights the
work of an artist devoted to reframing perspectives on difficult issues central to American history and the representation of race and the politics of
visual culture.
b. 1987
in Long Island, NY Lives and
works in Brooklyn, NY EDUCATION 2012 MFA Fine Arts, School of
Visual Arts, New York, NY 2009 BFA Painting and Drawing, Magna Cum Laude; SUNY New Paltz, New Paltz, NY SOLO AND TWO PERSON
EXHIBITIONS 2015 Storms, Gavlak, Los Angeles, CA 2014 Patient Zero, The Arts Club, London, UK 2013 I Made It Through the Wilderness, Gavlak, Palm Beach, FL NADA New York, Andrew Brischler & David Haxton, Gavlak Booth, New York, NY 2012 Goodbye to All That, Gavlak Palm Beach, FL 39 Great Jones, New York, NY GROUP
EXHIBITIONS 2017 Flaming June VII (Flaming Creatures), Gavlak, Los Angeles, CA
They provide critical context,
visual reference, an opportunity for innovative design that reflects the
work, and a format
in which the
exhibition can live beyond its presentation dates.
Other recent solo
exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and
Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum
in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art
in 2012; Fred Wilson:
Works 2004 — 2011 at the Cleveland Museum of Art
in 2013; and Fred Wilson: Local Color, Studio Museum
in Harlem
in 2013.
From the influences of African art on the Modernist forms of artists like Picasso, to the
work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the
exhibition will map out
visual and cultural hybridity
in modern and contemporary art that has arisen from the journeys made by people of Black African descent.
His
work has been included
in group
exhibitions at the Metropolitan Museum of Art, New York; Tate Modern, London; San Francisco Museum of Modern Art; BALTIC Centre for Contemporary Art, Gateshead, United Kingdom; Museo Reina Sofia, Madrid; MIT List
Visual Arts Center, Cambridge, Massachusetts; Haus der Kunst, Munich; and Walker Art Center, Minneapolis.
This
exhibition proposes what has never been done and that is to understand and re-examine the
work of artists to whom vastly different philosophies have been ascribed and yet whose
works resonate together
in visual conversation.
117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 —
Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40
Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times,
In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two
Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York
Exhibition, One Art Space, New York, NY Inaugural
Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of
Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis
Exhibition, Organized
in Collaboration with Mike Egan,
Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of
Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg,
Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks,
Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of
Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA
Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of
Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler
Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture
Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis
Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY
Exhibition, State University Plaza, Albany, NY 2008 Crit 3:
Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
In 2015 three current
exhibitions are: Willie Cole, Mazmanian Gallery, Framingham State University, Framingham, MA Flawlessly Feminine, Women Who Graced the Cover and
Works by Willie Cole, The Diggs Gallery of Winston - Salem State University Willie Cole: Transformations, Abroms - Engel Institute for the
Visual Arts, University of Alabama at Birmingham.
In 2001 she
worked with
Visual AIDS on the
exhibition and catalogue «Share Your Vision.»
His
work has been included
in group
exhibitions at the Carpenter Center for the
Visual Arts at Harvard University, MoMA PS1, MoCA, and the Drawing Center.
Add to these the poignant last paintings currently on view
in Tate Modern's Malevich
exhibition, and we have an extraordinary opportunity to reflect on the phenomenon of late
work in the
visual arts.
In 2014 his work was in included in the exhibition Abstractometry at the Frist Center for Visual Arts in Nashville, Tennesse
In 2014 his
work was
in included in the exhibition Abstractometry at the Frist Center for Visual Arts in Nashville, Tennesse
in included
in the exhibition Abstractometry at the Frist Center for Visual Arts in Nashville, Tennesse
in the
exhibition Abstractometry at the Frist Center for
Visual Arts
in Nashville, Tennesse
in Nashville, Tennessee.
None of the
work in the
exhibition bears a title as, throughout the period of the
exhibition, Rothko sought a
visual expression of deeply psychological and spiritual states.
I Guess You Had To Be There: An Installation Art
Exhibition Exhibition opportunity for installation artists to create
work in the main gallery at the Association for
Visual Arts
in Chattanooga, TN.
As can be seen
in the rash of
exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who
work with or
in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own
work; on the other, some printed materials may soon be obsolete, changing the nature of the
visual landscape and cultural communications.
Inspired by the
work of American musician and bioacoustician Bernie Krause, this
exhibition (until 8 January 2017) at the Fondation Cartier pour l'art contemporain, which brings together artists from all over the world, invites its audience to immerse themselves
in an aesthetic meditation, both aural and
visual, on an animal kingdom that is increasingly under threat.
Working Artist Project recipient Xie Coamin's
exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center
in an abstracted composition that evokes the
visual culture of his Chinese background alongside the documentation of United States history.
Armory programming includes: free year - round community arts programs, serving 6,500 people annually;
in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering
visual and media arts classes for all ages, serving 3,700 people annually; professional development training for teaching artists and public school teachers; and contemporary
visual art
exhibitions and performance based
work.
It continues with
works from the world's leading innovators
in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who,
in his largest
exhibition in the U.S. to date, transforms the presentation of
visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation
in the Armory's drill hall, will expand upon her
work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.
This
exhibition is the latest
in «The Collective» series which forms part of a programme of
visual art conceived to inspire and uplift members and staff of this ground - breaking not - for - profit club which helps those who have experienced homelessness back into long - term
work.
Accompanying the
exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon;
in addition it includes a
visual essay that traces the specific historical inspirations and touchstones for this group of
works,
in hopes to speak to both the past and future.
Statistics from 2012 reveal that 90 per cent of the
visual artists featured
in art books were men;
work by women artists made up three to five per cent of major permanent collections
in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited
exhibitions in New York, Paris, and London, only three were solo
exhibitions featuring female artists.
In addition to teaching at Newton Country Day School as a visual art instructor, she has also featured work in such exhibitions as the Blue Ribbon Show with South Shore Art Center, MA, Eve (olution) with Riverside Library, NY, Women Coast to Coast with Prince Street Gallery, NY and Personal Renaissance in Canad
In addition to teaching at Newton Country Day School as a
visual art instructor, she has also featured
work in such exhibitions as the Blue Ribbon Show with South Shore Art Center, MA, Eve (olution) with Riverside Library, NY, Women Coast to Coast with Prince Street Gallery, NY and Personal Renaissance in Canad
in such
exhibitions as the Blue Ribbon Show with South Shore Art Center, MA, Eve (olution) with Riverside Library, NY, Women Coast to Coast with Prince Street Gallery, NY and Personal Renaissance
in Canad
in Canada.
The
exhibition brings to Gallery - Legacy Čolakovićy, a satellite venue of Belgrade's Museum of Contemporary Art, twenty - one artists whose
works engage with the ways the
visual arts are portrayed
in movies.
As part of our continuing
Visual MashUp series, this
exhibition features
work by artists who participated
in October's
Visual MashUp.
Founds the New Provincetown Print Project
in conjunction with the Fine Arts
Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the
Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting
in the continuing Harvard Evenings print series; solo
exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo
exhibitions there
in 1994, 1995, 1996, 1997, 1998, and 1999).
EMERGENCY is aspex's biennial open submission group
exhibition, which seeks to highlight the
work of emerging
visual artists
working in any media.