Sentences with phrase «visual works of fine art»

Not exact matches

National Representation by Committee Investigation here has pointed to many fine organizations with an interest in media literacy and technology societies with arts as an area of interest, as well as technology as a working group within the professional organizations for dance, music, theatre and visual arts.

And there was certainly a time, not so long ago, when I was also a fully paid - up McKeever Believer: his seriousness, his commitment to the act of painting, and the complete absence from his work of what the American painter Gary Stephan has dubbed «visual sarcasm» — that is, the use of paint only in order to flaunt its supposed inadequacy and redundancy — made him seem like a bulwark against the insufferable smart - alec nihilism of Richard Prince, Wade Guyton, or Christopher Wool; and against the prevailing attitudes within the Higher Education establishment at which I both teach, and study on the MA programme, where the buzz - phrase on the Fine Art Critical Studies syllabus is «post-Making»; in other words, goodbye and good riddance to all that messy business with brushes and squeegees and welding torches, once and for all.

Exhibition: MPAartfest 2017, a one - day juried fine art and craft show and sale featuring the work of more than 50 local and regional visual artists.

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

Fine Arts Work Center Location: Provincetown, MA The Fine Arts Work Center offers a unique residency for writers and visual artists in the crucial early stages of their careers.

2012 Pratt Institute, Brooklyn, NY Fine Arts Work Center, Provincetown, MA Virginia Commonwealth University, Richmond, VA University of Richmond, Richmond, VA Hunter College, New York, NY Painting Department, Cranbrook Academy, Bloomfield Hills, MI Mason Gross School of the Arts, New Brunswick, NJ Portland State University, Portland, OR Montclair State University, Montclair, NJ ArtEZ Institute of the Arts, Arnhem, NL Royal Institute of the Arts, Stockholm, Sweden Savannah College of Art and Design, Savannah, GA School of Visual Arts, New York, NY South Eastern College Art Conference, Savannah, GA University of Tennessee, Chattanooga, TN

b. 1987 in Long Island, NY Lives and works in Brooklyn, NY EDUCATION 2012 MFA Fine Arts, School of Visual Arts, New York, NY 2009 BFA Painting and Drawing, Magna Cum Laude; SUNY New Paltz, New Paltz, NY SOLO AND TWO PERSON EXHIBITIONS 2015 Storms, Gavlak, Los Angeles, CA 2014 Patient Zero, The Arts Club, London, UK 2013 I Made It Through the Wilderness, Gavlak, Palm Beach, FL NADA New York, Andrew Brischler & David Haxton, Gavlak Booth, New York, NY 2012 Goodbye to All That, Gavlak Palm Beach, FL 39 Great Jones, New York, NY GROUP EXHIBITIONS 2017 Flaming June VII (Flaming Creatures), Gavlak, Los Angeles, CA

DEADLINE: June 8, 2018 Exhibition: MPAartfest 2018, a one - day juried fine art and craft show and sale featuring the work of more than 35 local and regional visual artists.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Anna McNay: Your exhibition here at Marlborough Fine Art brings together recent paintings, sculptures and works on paper that will give visitors an overview of your visual language as a whole.

Currently, Packer is a 2014 - 2015 Visiting Critic at the Pennsylvania Academy of the Fine Arts, and a Visual Arts Fellow at The Fine Arts Work Center in Provincetown, MA.

He has received numerous prestigious awards and grants, including the Milton and Sally Michel Avery Visual Arts Fellowship at Yaddo; the MacDowell Fellowship, Peterborough, NH; the Rosenthal Family Foundation Award at the American Academy of Arts and Letters; and the Winter Fellowship at the Fine Art Works Center in Provincetown MA.

2007 Material Culture, Longwood Art Gallery @ Hostos, Bronx, NY, organized by Juanita Lonzos Red Badge of Courage, Newark Council for the Arts, Newark, NY, organized by Omar Lopez - Chahoud Done by the Forces of Nature, City of College of New York, New York, NY organized by Roberto Visani Visual Jury, Fine Art Work Center, Provincetown, MA Defensive Mechanisms (part of INTERSECTIONS) Henry Street Settlement, Abrons Art Center, New York, NY organized by Martin Dust

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA

Modigliani's visual work has been exhibited at many galleries and museums including Pennsylvania Academy of the Fine Arts Museum (Philadelphia), Yerba Buena Center for the Arts (San Francisco), Colby College Museum of Art (Waterville, ME), the Art Gallery of Nova Scotia (Halifax), the Museum of Contemporary Canadian Art (Toronto), and Confederation Centre for the Arts (Charlottetown, PEI).

Her work has been included in numerous two - person and group exhibitions at venues such as the Montgomery Museum of Fine Arts, AL; Adams and Ollman, Portland, OR; Frist Center for the Visual Arts, Nashville, TN; Cuevas Tilleard Projects, New York, NY; Knoxville Museum of Art, TN; Zuckerman Museum of Art, Kennesaw, GA; Lamar Dodd School of Art, Athens, GA; Hunter Museum of American Art, Chattanooga, TN; and Weatherspoon Museum of Art, Greensboro, NC.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fraart agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Joffe's work is in the permanent collections of the Cantor Center for Visual Arts at Stanford University, Stanford, California; the Institute of Contemporary Art, Boston; the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the National Portrait Gallery, London and the Scottish National Gallery of Modern Art, Edinburgh.

Since 1968, the Fine Arts Work Center has offered a prestigious seven - month fellowship to ten visual artists and ten writers who are in the emerging stages of their careers.

From 6 June to 14 October the Tinguely Museum in Basel will show over one hundred works on loan from Moscow (Tretyakov - Gallery; A.A. Bakhrushin State Central Theatre Museum, Moscow; State Archive for Literature and Art; Schusev Museum of Architecture; Museum of the Moscow Art Theatre), St. Petersburg (Russian Museum), Kostroma (Museum for History, Architecture and the Visual Arts), Wiesbaden (Museum Wiesbaden), Friedrichshafen (Zeppelin Museum), Vienna (Austrian Theatre Museum), Paris (Centre Georges Pompidou), London (Annely Juda Fine Art; Grosvenor Gallery), Thessaloniki (State Museum of Contemporary Art — Costakis Collection), Penza (Russia), and Athens.

In 2015, he held a Paul Mellon Senior Visiting Fellowship at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, where he worked on his forthcoming book project, Hopper's Hotels, which will also be the subject of his first exhibition project at the Virginia Museum of Fine Arts.

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

Eligibility: Fine Arts Work Center Fellowships are open to writers and visual artists in the emerging stages of their careers.

The annual exhibition of the 2018 Master of Fine Arts thesis candidates from the College of Visual and Performing Arts, featuring the work of artists working in a variety of traditional and new media.

2014 American Academy of Arts and Letters: 2014 Invitational Exhibition of Visual Arts, NYC 2011 Carrie Haddad Gallery Hudson, NY 20th Anniversary Exhibit 2010 Brik Gallery Catskill, NY Painting, Drawing, Sculpture Crowell's Fine At Gallery Bedford, MA Recent Work 2008 Sideshow Brooklyn, NY 2007 Verdigris Art Hudson, NY Figurative 2006 Sideshow Brooklyn, NY War is Over 2004 The Painting Center NYC Recent Works on Paper 2003 Morris Arlos Fine Arts Gallery, NYC 2002 Morris Arlos Fine Arts Gallery, NYC 2001 Morris Arlos Fine Arts Gallery, NYC AFA Gallery, Scranton PA Five Figure Painters Hudosn Opera House Hudson, NY Recent Works 1999 New York tudio School NYC 100 Drawings 1998 The Painting Center NYC Paulson / Eisenbeis Recent Paintings 1997 The Painting Center NYC Figure Painting and the Reasonable Lie Rising Tide Gallery Provincetown, MA Invitational 1996 Warren Street Gallery Hudson, NY Solo Show 1995 County College of Susssx Newton, NJ Solo Show 1994 Ute Stebich Gallery Lenox, MA 1993 The Bill Race Gallery NYC Three Emerging Artists Education:

Visual Committee members are practicing accomplished artists, including but not limited to former Fellows of the Fine Arts Work Center.

SUMMER WORKSHOPS INTERNSHIP The Fine Arts Work Center seeks five interns for our eleven - week program of nearly one hundred inspiring workshops in creative writing and visual arts taught by award - winning facuArts Work Center seeks five interns for our eleven - week program of nearly one hundred inspiring workshops in creative writing and visual arts taught by award - winning facuarts taught by award - winning faculty.

In 2015 he held a Paul Mellon Senior Visiting Fellowship at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, where he worked on his book project, Hopper's Hotels, which is also the subject of his forthcoming exhibition at the Virginia Museum of Fine Arts.

Traveled to: Hirshorn Museum and Sculpture Garden and the Corcoran Gallery of Art, Washington, D.C. (jointly), October 1 - November 27; Toledo Museum of Art, Toledo, Ohio, January - February 26, 1978 1982 Visual Arts Museum, New York (handmade paper works) 1983 Duke University Museum of Art, Durham, North Carolina (handmade paper works) Museo de Arte Moderno, Mexico, D.F. 1984 University Art Museum, University of California, Berkeley 1985 Museo de Bella Artes, Bilbao, Spain, September 1986 The Butler Institute of American Art, June 20 - August 31 Hunter Museum of Art, Chattanooga, Tennessee, November 9 - January 4 1987 Artist - in - Residence, Pratt Institute, New York, September 1986-1987 1990 Edmonton Art Gallery, Edmonton, Alberta, Canada November 17 - January 6, 1991 1994 The Museum of Art, Houston, «Kenneth Noland: The Circle Paintings» The Museum of Fine Arts, Ft. Lauderdale, Florida, «Kenneth Noland: The Circle Paintings» 1995 Leo Castelli Gallery, New York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum station.

A former two - year Resident Fellow at the Fine Arts Work Center, he served as Visual Coordinator for four years and is now the Chair of the Visual Committee.

She attended the Skowhegan School of Painting and Sculpture in 2011 and was the recipient of a Visual Artists Fellowship from the Fine Arts Work Center (Provincetown, MA) from 2012 — 2013.

Join our creative writing and visual arts community and spend your summer at the Fine Arts Work Center in Provincetown, located at the tip of Cape Cod and surrounded by 40 miles of pristine national seasharts community and spend your summer at the Fine Arts Work Center in Provincetown, located at the tip of Cape Cod and surrounded by 40 miles of pristine national seashArts Work Center in Provincetown, located at the tip of Cape Cod and surrounded by 40 miles of pristine national seashore.

Michael joins the Fine Arts Work Center after three years as the Executive Director of Public Programs at the Asia Society New York where he oversaw a broad range of programs that drew from the fields of visual and performing arts, literature and film, international affairs, business, economics and educatArts Work Center after three years as the Executive Director of Public Programs at the Asia Society New York where he oversaw a broad range of programs that drew from the fields of visual and performing arts, literature and film, international affairs, business, economics and educatarts, literature and film, international affairs, business, economics and education.

digital collages that explore racial and cultural ambiguity through visual hybridity, like the work of each artist in this exhibition, demonstrate that late 20th - century predictions of the end of traditional fine «art» practice at the dawn of digital culture were simply wrong.

Additional multimedia works by Red Grooms, Ben Dallas, Jeri Eisenberg, Billy Renkl, and Tom Judd offer an arrangement of visual ideas that explore ways in which photography and fine art merge.

Pratt Institute's Fine Arts Chair Jane South has been selected by the American Academy of Arts and Letters to exhibit work in its 2018 Invitational Exhibition of Visual Arts in New York City.

The Dallas Symphony Orchestra's new three - week, annual classical music and fine arts festival is centred in the Dallas Arts District and anchored by orchestral and collaborative performances, the commissioning of new works of art and the exhibition of works by internationally acclaimed visual artiarts festival is centred in the Dallas Arts District and anchored by orchestral and collaborative performances, the commissioning of new works of art and the exhibition of works by internationally acclaimed visual artiArts District and anchored by orchestral and collaborative performances, the commissioning of new works of art and the exhibition of works by internationally acclaimed visual artists.

Onli, whose «work attends to the intricacies of race and the production of space,» previously served as program coordinator at the Graham Foundation for Advanced Studies in the Fine Arts in Chicago, and also founded the website Black Visual Archive.

Lowe has exhibited her work throughout the U.S. since the early 1980s, including one - person exhibitions at the Forum for Contemporary Art, St. Louis MO; I Space Gallery, Chicago; Thomas Barry Fine Arts, Minneapolis, MN; and Rrose Amarillo, San Antonio, TX; Her work has been included in group shows at Alfred University, Alfred, NY; Dallas Visual Art Center; Contemporary Art Center of Fort Worth; Blue Star Art Space, San Antonio; the McNay Art Museum, San Antonio; the High Museum of Art, Atlanta; and the Minneapolis Institute of Art, Minneapolis, MN.

Adding to the showcase of veteran Hong Kong artists, Ben Brown Fine Arts (3D14) will be showcasing work by Hon Chi - fun, one of Hong Kong's most established painters, with pieces from the 70s and 80s during a period where he began to experiment with the clashing of eastern and western philosophies and visual languages.

She is on the faculty of the MFA Fine Arts program at the School of Visual Arts and also works full - time as a social studies curriculum developer for New York public schools.A 2006 Amy Biehl Fulbright Scholar to South Africa, she holds a BA in Public Policy and Africana Studies from Pomona College (2006) and an EdM in Secondary Education from Stanford University (2008).

«Red, Yellow, Blue», Hiram Butler Gallery, Houston, Texas «Celebrating the Spectrum: Highlights from the Anderson Collection», de Young Museum, San Francisco, California «Knowing Space», School of Visual Arts, New York, New York «Drawings & Works on Paper», Galerie Lelong, New York, New York «W U N D E R K A M M E R», Bartha Contemporary Ltd, London, United Kingdom Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, Michigan Structured «Color», McKenzie Fine Art, New York, New York «Editions» 14», Lower East Side Printshop, New York, New York «Real Estate», Ventana 244, Brooklyn, New York «Coloring», Atlanta Contemporary Art Center, Atlanta, Georgia

Her vast and prolific collection of work is both visual and auditory and often merges the unique elements of abstraction, calligraphy, punk, graffiti, and fine art.

NLE Curatorial Lab and York College Fine Arts Gallery invite visual artists and college / university art students with strong ties to Southeast Queens to share their work with art experts for professional feedback in one - on - one sessions of 15 - minutes each.

He graduated from the Department of Visual Art, College of Fine Arts in Sao Paulo, where he currently lives and works.

Having worked with the finest period pieces of furniture from the Regency to Art Deco has given me an eye for proportion and classical form, so important in designing objects with integrity and stature, even though often not having any direct visual connection.

Del Valle has been the recipient of several visual arts residencies and fellowships including the Skowhegan School of Painting and Sculpture, Fine Arts Work Center, and Smack Mellon Artist Studio Progarts residencies and fellowships including the Skowhegan School of Painting and Sculpture, Fine Arts Work Center, and Smack Mellon Artist Studio ProgArts Work Center, and Smack Mellon Artist Studio Program.

Raymond Pettibon Surfers 1985 - 2013» Venus over Manhattan, New York, NY, April 3 — May 17, 2014; catalogue 2013 «To Wit,» David Zwirner, New York, NY, September 12 — October 26, 2013; catalogue «Raymond Pettibon: No Title (Safe he called...),» High Line Billboard, New York, NY, June 3 — July 1, 2013 2012 «Raymond Pettibon,» Sadie Coles HQ, London, UK, October 3 — November 17, 2012 «Some early works,» Georg Kargl Box, Vienna, June 28 — September 8, 2012 «Whuytuyp,» Kunstmuseum Luzern, Lucerne, Switzerland, March 24 — July 22, 2012; catalogue 2011 «Desire in Pursuyt of the Whole,» Regen Projects, Los Angeles, CA, November 4 — December 22, 2011 «Looker - Upper,» Contemporary Fine Arts, Berlin, Germany, April 30 — June 11, 2011; catalogue 2010 «Raymond Pettibon: The Punk Years (1978 - 86),» Florida Atlantic University Schmidt Center Gallery, Boca Raton, FL, November 13, 2010 — January 22, 2011; traveled to Museum of Contemporary Art Tucson, Tucson, Arizona, October 22 — December 18, 2011; University Gallery, University of Massachusetts Lowell, Lowell, MA, January 27 — February 27, 2012; Visual Arts Center, Boise State University, Boise, ID, March 7 — 28, 2012; McIntosh Gallery, Ontario, Canada, September 13 — October 27, 2012; One Grand Gallery, Portland, OR, December 7, 2012 — January 25, 2013 «Hard in the Paint,» David Zwirner, New York, NY, November 6 — December 21, 2010 «Thoughts for a Book: Raymond Pettibon & Brian Kennon,» Station, Roski School of Fine Arts, University of Southern California, Los Angeles, CA, September 13 — 29, 2010 [two - person exhibition] «Raymond Pettibon,» Gladstone Gallery, Brussels, Belgium, May 21 — July 10, 2010 2009 «Raymond Pettibon,» Sadie Coles HQ, London, UK, November 25, 2009 — January 9, 2010 «Raymond Pettibon: Repeater Pencil,» World Class Boxing, Miami, November 14, 2009 — January 30, 2010 «Raymond Pettibon and Yoshua Okon: Hipnostasis,» Armory Center for the Arts, Pasadena, CA, May 24 — August 23, 2009 [two - person exhibition] «Crop,» URA!

She has lectured widely on her work at educational and cultural institutions including The Cooper Union, The School of Visual Arts, Boston University, The Museum of Fine Arts Boston, Massachusetts College of Art, Maryland Institute College of Art, Vassar College, The New York Studio School, The University of Tennessee, and Rutgers University.