Sentences with phrase «voice as a filmmaker»

As soon as the film started, it was clear that July's voice as a filmmaker hasn't changed that much in the past five years — the same irreverence, black humour and playful charm abounds — but the film lacks the bounce of her first feature.

Having last helmed the 2009 feature Trash Humpers, one could say Korine has a very distinct voice as a filmmaker.

Those experiences shaped the person I am and influenced my voice as a filmmaker.

Not exact matches

, NOTHING should be «taken out on the filmmaker» as you say, this is America, still at least partially the land of free speech, EVERY opinion should be able to be voiced without repercussion, especially those critical of dangerous ideas (religion).

Stanley Kubrick shuns common narrative crutches such as voice - over narration or back - glancing exposition in favor of a strict antiseptic license that necessarily utilizes classical music from the likes of Johann Strauss to serve as an inner - connecting emotional aural fabric upon which the filmmaker balances mesmerizing outer - space sequences that have been copied ad nauseam ever since.

Just as Stewart the stand - up comic became one of the most urgent and satisfying voices in American broadcasting, so has this talk show host suddenly blossomed into one of this year's most relevant filmmakers.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

It is a pleasure to hear the legendary filmmakers» voices and laugh along as they share laughs with each other, and the insights Truffaut mines out of his hero are as enlightening today as ever.

Shot in the filmmakers» usual fly - on - the - wall style — little voice - over narration, no talking - head interviews — the doc tails Wise as he visits primatologists and then narrows down the apes he wants to use to make his case.

(Credit the filmmakers for including the voices of Val Kilmer and Anthony Edwards just as Dusty finds himself in the danger zone.)

«The Voices» is directed by Oscar nominated Iranian filmmaker Marjane Satrapi («Persepolis») and marks the acting debut of producer Adi Shankar, best known for executive producing action flicks «The Grey» and «Dredd,» as well as several «bootleg» Marvel short films.

And his two terrific leads, Tilda Swinton and Tom Hiddleston (fans who thought Michael Fassbender would have been better in the role, I believe you are wrong) in many ways act as warring voices for the filmmaker — two snobs, one lamenting the future and yearning for the past, the other a bit more hopeful for what the horizon may bring.

He also founded TRUE ARTISTS to assist creative talents such as actors and filmmakers find their own voice and path for success in the industry.

And as film criticism written by passionately engaged people with actual knowledge of film history has gradually faded from the scene, it seems like there are more and more voices out there engaged in pure judgmentalism, people who seem to take pleasure in seeing films and filmmakers rejected, dismissed and in some cases ripped to shreds.

But as a filmmaker, Bell again makes her case for consideration as one of our finest, funniest female voices with I Do... Until I Don't (R), an ensemble comedy of matrimonial errors.

And out of the gate, her voice seems fully actualized as a filmmaker who has lived through stories she can now tell with the assurance of perspective.

On top of that, her brave and uncompromising voice in Hollywood speaking out on the issues that female filmmakers, actors, and frankly, anyone, in the filmmaking community faces as they attempt to create art and make a living in what can oftentimes be a brutal and unforgiving industry, has made her a leading light in the world of film.»

Filmmakers Noah Baumbach and Jake Paltrow had an idea to do a film about acclaimed director Brian De Palma as a «conversation with a friend,» though the two wanted to remove their own voices.

The film is pieced together from outtakes from the long - time documentary filmmaker / cinematographer's extensive body of work, but beyond occasionally hearing her voice behind the camera (and one shot towards the end in which we finally see her face as she points the camera toward herself), Johnson forgoes the safety net of voiceover narration to tie all this footage together.

Watching the finished product though, its painfully clear that the filmmakers are well within their rights to demand their money back, as the voice performances here are so phoned in that BT or O2 should really start charging for them by the second.

Of the no less than seven new features showcased in the Estonian Film competition this year, the standout was The Days That Confused, a debut feature that marks 28 year - old filmmaker and painter Triin Ruumet out as a distinctive new auteurial voice.

«Zero Motivation» Israeli dark comedy «Zero Motivation» won the top Narrative Prize at Tribeca this year, and it felt like this was the rare prize winner that won almost unanimous support from attendees: the film attracted raves from pretty much everyone that saw it, and marks first - time filmmaker Talya Lavie as an exciting new comedic voice in cinema.

For those creating the work, the critic can also serve as a constructive voice that points to a filmmaker's strengths while noting their weaknesses or areas needing improvement.

Over the course of the fellowship, I had access to industry professionals, one - on - one mentoring, and the opportunity to explore and develop my voice further as a filmmaker.

This era - spanning book, a novel told in six voices that our reviewer described as «complex literary origami» would be as daunting a task for filmmakers as it must have been for the writer.

Finally, the group teamed up with filmmaker Matt Loades to produce a short film, revealing their sculptures «in situ», with the words of the Linford Wood legend read out as a voice - over.

Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural history give shape to an image of race otherwise mediated by outside entities.

Nancy Holt Film and Video October 16 at 4:00 Introduced by DeeDee Halleck Video activist and filmmaker DeeDee Halleck collaborated with Nancy Holt as editor on several of her films, including Sun Tunnels (1978), which documents the making of Holt's major site - specific sculptural work in the northwest Utah desert; and Pine Barrens (1975), a film that evokes «a barren wilderness in south - central New Jersey... (with) the voices of the local people, the «Pineys,»»..

Wu Tsang is an artist, performer, and filmmaker based in Los Angeles who works with the voice as a medium and representational metaphor.

It is through this dynamic that the collaboration is carried out, Tsang's role as filmmaker constituting a strong intervention in the voice of the work.