Okay, so I was angling for the whole B - movie trailer
voice over effect there — but it's all true.
Not exact matches
But critics have
voiced concerns
over whether the weapons training included in the contract will help officers more safely and effectively de-escalate situations or have the opposite
effect.
Strong concerns have been
voiced from some quarters
over its estrogenic properties and the
effects of the chemical on the human reproductive system.
«I think it's quite clear that
voices of conscience all
over the country are expressing outrage at these decisions which are reinstituting discrimination against the LGBT community,» he said, adding, «My hope is that both these states will relent, but we certainly are not going to have any non-essential travel to those states if these laws do continue in
effect.»
Yet an actor in a Cameron Crowe film must be prepared to do things that fly in the face of conventional narrative: his characters are forever addressing the camera and declaiming their innermost thoughts in
voice -
over, the cumulative
effect of which is an anything - can - happen atmosphere and characters of substance etched in lightning - quick vignettes.
Of course, there are plenty of books and articles on film noir's use of the
voice -
over, but Miklitsch takes a different approach, primarily focusing on sound
effects and music's contribution to the overall dark ambience of the films of this period.
Jumper is a good enough use of 90 minutes, but is let down by an increasingly lazy script (not to mention redundant
voice over) and rushed special
effects.
The computer graphics are still top notch, as is the
voice work, sound
effects, and cuteness factor, but once it's all
over, there's not much to show for it in terms of interesting ideas or thoughtful feelings you typically expect from John Lasseter (A Bug's Life, Cars) and company.
As you play, the subtle sound
effects make the onscreen action immediately gratifying as a much louder
voice -
over announcer provides commentary for all of your successes and failures.
The visual
effects are consistently superb (yes, Smaug is a triumph — though they didn't need to electronically treat Cumberbatch's
voice quite that much); the new characters fir seamlessly, and Jackson has settled on a tone (no more whiplashing between Hobbit whimsy and LOTR darkness)-- which leads directly to the score being better because composer Howard Shore doesn't have to skip all
over the place.
Each of these elements can be further sub-divided into types of dialog (
voice -
over narration or diegetic speech), music (source or score), and
effects (footfalls, gunfire, or ambiences).
Nicki Minaj (Ice Age: Continental Drift) offers an interesting personality to the mix, if you can get
over the nails - on - a-chalkboard
effect of her cartoonishly squeaky
voice inflections.
Audio is equally as enjoyable, especially the
over the top sound
effects,
voice acting and the great musical score that often helps get your adrenaline ready for the upcoming fights.
Some of these titles — which include
voice over narration, soothing watercolor - like illustrations, recordable hot spots within the story for adding personalized sound
effects, vocabulary enhancement, and more — have been penned by the most beloved children's authors, including writers such as Suse MacDonald, Don Freeman, and Dean Koontz.
Using state - of - the - art field recording equipment, a library of images, sound
effects and excellent
voice -
over talent, they provide author media services such as audio books, audio promotion packages and video book trailers.
ROCKET RACCOON AND GROOT STEAL THE GALAXY features
over 40 talented
voice actors, original music, sound
effects and a very special vocal performance by Groot.
The Premium book video trailer package will take your book cover, text and marketing information and combine it with
voice over narration (up to 200 words), HD video footage, royalty free music, royalty free images, a custom graphic designed background and sound
effects used in creative ways to make your story come alive.
It's fully cast with
over two dozen
voice actors, and its own music and sound
effects.
While the iPhone and iPod Touch are fairly powerful for their size, BioWare had to be picky about what style of cinematics to bring to the handhelds, as well as special
effects,
voice over talent, etc... They ultimately settled on an animated 2D graphic novel style as the best way to present Mass
Effect Galaxy to the world.
The
voice over work had some hits and misses, and the sound
effects were nothing to be excited about.
The sound
effects include Major Fletcher walking, sprinting or dashing, gunfire from your weapons, a range of attacks from machines and their respective weaponry, explosions from environmental hazards such as explosive barrels and electric devices when shot at and ambient sound
effects such as heavy rain that breathes more life into the surrounding environments, alongside atmospheric music, while the DualShock 4 speaker sporadically produces a
voice -
over detailing your latest objective.
The audio consists of
voice -
overs, sound
effects and music which really add layers to the charm and humour of the game with the
voice -
overs being the standout area of audio with each character having a personality via exceptional performances from their respective
voice -
over artists.
Emma Tate who
voices Nico Collard, Maria de Santos, a young Tiago Marques and Sofia has a massive amount of experience in
voice -
overs having
voiced characters in television series including Captain Scarlet, The Jungle Book, Angelina Ballerina and more besides, alongside roles in videogames such as Telltale's Wallace and Gromit episodic games, Rogue Trooper, Shinobido, Dragon Age II, Dragon Age: Inquisition, LEGO: The Hobbit and Bloodborne, amongst others; while Nicholas Boulton
voices Richard Langham having
voiced characters in Killzone 3, The Witcher 2, Mass
Effect 3, Final Fantasy XIV: Heavensward and much more besides; Toby Longworth
voices Marques having
voiced Senator Lott Dodd and Gragra in Star Wars: Episode I — The Phantom Menace as well as videogames such as Tropico 5, Sacred 3, Risen 3: Titan Lords and more besides; Terry Wilton
voices Father Simeone and Vlad having previously narrated the Trine games, alongside an incredibly talented cast.
Audio consists of
voice -
overs for the lead villain and guards insisting your character stops what they are doing, while sound
effects include collecting energy and credits, shooting at enemies, reloading, melee attacking enemies, enemies firing at your character, explosions and more besides.
There is no DualShock 4 speaker implementation which is surprising as it could have produced
voice -
overs from the announcer and participating characters or sound
effects.
By combining feedback from players of the original with Blitz Games Studios knowledge and experience, every area of the game has been given an overhaul: * New animations for every character, new graphics, user - interface and
effects * Complete
voice - acted English dialogue, and French & Spanish translations of a script four times bigger than the original * New puzzles, and sub-quest making the game
over twice as long * Four new endings dependent on the players actions, and playable epilogue * Context - sensitive controls, and improved «feel»
Fortunately Dead space has just that, great music, sound
effects and
voice overs.
While there is no recorded
voice -
over audio in Rise & Shine, the music and sound
effects more that make up for the absence of the any actual spoken dialogue.
McCree's Flashbang slows enemies more, Reaper's Shadow Step sound
effect and
voice over can't be heard from a distance (for more stealth), and D.Va has new sound
effects and
voice lines for her Defense Matrix.
In fact, they often are responsible for everything that comes out of the speakers for the game: music, ambiances, sound
effects,
voice over recording and sometimes even script - writing.
While the opening scene of the game is a full motion cutscene, sadly 90 % of the remaining cutscenes are still images with
voice -
overs and special
effects.
The audio consists of
voice -
overs, sound
effects and music that collectively work in harmony to build layers of the world, relationships and the unfolding stories that you encounter through each episode.
It is still a gorgeous game, and the
voice overs and sound
effects are just as crisp as always.
The sound
effects are good as is the soundtrack which suits perfectly as is the
over the top
voice acting!
Pathologic Classic HD is an extensively remastered re-release featuring updated graphics and
effects while addressing the most prominent criticisms of the original game with a newly translated script, and new
voice -
overs including reinstated dialogue.
The audio consists of
voice -
overs, sound
effects and music that works well together to build layers of the world, the relationships and the story that is unfolding around you, while most of the minor audio issues from the previous versions have been corrected to deliver better audio.
There is no DualShock 4 speaker implementation which is surprising as it could have produced the authentic Star Wars character
voice -
overs or soundtrack or possibly even sound
effects.
Sound
effects consist of punching, kicking, grappling and a variety of fighting moves as they are aimed, blocked or landed, crunching impacts from super moves and painful screams and groans, especially when a super move has inflicted such damage upon a character, while destructible environments are reflected when a fighter throws an object towards an enemy or a fighter is driven into a nearby object, alongside climactic cinematic music which perfectly compliments the
voice -
overs and sound
effects.
The
voice acting is
over the top but quite professional and the sound
effects and graphics really enhance the overall gaming experience of this current Skylanders title.
Pathologic Classic HD is an extensive remaster of the original game, featuring updated graphics and
effects, while addressing the most prominent critiques of the original with a completely redone English script, brand new re-recorded
voice -
overs and reinstated dialogue.
Sound
effects are OK, your motorbike engine with the occasional explosion can be heard, amusing
voice overs for your rider are provided by Brandon Dicamillo and Rake Yohn of Jackass fame.
Sound
effects and
voice overs (the latter of which I didn't hear much of yet) is coming courtesy of Power Up Audio.
Next step is to add some sound
effects and mix them with the music and
voice over.
The
effect in a room is utterly different, the
voices turning in on themselves instead of lilting
over the water and echoing under the bridge.
Down the hall, Iván Argote played sound to a different
effect, rounding out a new film with a
voice -
over from a Femen activist he had met in Paris.
The
voices of the thousands of Appalachians living with contaminated drinking water have finally been amplified
over the past several days with a long - overdue announcement about halting mountaintop removal permits from the EPA and a widely - discussed New York Times story on Sunday about the devastating
effects of coal - tainted water.
As reported yesterday by the New York Law Journal, the proposed rules are «so expansive and cover so many angles — from soliciting mass tort clients to sponsoring pop - up Internet ads to using celebrity
voice -
overs — that the justices have taken the unusual step of ordering a 90 - day public comment period before the disciplinary standards take
effect.»
Two expert medical committees have
voiced concern
over the potential cardiovascular side
effects associated with low testosterone medication.
It offers three editing modes and social sharing as well as the ability to drag - and - drop media, trim clips, enter text, add
effects, record
voice overs, etc..
It has very little low end, though; as it tends to favor
voice over music and sound
effects, it's best suited for video conferencing and spoken - word files like audio books.