Sentences with phrase «voice over effect»

Okay, so I was angling for the whole B - movie trailer voice over effect there — but it's all true.

Not exact matches

But critics have voiced concerns over whether the weapons training included in the contract will help officers more safely and effectively de-escalate situations or have the opposite effect.
Strong concerns have been voiced from some quarters over its estrogenic properties and the effects of the chemical on the human reproductive system.
«I think it's quite clear that voices of conscience all over the country are expressing outrage at these decisions which are reinstituting discrimination against the LGBT community,» he said, adding, «My hope is that both these states will relent, but we certainly are not going to have any non-essential travel to those states if these laws do continue in effect
Yet an actor in a Cameron Crowe film must be prepared to do things that fly in the face of conventional narrative: his characters are forever addressing the camera and declaiming their innermost thoughts in voice - over, the cumulative effect of which is an anything - can - happen atmosphere and characters of substance etched in lightning - quick vignettes.
Of course, there are plenty of books and articles on film noir's use of the voice - over, but Miklitsch takes a different approach, primarily focusing on sound effects and music's contribution to the overall dark ambience of the films of this period.
Jumper is a good enough use of 90 minutes, but is let down by an increasingly lazy script (not to mention redundant voice over) and rushed special effects.
The computer graphics are still top notch, as is the voice work, sound effects, and cuteness factor, but once it's all over, there's not much to show for it in terms of interesting ideas or thoughtful feelings you typically expect from John Lasseter (A Bug's Life, Cars) and company.
As you play, the subtle sound effects make the onscreen action immediately gratifying as a much louder voice - over announcer provides commentary for all of your successes and failures.
The visual effects are consistently superb (yes, Smaug is a triumph — though they didn't need to electronically treat Cumberbatch's voice quite that much); the new characters fir seamlessly, and Jackson has settled on a tone (no more whiplashing between Hobbit whimsy and LOTR darkness)-- which leads directly to the score being better because composer Howard Shore doesn't have to skip all over the place.
Each of these elements can be further sub-divided into types of dialog (voice - over narration or diegetic speech), music (source or score), and effects (footfalls, gunfire, or ambiences).
Nicki Minaj (Ice Age: Continental Drift) offers an interesting personality to the mix, if you can get over the nails - on - a-chalkboard effect of her cartoonishly squeaky voice inflections.
Audio is equally as enjoyable, especially the over the top sound effects, voice acting and the great musical score that often helps get your adrenaline ready for the upcoming fights.
Some of these titles — which include voice over narration, soothing watercolor - like illustrations, recordable hot spots within the story for adding personalized sound effects, vocabulary enhancement, and more — have been penned by the most beloved children's authors, including writers such as Suse MacDonald, Don Freeman, and Dean Koontz.
Using state - of - the - art field recording equipment, a library of images, sound effects and excellent voice - over talent, they provide author media services such as audio books, audio promotion packages and video book trailers.
ROCKET RACCOON AND GROOT STEAL THE GALAXY features over 40 talented voice actors, original music, sound effects and a very special vocal performance by Groot.
The Premium book video trailer package will take your book cover, text and marketing information and combine it with voice over narration (up to 200 words), HD video footage, royalty free music, royalty free images, a custom graphic designed background and sound effects used in creative ways to make your story come alive.
It's fully cast with over two dozen voice actors, and its own music and sound effects.
While the iPhone and iPod Touch are fairly powerful for their size, BioWare had to be picky about what style of cinematics to bring to the handhelds, as well as special effects, voice over talent, etc... They ultimately settled on an animated 2D graphic novel style as the best way to present Mass Effect Galaxy to the world.
The voice over work had some hits and misses, and the sound effects were nothing to be excited about.
The sound effects include Major Fletcher walking, sprinting or dashing, gunfire from your weapons, a range of attacks from machines and their respective weaponry, explosions from environmental hazards such as explosive barrels and electric devices when shot at and ambient sound effects such as heavy rain that breathes more life into the surrounding environments, alongside atmospheric music, while the DualShock 4 speaker sporadically produces a voice - over detailing your latest objective.
The audio consists of voice - overs, sound effects and music which really add layers to the charm and humour of the game with the voice - overs being the standout area of audio with each character having a personality via exceptional performances from their respective voice - over artists.
Emma Tate who voices Nico Collard, Maria de Santos, a young Tiago Marques and Sofia has a massive amount of experience in voice - overs having voiced characters in television series including Captain Scarlet, The Jungle Book, Angelina Ballerina and more besides, alongside roles in videogames such as Telltale's Wallace and Gromit episodic games, Rogue Trooper, Shinobido, Dragon Age II, Dragon Age: Inquisition, LEGO: The Hobbit and Bloodborne, amongst others; while Nicholas Boulton voices Richard Langham having voiced characters in Killzone 3, The Witcher 2, Mass Effect 3, Final Fantasy XIV: Heavensward and much more besides; Toby Longworth voices Marques having voiced Senator Lott Dodd and Gragra in Star Wars: Episode I — The Phantom Menace as well as videogames such as Tropico 5, Sacred 3, Risen 3: Titan Lords and more besides; Terry Wilton voices Father Simeone and Vlad having previously narrated the Trine games, alongside an incredibly talented cast.
Audio consists of voice - overs for the lead villain and guards insisting your character stops what they are doing, while sound effects include collecting energy and credits, shooting at enemies, reloading, melee attacking enemies, enemies firing at your character, explosions and more besides.
There is no DualShock 4 speaker implementation which is surprising as it could have produced voice - overs from the announcer and participating characters or sound effects.
By combining feedback from players of the original with Blitz Games Studios knowledge and experience, every area of the game has been given an overhaul: * New animations for every character, new graphics, user - interface and effects * Complete voice - acted English dialogue, and French & Spanish translations of a script four times bigger than the original * New puzzles, and sub-quest making the game over twice as long * Four new endings dependent on the players actions, and playable epilogue * Context - sensitive controls, and improved «feel»
Fortunately Dead space has just that, great music, sound effects and voice overs.
While there is no recorded voice - over audio in Rise & Shine, the music and sound effects more that make up for the absence of the any actual spoken dialogue.
McCree's Flashbang slows enemies more, Reaper's Shadow Step sound effect and voice over can't be heard from a distance (for more stealth), and D.Va has new sound effects and voice lines for her Defense Matrix.
In fact, they often are responsible for everything that comes out of the speakers for the game: music, ambiances, sound effects, voice over recording and sometimes even script - writing.
While the opening scene of the game is a full motion cutscene, sadly 90 % of the remaining cutscenes are still images with voice - overs and special effects.
The audio consists of voice - overs, sound effects and music that collectively work in harmony to build layers of the world, relationships and the unfolding stories that you encounter through each episode.
It is still a gorgeous game, and the voice overs and sound effects are just as crisp as always.
The sound effects are good as is the soundtrack which suits perfectly as is the over the top voice acting!
Pathologic Classic HD is an extensively remastered re-release featuring updated graphics and effects while addressing the most prominent criticisms of the original game with a newly translated script, and new voice - overs including reinstated dialogue.
The audio consists of voice - overs, sound effects and music that works well together to build layers of the world, the relationships and the story that is unfolding around you, while most of the minor audio issues from the previous versions have been corrected to deliver better audio.
There is no DualShock 4 speaker implementation which is surprising as it could have produced the authentic Star Wars character voice - overs or soundtrack or possibly even sound effects.
Sound effects consist of punching, kicking, grappling and a variety of fighting moves as they are aimed, blocked or landed, crunching impacts from super moves and painful screams and groans, especially when a super move has inflicted such damage upon a character, while destructible environments are reflected when a fighter throws an object towards an enemy or a fighter is driven into a nearby object, alongside climactic cinematic music which perfectly compliments the voice - overs and sound effects.
The voice acting is over the top but quite professional and the sound effects and graphics really enhance the overall gaming experience of this current Skylanders title.
Pathologic Classic HD is an extensive remaster of the original game, featuring updated graphics and effects, while addressing the most prominent critiques of the original with a completely redone English script, brand new re-recorded voice - overs and reinstated dialogue.
Sound effects are OK, your motorbike engine with the occasional explosion can be heard, amusing voice overs for your rider are provided by Brandon Dicamillo and Rake Yohn of Jackass fame.
Sound effects and voice overs (the latter of which I didn't hear much of yet) is coming courtesy of Power Up Audio.
Next step is to add some sound effects and mix them with the music and voice over.
The effect in a room is utterly different, the voices turning in on themselves instead of lilting over the water and echoing under the bridge.
Down the hall, Iván Argote played sound to a different effect, rounding out a new film with a voice - over from a Femen activist he had met in Paris.
The voices of the thousands of Appalachians living with contaminated drinking water have finally been amplified over the past several days with a long - overdue announcement about halting mountaintop removal permits from the EPA and a widely - discussed New York Times story on Sunday about the devastating effects of coal - tainted water.
As reported yesterday by the New York Law Journal, the proposed rules are «so expansive and cover so many angles — from soliciting mass tort clients to sponsoring pop - up Internet ads to using celebrity voice - overs — that the justices have taken the unusual step of ordering a 90 - day public comment period before the disciplinary standards take effect
Two expert medical committees have voiced concern over the potential cardiovascular side effects associated with low testosterone medication.
It offers three editing modes and social sharing as well as the ability to drag - and - drop media, trim clips, enter text, add effects, record voice overs, etc..
It has very little low end, though; as it tends to favor voice over music and sound effects, it's best suited for video conferencing and spoken - word files like audio books.
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