Sentences with phrase «voice over narrative»

Patrick Seward does an amazing job with the voice over narrative.
A voice over narrative is subtitled and the player can choose whether to turn on Rider Voice and Announcers which aren't subtitled.

Not exact matches

The poet, as represented by his narrative voice, courts the danger courted by Icarus, Phaethon, and Bellerophon — the danger of harboring and enacting an ambition («to soar / Above the Ionian mount») that, however fueled by good intentions, passes over into pride.
We're collectively over thinking the simplicity of the scriptural narrative & talking over the quiet voice of the Holy Spirit, while marching into battle.
By then you realize that the filmmakers are ticking every incident in the life off a checklist rather than shaping a coherent narrative, an approach that leads far too often to the dreaded Artful Montage and scenes of the writer typing away while murmuring in voice - over ``... it was a perfect day for bananafish.»
Stanley Kubrick shuns common narrative crutches such as voice - over narration or back - glancing exposition in favor of a strict antiseptic license that necessarily utilizes classical music from the likes of Johann Strauss to serve as an inner - connecting emotional aural fabric upon which the filmmaker balances mesmerizing outer - space sequences that have been copied ad nauseam ever since.
Yet an actor in a Cameron Crowe film must be prepared to do things that fly in the face of conventional narrative: his characters are forever addressing the camera and declaiming their innermost thoughts in voice - over, the cumulative effect of which is an anything - can - happen atmosphere and characters of substance etched in lightning - quick vignettes.
Over a speedy narrative arbitrarily marked by the passing months, Kelly sharpens his two main performances into actual human beings: Plemons evolves from frustrated eye - rolling and seething to articulated anger, while SNL's Shannon, always brassy as a storyteller, has a major scene when her voice has been stolen by the disease and she must pass the baton.
The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.
The offbeat characters, loose narrative, crime elements and hushed voice - over are all trademarks of its time, which gives the film a bit of a time capsule feeling.
In the post-Chungking Express landscape Wong Kar - wai became an immediately acknowledged style signifying a relaxed narrative with a poetic structure, splashes of bright color, erratic and funny voice - overs, energizing camerawork ---- often handheld ---- and awesomely unusual framing.
The function of good voice - overs is to provide a contextual layer that enhances the themes of the story or magnifies a character in a way that is not seen with the visual narrative.
And against a backdrop of American indie film that has of late favored tone and mood over more finely honed narrative, it marks Dunham as a fresh new voice and unique multi-hyphenate.
The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice - over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares.
Instead of allowing the drama to unfold naturally, which this rich emotional story so grounded in reality seems to warrant, the film insistently relies on breaking the narrative drama onscreen, with voice - over narration accompanied by undeniably sublime visuals.
Uses animation and voice over to present the narrative and engage learners.
The release of the documentary Waiting for Superman, NBC's Education Nation specials and teacher town hall, and D.C. Schools Superintendent Michelle Rhee and Bill Gates on The Oprah Winfrey Show — all will create a crescendo of voices, images and the master narrative that has been carefully developed over the past decade
The new cutscenes and voice - overs help flesh out the original game's narrative without feeling forced in.
Its narrative is so front - and - center that it's being turned into a movie (with Ryan Reynolds taking over Detective Pikachu's voice).
I'm also glad to report that there's no attempt at a voice - over narrative, either.
They're characters who you often don't want to play as or play with and with voice acting that you need to switch over to a foreign language in order to tolerate it, it makes for narrative sequences that you just want to skip your way through.
The Story mode does do one weird thing, where some narrative portions are rendered with in - game graphics but then suddenly switch to a slideshow of the anime with voice - over, going so far as to even include a side quest that is literally just watching a slideshow.
In addition to excruciating voice - overs and a banal narrative, the mission design is such that any new objective requires trial and error to accomplish.
Newcomers and familiar faces round out a robust cast of characters while English and Japanese voice over options flesh out the narrative.
For instance, Fallout 4 shoves it central narrative down your throat at every opportunity and contradicts your attempt to roleplay anything over than the character portrayed by the voice actor and the main storyline.
You blast enemies away in a linear set of levels that are moved along in their narrative with voice over.
Touted as XSEED Games» largest voice - over project to date, Dual Audio with English and Japanese voiceovers complement a narrative dripping with satire and nods to Japanese culture to create a bewitching modern - day supernatural «otaku» adventure set in a faithful recreation of a popular Japanese «alternative» tourist destination.
Dual Audio with English and Japanese voiceovers complements a narrative dripping with satire and nods to Japanese culture to create a bewitching modern day supernatural otaku adventure in XSEED Games» largest voice - over project to date.
• Story Narrative told from Four Different Viewpoints Each of the four rival shinobi schools takes a turn at the story narrative, providing background on motivations, relationships and hobbies, while the original Japanese voice - overs with English subtitles bring each girl's distinct personalityNarrative told from Four Different Viewpoints Each of the four rival shinobi schools takes a turn at the story narrative, providing background on motivations, relationships and hobbies, while the original Japanese voice - overs with English subtitles bring each girl's distinct personalitynarrative, providing background on motivations, relationships and hobbies, while the original Japanese voice - overs with English subtitles bring each girl's distinct personality to life.
A female voice - over adds disparate narratives to the rhythmic movements of the bottles, addressing both lighthearted and serious topics drawn from texts found on the internet.
Periodically throughout the video, an eerie voice - over, digitally manipulated to render it mechanistic and lacking in affect, gives voice to the characters or expands our sense of the narrative.
The video is accompanied by a pre-recorded voice over, which will remain constant each time the video is seen, linking the images together to form a continuous narrative.
The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the use of another medium — in this case dance — to create a kind of abstract demonstration of the film's content — these things all hark weirdly back to the «materialist» theory that influenced art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative» cinema of the late Seventies and early Eighties.
The voice - over hereby functioning as the referential frame, wherein the diary - like poems structure the exhibition space, addressing the viewer and embedding him and her into the narrative.
The guided nature of the code causes it to pull video and audio, based on voice - over and tags written into the metadata of each file and the narrative.
Using a learnt methodology to present her research in a different manner than conventional documentary film — voice - over, music and narrative arcs based on real life, are conveyed in a layered hybrid form.
Emin's voice - over concludes the accompanying narrative, «I have turned myself upside down looking for love... the broken heart is a lonely world.
Fowler's films have often been linked to the British Free Cinema of the 1950s, and Fowler likewise avoids didactic voice - over and narrative continuity in favor of impressionistic sound and editing.
The Mist of a Pessimist borrows from rounds and sounds to structure the work: catchphrases as narrative hooks, contestants as characters, a colour palette setting the scene, and The Host, assistants and an omniscient voice - over offering multiple voices.
I was pointing out that this is increasingly the challenge to the climate consensus that is voiced in public, per Carlson in the video, and that this approach will increasingly help expose the gap between the narrative of certain calamity (whatever its touted threshold du jour, which has changed over the years and may continue to do so) and the reality of what is knowable even in the way that the IPCC defines this knowability (let alone what is knowable when taking approaches to uncertainty such as that of our host here).
Picking up new quests pulls up a high - definition render of the quest giver, who will banter with you and go over the details of an operation in a conversational tone, a break from the original Destiny's text - heavy narrative that was supplemented mostly by the dull voice of your AI companion.
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