Sentences with phrase «voice performance by»

During Amsterdam Art Weekend (23rd - 26th of November) Upstream Gallery will show Zeitgeist, a solo exhibition by Marc Bijl as well as an electronic music and voice performance by sound artist Kayleigh Beard.
Colossus is most obviously CGI but it's never really distracting, and the pitch perfect voice performance by Stefan Kapicic ensures the character is endearing in a goody two shoes lame way.
This is particularly true of the beautiful mo - cap and voice performance by Steve Zahn (The Good Dinosaur, Knights of Badassdom) that imbues Bad Ape, a solitary chimp zoo survivor whom Caesar encounters, with grand pathos and sweet eager humor: he is a creature — a person — who has been driven a little mad by loneliness and is now overenthusiastic in his enjoyment of new company.
Hiccup, as it turns - out, is much more like his mother, who joins the series (excellent voice performance by Cate Blanchett).
Two heroic forces save us from this fate: a warm, zingy script (by Alan J. Schoolcraft and Brent Simons) and a characteristically wacko voice performance by Will Ferrell as Megamind, a cobalt blue, bulbous - headed freak from a distant planet who defeats his longtime nemesis for control of Metro City but doesn't cope well with success.

Not exact matches

Wearables have the potential to increase productivity and job performance by allowing employees to perform tasks on the go via their smart watches or access information hands - free through voice - controlled headgear.
By the looks of this year's North American Auto Show in Detroit, soon you'll be able to buy a KITT of your own: almost every dashboard boasted touch screens, voice control, real - time performance data and more.
Use of Name and Likeness: By posting User Content on the online services, you consent to the recording, use and reuse by NBCUniversal, its licensees, successors and assigns, of your voice, actions, likeness, name, appearance, profile photograph, performance, biographical material, and any other identifying information, including, without limitation, any information contained in your User Content (collectively, «Personal Elements»), as used, edited, altered, fictionalized or modified by NBCUniversal, in its sole discretion, in any and all media now known or hereafter devised, throughout the world, in perpetuity, including, without limitation, in and in connection with NBCUniversal, or related Sites or online services, in and in connection with any television programs and other productions, and in and in connection with advertising, promotion and publicitBy posting User Content on the online services, you consent to the recording, use and reuse by NBCUniversal, its licensees, successors and assigns, of your voice, actions, likeness, name, appearance, profile photograph, performance, biographical material, and any other identifying information, including, without limitation, any information contained in your User Content (collectively, «Personal Elements»), as used, edited, altered, fictionalized or modified by NBCUniversal, in its sole discretion, in any and all media now known or hereafter devised, throughout the world, in perpetuity, including, without limitation, in and in connection with NBCUniversal, or related Sites or online services, in and in connection with any television programs and other productions, and in and in connection with advertising, promotion and publicitby NBCUniversal, its licensees, successors and assigns, of your voice, actions, likeness, name, appearance, profile photograph, performance, biographical material, and any other identifying information, including, without limitation, any information contained in your User Content (collectively, «Personal Elements»), as used, edited, altered, fictionalized or modified by NBCUniversal, in its sole discretion, in any and all media now known or hereafter devised, throughout the world, in perpetuity, including, without limitation, in and in connection with NBCUniversal, or related Sites or online services, in and in connection with any television programs and other productions, and in and in connection with advertising, promotion and publicitby NBCUniversal, in its sole discretion, in any and all media now known or hereafter devised, throughout the world, in perpetuity, including, without limitation, in and in connection with NBCUniversal, or related Sites or online services, in and in connection with any television programs and other productions, and in and in connection with advertising, promotion and publicity.
And you know what, after my revelation of GRACE last year which absolutely set me free from «performance Christianity» God told me that, regardless of what «scriptures» people threw at me, what He was telling me directly to my heart, that He has made me perfectly righteous by the blood of His son regardless of what I do or don't do, I must trust His voice in my heart, more than the printed «Word» which has been bended, bent, misterpreted and mistaught.
In Quintilian's teaching, the voice and body are shaped by the emotional values of the piece in performance.
The emissary's performance of Paul's letter allowed it to become «a more truly present word, authenticated by a living voice» (Bozarth - Campbell, 75).
There were many fine performances at Alabama's pro day on March 13 in Tuscaloosa, but none so intense, so all - in, so loud as the effort put forth by Scott Cochran, the Crimson Tide strength coach whose Klaxon voice provided a frenetic, urgent sound track to the proceedings.
It is doubly significant because it counters immediate fears voiced by senior Tories that the SNP's remarkable performance could force the UK into giving much more radical powers to Scotland.
Fortunately, later in the day, I recovered my voice but my field had been fractured by this trauma that magnified and re-enforced public speaking performance anxiety.
The next day I communicated with Shrishteee, she was so good that made me cum in a less than ten minutes only by listening to her voice and looking at her performance in front of the camera.
A few reviewers found the material a bit too dated, but this adaptation of Terence Rattigan's 1952 play of the same name by Terence Davies (Distant Voices, Still Lives) drew mostly raves, especially for Rachel Weisz's powerful performance as a woman whose life is torn apart when she cheats on her older husband (Simon Russell Beale) with a young war veteran (Tom Hiddleston).
Kevin Costner leads with a powerhouse performance, being told by «the voice of god» to build something in order to have someone come.
The story is fantastic, bolstered by strong voice performances and a jazzy soundtrack that nails the mood.
What drags the game down is not only its lack of length but sub par voice acting particularly with the DLC's main protagonist, Batgirl voiced by Ashley Greene who had come to replace Kimberly Brooks from former games lacking the tone, wit and independence Brooks brought to the role changing the character, entirely lacking personality in a worn performance, the characters are now best to be left forgotten, not even Hamill could save this train wreck with the very few joker lines he had been presented with.
I thought the film had a great soundtrack and integrated it well in the film (I think that unless you knew that Tip was voiced by Rihanna, you wouldn't find the songs that distracting; it might even give you a better apprecation for Rihanna's spunky vocal performance) and the film had a unique, bold, and very beautiful visual style.
I am a big fan of Scorsese's work, and even more so, the three notable actors - but by the end, I found myself laughing at the endless whispering voiceovers, the convoluted plot and self indulgent performances, culminating in my uproarious laughter when the voice of God encourages a whimpering Garfield to «step on me.»
Over a speedy narrative arbitrarily marked by the passing months, Kelly sharpens his two main performances into actual human beings: Plemons evolves from frustrated eye - rolling and seething to articulated anger, while SNL's Shannon, always brassy as a storyteller, has a major scene when her voice has been stolen by the disease and she must pass the baton.
David Hayter's voice performance isn't much more than an attempt to create the gravelliest, throatiest croak ever recorded by man, but as such, it's heroic.
Alas, Streep disappoints by turning in a human performance as an Anna Wintour manqué, drifting about as «Miranda Priestly» in Cruella DeVil mane and couture, operating a publishing empire (fictional RUNWAY MAGAZINE substituting for VOGUE, though Madonna's «Vogue» features prominently in the soundtrack for the terminally dim) with a soft voice and a sibilant brittleness.
In the opening, Ragnarok throws its audiences into a stage of threatening exposition when Thor is captured by Surtur (another memorable, booming voice performance from Clancy Brown).
It's a very dialogue heavy movie, which is in turn realised by the performances — where do you see your directorial voice shine through?
Reeves, sotto - voice and laconic throughout does his most daring feat of derring - do by maintaining the lightest of ironies in his performance, and not being afraid to give in to sentiment when appropriate.
The Assassination of Jesse James by the Coward Robert Ford This ambitious, richly rendered look at an American legend and his demise is an overly mutated mixture of voice - over narration, striking imagery and fascinating performance.
The music and songs of Inside Llewyn Davis, a mix of preexisting music and brand new tunes written expressly for the film, are bolstered by Isaac's dynamite voice and performances (the biggest track, «Fare Thee Well (Dink's Song),» is a stunner), and reinforce the central themes of the film with ease.
With «Frances Ha,» Noah Baumbach's directing career entered a new stage emboldened by his work with co-writer and partner Greta Gerwig, though the scrappy nature of that narrative and Gerwig's vibrant performance led to the impression that it was more her voice than his driving the proceedings.
So many of our most interesting creative voices have dealt with mental illness (certainly a subject in open discussion right now with the recent passing of Robin Williams), and, while Lenny Abrahamson's «Frank» has been billed as a wacky comedy about a guy with a fake head (which it partially is), it's also a dissection of this intersection, driven by a remarkably physical performance by Michael Fassbender.
Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen Actors Guild Award - nominated performance in an episode of Netflix's Black Mirror.
And as the Russo brothers pointed out to me — because I was trying to do a straight voice match to Hugo's performance — they said, «You know, he's been by himself essentially in this intergalactic prison of his own making for 70 years.
Aside from the vulnerable performance of voice actor Charlie Tahan, the commendably encouraging parents (played by Catherine O'Hara and Martin Short), and the adorably awkward next - door neighbor Elsa (Winona Ryder), the most striking character is that of Sparky himself.
Rick Moranis doesn't think of himself as retired, but with has last feature film performance being a voice in the 2003 animated feature Brother Bear (followed by a straight to video sequel), the Ghostbusters and Honey, I Shrunk the Kids star has certainly been out of the limelight for a long time now.
Leguizamo plays off of the knowledge of the voice - over by not giving us too much in his performance and instead plays it basic and subtle, and Sarsgaard personifies a cool assuredness.
It's a terrific performance by blue - haired, dressed - in - black Meryl Streep, whose singing voice is as powerful as her acting.
His performance, as with his mom voiced by Laurie Metcalf, is painfully real and for much of the audience we are sure, an all too familiar farewell to innocence.
It's a little crazy to hear Big Boss voiced by Kiefer Sutherland at first, but he soon alleviates all fears with a subdued and believable performance that better suits the more serious and graphic tone of the story.
To be fair, the first half is actually very engaging and interesting, as the terrier Max (voiced with deadpan humor and line delivery by Louis C.K.) and his new humongous furry mutt roommate (played by Eric Stonestreet) escape animal control (following being kidnapped for accidentally straying away from their dog walker), come across what is essentially a mob of unwanted animals led by a rabbit (voiced by Kevin Hart, and as you can probably assume, his performance is energetic and most definitely fits animation).
Peil will reprise her performance (originally voiced by Angela Lansbury in the film) from the show's premiere last year in Hartford, Connecticut.
BEST SUPPORTING ACTRESS I don't know why I'm resisting the very alluring pull of Penelope Cruz in this category — it's certainly a terrific performance in a terrific and undervalued (by the Academy, at least) film — but the voices in my head have been telling me «no» all season.
The voice acting performance by Ashley Burch is instrumental in establishing Aloy as a protagonist the player should care about.
Satrapi examines this idea to an extreme in The Voices, and the result is one of the best dark comedies in years, anchored by a truly terrific performance by Ryan Reynolds.
An in - demand destination for film lovers, drawn by unmatched locale and a diverse program of mainstream studio features and new visions from independent voices from around the world, MVFF also hosts an exciting array of filmmaker and industry conversations, panels, parties, and live music performances, featuring the most acclaimed emerging and veteran actors, filmmakers, and musicians of our time.
Her inebriated bravado and playful demeanor only enlivened her fluid, stunning voice, creating some of the most entertaining and dynamic live performances ever given by a solo vocalist.
Acclaimed for his performance in Batman: Under The Red Hood, Bruce Greenwood (American Crime Story, Star Trek, iRobot) reprises his role as the voice of the Dark Knight in Batman: Gotham By Gaslight.
It's about much more than that as well, grounded by the performances of Joaquin Phoenix and Scarlett Johansson, who successfully sell that a man can, under the right circumstances, fall in love with a voice.
As you may know by now, the events of the new film are set into motion when Tony Stark (Robert Downey Jr.), attempting to take some of the world - saving weight from his heroic comrades, creates an army of technological peacekeeping drones controlled by the clever A.I. Ultron (voiced and performance captured with relish by James Spader).
What works best in «Solo» are the performances, from droids voiced by Jon Favreau and Phoebe Waller - Bridge («Fleabag») to the utterly charismatic Ehrenreich and Glover.
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