Sentences with phrase «voice performances from»

The intricate story, supported by strong voice performances from the game's cast, will draw players in and keep them engaged until the very end.

The first Peter Rabbit thrived on some impressive visual effects and infectious voice performances from its stacked cast, from titular star James Corden to Oscar nominee Margot Robbie to live - action collaborators Domhnall Gleeson and Rose Byrne.

The film features voice performances from some pretty solid names, including Helen Mirren, Sam Neil, Geoffrey Rush, Jim Sturgess, and Hugo Weaving - alongside younger stars like Abbie Cornish and Emilie de Ravin.

In the opening, Ragnarok throws its audiences into a stage of threatening exposition when Thor is captured by Surtur (another memorable, booming voice performance from Clancy Brown).

It may not be the most original story, but it is told within a believable world, with well - executed set pieces and excellent voice performance from the cast.

Not exact matches

If you collect input from current employees, make sure to conduct surveys targeting newer hires, to get their perspective.Then build this into performance evaluations, to give new hires a voice.

And you know what, after my revelation of GRACE last year which absolutely set me free from «performance Christianity» God told me that, regardless of what «scriptures» people threw at me, what He was telling me directly to my heart, that He has made me perfectly righteous by the blood of His son regardless of what I do or don't do, I must trust His voice in my heart, more than the printed «Word» which has been bended, bent, misterpreted and mistaught.

The letter - in - performance demonstrated to the Corinthians that Paul's voice and presence could be very strong indeed and certainly quite different from the poor self - presentations Paul had given during his visits.

Mertz should never have been our captain in the first place... who has ever heard of a team that makes 11th hour transfer buys (Arteta & Mertz) then seemingly places those same individuals into prominent leadership positions from the get - go... indicative of the problems that have permeated our clubhouse for the better part of 7 years under the Kroenke & Wenger... what is wrong with the players chosen and / or the management style of Wenger that doesn't develop and / or encourage strong leadership from within... Mertz was the fine collecting lackey from year one... this is what happens when you don't get world - class players because many times they want to have a voice on and off the pitch and this can't happen when you play for a fragile manager who has developed a coddling wage structure where everyone is rewarded for simply wearing the shirt and participating in the process... not enough balance between performance and pay, combined with the obvious favoritism shown to some players regardless of their glaring lack of production... remember that Ramsey has played in positions that make no sense considering his skill - set (out wide) and has forced other players off the field or into equally unfamiliar positions with little or no justification (let's remember when you read articles about how Ramsey's goals this upcoming season being the potential X-factor for our success that this is the same individual who didn't score a goal until the final week last season)... this of course is just one example of many... before I hear another word from Mertz I want this club to address the fact that no former player of any real consequence has any important role in the management structure of this club, yet several former Gunners have expressed serious interest in just such an endeavor (Henry, Viera, Adams, Bergkamp... just to name a few legends)... there is only one answer: an extremely insecure manager!!!

This sort of rebellion from fans has rarely if ever been seen at Old Trafford and as United supporters increasingly voice their discontent with the performances under Louis van Gaal, one must surely wonder at this stage how much longer the Dutch manager can survive?

Fusion offers the following enrichment classes for both private lessons and courses for credit, taught from the beginner to the advanced / performance level: include yoga, foreign languages, piano, recording arts, voice, music theory and composition, drums, and more.

Two heroic forces save us from this fate: a warm, zingy script (by Alan J. Schoolcraft and Brent Simons) and a characteristically wacko voice performance by Will Ferrell as Megamind, a cobalt blue, bulbous - headed freak from a distant planet who defeats his longtime nemesis for control of Metro City but doesn't cope well with success.

His performance style is unique and just strange enough to intrigue, his scratchy voice so completely mis - matched from his hauntingly beautiful rhythms.

Credit where credits due, all of the voice work for these guys is funny and witty and everyone from Kevin James to Sandler puts in a solid performance.

What drags the game down is not only its lack of length but sub par voice acting particularly with the DLC's main protagonist, Batgirl voiced by Ashley Greene who had come to replace Kimberly Brooks from former games lacking the tone, wit and independence Brooks brought to the role changing the character, entirely lacking personality in a worn performance, the characters are now best to be left forgotten, not even Hamill could save this train wreck with the very few joker lines he had been presented with.

And Kahn already shows the ability to embody her role, a shrewish harpy, from the annoying voice to her frumpy walk, to a «T.» (That same year she would explode with her performance in Blazing Saddles).

The audio is absolutely superb, with terrific performances from the cast of experienced actors and voice - over artists.

The footage featured a great voice and motion capture performance from Reynolds, and he quickly became the best option for the role of Deadpool.

Over a speedy narrative arbitrarily marked by the passing months, Kelly sharpens his two main performances into actual human beings: Plemons evolves from frustrated eye - rolling and seething to articulated anger, while SNL's Shannon, always brassy as a storyteller, has a major scene when her voice has been stolen by the disease and she must pass the baton.

Shannon, cast against type as the voice of unpretentious reason, gives one of those totally relatable performances for which he has a secret talent, rescuing The Current War one scene at a time from its fairy - tale genius - worship of Edison and the mystical dandy Nikola Tesla (Nicholas Hoult).

The documentary does not use voice - over narration, but weaves together live performance, rehearsal and in - the - studio footage of Frisell, interspersed with insightful observations from his closest collaborators and interviews with Frisell himself.

The best comic performance comes not from Schumer but Michelle Williams as Avery, the beauty executive whose hamsterish voice holds her back in the workplace.

Aside from her more recent onscreen performances (including the comedies «Bad Teacher,» «What to Expect When You're Expecting» and «The Other Woman»), Cameron has brought her bubbly voice to the screen in the wildly popular «Shrek» franchise as Princess Fiona.

Nothing to break out your surround system here, but the eloquent speaking voices and Bill Hicks's fiery on - stage performances («Play from your fucking HEAAART!»)

Matthew McConaughey wins Best Actor from the Rome Film Fest, while Scarlett Johansson takes the prize for Actress based on a voice performance.

Guest voice performances include appearances from Kevin Smith, Jason Mewes, Darius Rucker, Garry Marshall, Penny Marshall, Jennifer Carpenter and Pauley Perrette.

In fact, in spite of the universal praise for Jackman's performance in Les Misérables, even from critics who hated the movie, I found him unbearable and his voice tight and strained.

Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen Actors Guild Award - nominated performance in an episode of Netflix's Black Mirror.

Aside from the vulnerable performance of voice actor Charlie Tahan, the commendably encouraging parents (played by Catherine O'Hara and Martin Short), and the adorably awkward next - door neighbor Elsa (Winona Ryder), the most striking character is that of Sparky himself.

HONORABLE MENTIONS: ANIMATION «Kubo and the Two Strings» — Laika's most daring, innovative film yet «My Life as a Zucchini» — About little kids but not for little kids; a bold, 70 - minute feature from Switzerland «Sing» — Delightful and triumphant, with terrific voice performances and song renditions «Trolls» — I can't stop the positive feelings I've had about this DreamWorks musical since I saw it 3 months ago «Zootopia» — Disney's live - action crime drama / social commentary disguised in animated form has one of the year's best screenplays

The movie is quick paced and stylish, with solid performances and some very good music — especially from the big voiced Aguilera — that makes it a fun escape.

To be fair, the first half is actually very engaging and interesting, as the terrier Max (voiced with deadpan humor and line delivery by Louis C.K.) and his new humongous furry mutt roommate (played by Eric Stonestreet) escape animal control (following being kidnapped for accidentally straying away from their dog walker), come across what is essentially a mob of unwanted animals led by a rabbit (voiced by Kevin Hart, and as you can probably assume, his performance is energetic and most definitely fits animation).

What I will say is that the performances from the many talented voice actors are engaging throughout, especially Kevin Hart who pretty much puts forth much effort into everything he does.

Peil will reprise her performance (originally voiced by Angela Lansbury in the film) from the show's premiere last year in Hartford, Connecticut.

Actress Holmes tells a charming story about toads and how they proliferated the set (shades of Herzog's experience with monkeys in Aguirre and rats in Nosferatu), and I was somewhat stricken that Leonardo DiCaprio's «grizzle» voice from The Revenant owes a debt to Holmes's performance in this.

An in - demand destination for film lovers, drawn by unmatched locale and a diverse program of mainstream studio features and new visions from independent voices from around the world, MVFF also hosts an exciting array of filmmaker and industry conversations, panels, parties, and live music performances, featuring the most acclaimed emerging and veteran actors, filmmakers, and musicians of our time.

As you may know by now, the events of the new film are set into motion when Tony Stark (Robert Downey Jr.), attempting to take some of the world - saving weight from his heroic comrades, creates an army of technological peacekeeping drones controlled by the clever A.I. Ultron (voiced and performance captured with relish by James Spader).

In this excerpt from our special edition's commentary track, writer - director Green and actor Paul Schneider discuss the earthy beauty that fourteen - year - old Candace Evanofski brings to the film as Nasia, the narrator, the movie's particular brand of voice - over, and the authenticity of the young actors» performances.

What works best in «Solo» are the performances, from droids voiced by Jon Favreau and Phoebe Waller - Bridge («Fleabag») to the utterly charismatic Ehrenreich and Glover.

The voice cast is jam - packed with great performances from top - flight personalities like Zach Galifianakis and Rosario Dawson, and the Lego - fied visual gags never get old.

The second installment of Peter Jackson's trilogy is garnering generally positive reviews from critics, who deem the film an improvement over the first and praise Benedict Cumberbatch's captivating voice - and motion - capture performance as the titular dragon.

Contains the brutal violence, savage humor, and surprising moments of warmth that constitute McDonagh's unique voice, and good performances from McDormand and Rockwell in difficult and complex roles, playing difficult and complex people.

The voice performances are all wonderful, with a particularly unrecognisable turn from Alan Tudyk as King Candy.

Whether it was the charismatic terrorist Hans Gruber from Die Hard, the deeply flawed yet heroic Alexander Dane from Galaxy Quest, or even the voice of Marvin The Paranoid Android in The Hitchhiker's Guide To The Galaxy, Rickman consistently provided the audience with memorable roles and performances that would stay with them well past the credits.

Elsewhere the programme bounces us from documentaries on Republican candidate Mitt Romney to internet activist Aaron Swartz; from John Michael McDonagh's wonderfully impish Calvary (showcasing a superb performance from Brendan Gleeson as a priest in peril) to Marjane Satrapi's ghoulish The Voices, in which Ryan Reynolds's grinning psycho - killer receives career advice from a satanic pet cat by the name of Mr Whiskers.

The film ultimately belongs to Riggan, who suffers repeated humiliations (learning a drunk Carver probably wrote a prized note, having to wander Times Square in his underwear after a mishap with a stage door, and getting a lambasting from Lindsay Duncan's cruel critic) while the voice of his movie alter - ego prattles in his head about the actor's failures, and Keaton, whose performance finds the right balance between longing determination and outright insanity.

It's the kind of performance we rarely get to see from him as he tends to play the supporting character actor in more Oscar - caliber films or he's lending his lovable voice to the Monsters Inc. movies.

In an almost wordless onscreen performance (we hear his voice, but mostly in the form of narration), Bale drifts down the streets of L.A., occasionally jumping in thought to memories from Las Vegas, Century City and Santa Monica.

Anchored by Jessup's beautifully empathetic performance and layered with doses of magical realism ranging from Oscar's talking hamster, Buffy (ingeniously voiced by Isabella Rossellini) to Cronenbergian body horror, this tale of sexual awakening is one of the year's most underappreciated gems.

November 21, 2014 • Hear a performance from the Texas native, whose distinctive voice evokes classic jazz singers.