Sentences with phrase «voice performances on»

You are forced to listen to the new voice performances on Silent hill 3, whether you like them or not.

Not exact matches

Wearables have the potential to increase productivity and job performance by allowing employees to perform tasks on the go via their smart watches or access information hands - free through voice - controlled headgear.

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«Indra Nooyi has become a leading voice among Fortune 500 CEOs in no small part because of her willingness to take a stand on the broader purpose of the corporation, while delivering top - echelon performance,» he said in a statement.

AI performance on 2018 - 2019 Android phones running on the Snapdragon 845 will be tripled, which will help voice assistants better understand more natural ways of speaking.

USA Today ran a piece noting that the historical average return on stocks has been 10.4 %, with various analysts voicing the opinion that, basically, last year's sub-par return increases the odds that future market performance will revert higher.

In prof's voice — «we should concentrate more on our own performance than others so as not to put uneccessary pressure on ourselfs»

Wenger said at the start of the season that this is one of the best squads he has managed... look at the table, look at the results (shamed), and look at our performances... wenger is gulty for this, and the suporters in england habe to grow up their voices... its impossible that people were demanding for chenges and the board and wenger were taking a laugh of you and continuing with their reign... its unacceptable that those guya even care about us fans and you are capable to look to anotger side and bought alll that sh about «a great change on the squad and a promised new wenger, its bs... wenger has to go and for that you england arsenal fans have to grow up some balls and do ur job... what was that bellerin episode?

Well after his performance the last few weeks, I think it's safe to say * NBA Jam voice * HE»S ON FIRE!!!

His performance this past Sunday against the Ravens is an indication that opposing offenses left on the Steelers» schedule are in troubleeeee (Bernie Mac voice).

Mertz should never have been our captain in the first place... who has ever heard of a team that makes 11th hour transfer buys (Arteta & Mertz) then seemingly places those same individuals into prominent leadership positions from the get - go... indicative of the problems that have permeated our clubhouse for the better part of 7 years under the Kroenke & Wenger... what is wrong with the players chosen and / or the management style of Wenger that doesn't develop and / or encourage strong leadership from within... Mertz was the fine collecting lackey from year one... this is what happens when you don't get world - class players because many times they want to have a voice on and off the pitch and this can't happen when you play for a fragile manager who has developed a coddling wage structure where everyone is rewarded for simply wearing the shirt and participating in the process... not enough balance between performance and pay, combined with the obvious favoritism shown to some players regardless of their glaring lack of production... remember that Ramsey has played in positions that make no sense considering his skill - set (out wide) and has forced other players off the field or into equally unfamiliar positions with little or no justification (let's remember when you read articles about how Ramsey's goals this upcoming season being the potential X-factor for our success that this is the same individual who didn't score a goal until the final week last season)... this of course is just one example of many... before I hear another word from Mertz I want this club to address the fact that no former player of any real consequence has any important role in the management structure of this club, yet several former Gunners have expressed serious interest in just such an endeavor (Henry, Viera, Adams, Bergkamp... just to name a few legends)... there is only one answer: an extremely insecure manager!!!

There were many fine performances at Alabama's pro day on March 13 in Tuscaloosa, but none so intense, so all - in, so loud as the effort put forth by Scott Cochran, the Crimson Tide strength coach whose Klaxon voice provided a frenetic, urgent sound track to the proceedings.

It was a strategy he utilized at the string of forums beginning last summer, where his performances appeared to lean on focus group - tested attempts to hit all the sweet spots to appeal to an activated base while voicing righteous indignation with Washington in carefully - polished soundbites.

Then, through public performance, participants felt the power that their stories could have on others and gained both an appreciation for their lives and a desire to unleash their newly found «voices» to change the social conditions that create HIV risk, stigma and trauma.

But performance on these trials declined as the participants went up in age — the older the participant was, the less able he or she was to report correctly what the unfamiliar voice was saying.

A handful of studies have examined the effects of virtual voices on driving performance, and many studies have examined how the interactions between people and embodied technologies (e.g., computer agents, avatars) influence people.

At that moment, performance anxiety or stage fright overcame on me: Heart race, blushing and losing my voice.

A few reviewers found the material a bit too dated, but this adaptation of Terence Rattigan's 1952 play of the same name by Terence Davies (Distant Voices, Still Lives) drew mostly raves, especially for Rachel Weisz's powerful performance as a woman whose life is torn apart when she cheats on her older husband (Simon Russell Beale) with a young war veteran (Tom Hiddleston).

The increasingly action - oriented bent of Sarah Smith and Peter Baynham's frenetic screenplay, coupled with the worst and most needless 3D on display in years, slowly - but - surely transforms Arthur Christmas into a seriously headache - inducing ordeal, with the end result an obvious low point in the Aardman Animations» filmography (and this isn't even taking into account the often unintelligible nature of many of the voice performances).

«The Walk» is worth seeing on a big screen for its final wire walk (intrusive voice - over notwithstanding), for its lovingly recreated images of the World Trade Center, for its often wry humor (including a marvelous running gag involving an elevator operator) and for some of the supporting performances (notably Kingsley's pitch - perfect mentor performance, and James Badge Dale's turn as a wise - ass Franco - American who joins the team infiltrating the towers).

It's too bad this film didn't really hit it on the big screen but the performances are superb and you have to love Hayden's voice - she's a great singer.

I am a big fan of Scorsese's work, and even more so, the three notable actors - but by the end, I found myself laughing at the endless whispering voiceovers, the convoluted plot and self indulgent performances, culminating in my uproarious laughter when the voice of God encourages a whimpering Garfield to «step on me.»

Iconic Joker voice actor Mark Hamill weighs in on Jared Leto's performance as the Clown Prince of Crime in David Ayer's Suicide Squad.

The sequel could see an even better performance, with a star - studded voice cast that also includes Chiwetel Ejiofor, Maggie Smith, Michael Caine, Stephen Merchant and Mary J. Blige, Elton John on board co-crafting original music, and a higher quality of animation.

And at the centre is Scarlett Johansson, in her second great otherworldly performance of the year, but while «Her» relied solely on her voice, «Under The Skin» rests entirely on her physicality, and it's a movie - star turn, sultry and innocent simultaneously, without which the film wouldn't work.

And on top of the terrific Bridges, McAdams and Foy performances, James Franco, Ricky Gervais, Paul Rudd, Benicio Del Toro, Marion Cotillard, Paul Giamatti, Albert Brooks (in his third animated film appearance of the summer) and Osborne's own son, Riley, round - out the splendid voice ensemble.

Day - Lewis builds his performance on the banked frustration that manifests itself in Newland's body, in glances and gestures held slightly too long (his kiss on Ellen's hand after convincing her to give up divorce), in the tortured, wavering tone his voice takes in the few moments he articulates his love for Ellen.

«YOGI BEAR» (2010) Timberlake's voice performance as Boo - Boo was spot - on in this 2010 live - action / animated film adaptation of the classic cartoon.

Among those is a lovely Emilia Clarke, who serves as both a first love and big problem for Han, a dandy Donald Glover, slyly forming a wary alliance with Solo on his own, and a wonderful Linda Hunt, whose voice performance as Lady Proxima is so much fun, I want her to get her own movie.

Its power comes through its repetition in the movie, not any single performance — and neither voice actor Gael Garcia Bernal, whose opening minute was on the timid and slightly shaky side, nor Miguel and Natalia LaFourcade, who followed with the pop duet version, were prepared to do it full justice on their own.

Nothing to break out your surround system here, but the eloquent speaking voices and Bill Hicks's fiery on - stage performances («Play from your fucking HEAAART!»)

While time inevitably marches on, director Roger Mainwood has a splendid constant at his disposal in the pitch - perfect voice performances of Blethyn and Broadbent, who inhabit their hand - drawn characters with a vivid, fully - dimensional authenticity.

Matthew McConaughey wins Best Actor from the Rome Film Fest, while Scarlett Johansson takes the prize for Actress based on a voice performance.

The line between the real and the manufactured blurs within the film even as the film itself, an anime of unusual beauty and skill, is a palimpsest of representations: a fiction, a drawing, a voice performance, a choreography, and so on.

Johansson is also excellent; it's ironic in a way that arguably the best performance of a woman who is so well known for her physical characteristics is the one where she is never actually on screen, but her voice work is just as necessary to believe there is something real to the relationship, and the subtle verbal tics she uses are mightily effective.

It isn't known if Ferrell will lend his voice talent to the production but I'd be surprised if he didn't get involved somewhere on the performance side.

Daniel Day - Lewis channels John Huston (whose Noah Cross in Chinatown is a clear template both as a character and a voice) in a literally volcanic performance that slowly builds to an eruption in the film's closing sequences that either sends the film over the top into masterpiece territory or destroys the whole drama of the picture, depending on the viewer.

Oldman does a wizardly bit of becoming, making all these changes in voice, bearing, and proportion without putting on too many actorly airs; for how complex it is, Oldman's is a remarkably unfussy performance.

That's thanks to actor Alan Tudyk (A Knight's Tale, Wreck - It Ralph, Firefly), who not only provided the voice of the reprogrammed Imperial droid, but also did the motion capture performance on set with the rest of the actors.

The voice performance argument has been on the table for decades.

Alan Tudyk did the motion capture performance and voice for the reprogrammed Imperial droid K - 2SO, and since he was actually on set to fulfill his part in the film, he provided some details on K - 2SO's original Rogue One ending.

FILM STARS DO N'T DIE IN LIVERPOOL Pretty standard Hollywood fare (even though it takes place on both sides of the pond), but the film does succeed in really allowing Annette Benning to transform into the glorious Gloria Grahame (primarily via her voice, but the entire performance is well crafted).

It easily ranks as one of the best looking games on the Nintendo 3DS whether that be in its art direction or animation, and the voice cast, which stars Kaiji Tang (Pikachu), Khoi Dao (Tim), and Kira Buckland (Emilia) among others, have recorded faultless performances that really help to bring the whole adventure to life.

That the voice work stands out more than the performances is troubling, but such is the price of director Phil Morrison (Junebug, «Upright Citizens Brigade») and his cast insisting on that specific regionality.

Read on for Indiewire's list of the best voice performances of the past 20 years.

As humanity has become harder to find on screen, great voice performances have allowed it to blossom in the most unexpected places.

With full (Japanese) voice acting and touched up visuals the game leans on its presentation in some respects, and the performances are solid and add to things for sure.

On the face of it, Dickinson might seem well - matched to Davies, the English writer - director whose penchant for penetrating studies of anguished women (The Deep Blue Sea, Sunset Song) ought to place Cynthia Nixon's performance in a recognisable spectrum, of distant voices and still lives.Instead, Davies's screenplay is remarkable mostly for an archness and artifice only partially redeemed by several of the performances.

Elsewhere the programme bounces us from documentaries on Republican candidate Mitt Romney to internet activist Aaron Swartz; from John Michael McDonagh's wonderfully impish Calvary (showcasing a superb performance from Brendan Gleeson as a priest in peril) to Marjane Satrapi's ghoulish The Voices, in which Ryan Reynolds's grinning psycho - killer receives career advice from a satanic pet cat by the name of Mr Whiskers.

Delivering a great voice - over performance takes just as much skill as an on - camera role.