Sentences with phrase «voice sounds much»

Cortana's voice sounds much more natural than Alexa or Google Assistant, at least when she's reading a script.

The voice sounds much better than Siri, however.

Not exact matches

I learned so much from West, including the importance of having confidence as well as the conviction to create a distinctive voice or sound.

From this perspective, Auden's comic voice sounds frivolous and chatty, like a favorite uncle who talks too much.

Throughout much of Lost In the Dream, Adam Granduciel's voice sounds dreamy enough indeed — so hazy and murky it's difficult to make out.

Thank you, once again, for reminding me that the voice of reason and sound science is so much saner, not to mention so much better for my now high functioning, happy kids, than the dark side.

She was about 6 months old and looked up into the sky and kept saying something that sounded very much like «Wow, wow, wow» in her tiny little baby voice.

It's not much different than a singer with a deviated septum electing not to have the nose job because it will change how their voice sounds.

If you're playing white noise, you will be able to ignore other voices, annoying sounds, and background distractions much more easily.

Some of the things kids can create are a sound - activated switch, a musical doorbell, a voice - controlled lamp, a flying saucer and much, much more.

The charge of party interest from Labour voices sounds very much like a case of pots challenging kettles.

I've always assumed my inner voice babbles pretty much constantly, but often when the beep sounds, there are no words at all.

Having a sound source that close to the Kinect's four microphones will dramatically undermine its ability to separate human voices from other sounds, and thus make it much harder for the Kinect to understand you.

Your self - confidence will be determined by a much more subtle set of factors: the sound of your voice, your level of enthusiasm, knowledge of yourself, and so on.

Pitt's voice has rarely sounded as if he's enjoying himself this much.

«Give Life Back To Music» with its robot voice and disco beat, «Giorgio by Moroder» with its spoken word story before kicking in with its ferocious live drumming and strange sounds, the eighties feel of «Instant Crush» with the Strokes Julian Casablancas on vocals, the Television sitcom theme style of «Fragments of Time», the closer «Contact» which builds to a glorious crescendo there is so much here to love.

Sadly, despite Katsuo Nakamura's more organic characterization of Lord Steam (Patrick Stewart's voice just sounds weird coming out of a bare - chested, crazy - prospector type), the film is that much duller in its original language.

The computer graphics are still top notch, as is the voice work, sound effects, and cuteness factor, but once it's all over, there's not much to show for it in terms of interesting ideas or thoughtful feelings you typically expect from John Lasseter (A Bug's Life, Cars) and company.

This is just me making up connections where none exist, of course, but I still like to think that if there were some crazy intertextuality going on, the sinister - sounding voice that intones here about totally - not - at - all - evil reasons for testing dangerous rollercoasters on live human subjects will one day, after the robot apocalypse, be putting people through much more rigourous testing, perhaps while wearing orange jumpsuits.

As for sound, we get DTS - HD MA (Master Audio) 5.1 and 2.0 Stereo lossless mixes that update the sound (simple stereo at the time) the best it can and its not bad, but the «old monotone radio reporter voice» bit (you'll know it when you hear it) was a bit much then and wears thin quickly.

The sound doesn't fare much better as the voice actors really sound like they are forcing it most of the time, but the music is spot - on from the movies.

Admittedly, he sounds nothing like the actual Edward Snowden (what was the point in putting on a much deeper voice), but he expresses that mental inner turmoil and anxiety to perfection, leaving us with a real - life character that is consistently intriguing to watch.

As you play, the subtle sound effects make the onscreen action immediately gratifying as a much louder voice - over announcer provides commentary for all of your successes and failures.

His Reynolds has a rather tarnished, aging grandeur, with a fragility that's almost infantile; his odd, somehow puckered voice, which seems at times to be emerging from a vintage Bakelite radio, is not so much feminine as somehow ancient, the sound of a mummified soul that could crumble to dust if exposed too brutally to the noise and fuss of the world.

On the surface, it might just look and sound like an investigation based game where a Pikachu that is not voiced by Danny Devito, is going around town with a magnifying glass, but it's so much more than that.

Piñeiro delights just as much in the erotics of the voice: few directors take so much tangible pleasure in the sheer sound of voices speaking, even (especially) if they're simply repeating the same words over and over.

As for the chipmunks, which also include the Chipettes (voiced by Kaley Cuoco, Anna Faris and Christina Applegate), they all sound pretty much alike: high - pitched and childlike but certainly lively.

And if you listen carefully to the soundtrack, you become aware that it lacks much of the background ambience of most movies; we are hearing voices, flat and toneless, in what sounds like an empty room.

Our tester also came with the optional voice - activated navigation system, adaptive cruise control, and the upgraded 14 - speaker Mark Levinson audio system, which is impressive as much for its excellent sound quality as it is for its broad range of 3 - letter functions: from its ability to play MP3 and WMA - encoded CDs to its ASP (automatic sound leveling) and DSP (digital sound processing).

This vehicle has been well maintained and is well equipped with: keyless entry - power accessories - cruise control - tilt and telescoping steering wheel with multi function controls - dual power seats - leather appointed upholstery with perforated suede inserts - heated front seats - dual zone automatic climate control - navigation system - backup camera with parking sensors - ford's sync voice activated phone and electronics interface - six speaker sound system - cd / mp3 single disc player - usb and aux audio input - bluetooth wireless connectivity - sirius xm satellite capability - easy fold second row seating - blind spot alert - hill start assist control - traction control - advancetrac - 4 wheel anti lock brakes - blind spot alert - 3.5 liter, v6 engine - 6 speed automatic transmission with select shift - dual air bags - side air bags - head curtain air bags - panoramic vista roof - privacy glass - roof rack - towing package - appearance package including black 20 inch alloy wheels - and much more!

Once you've chosen a source, the receiver offers a reasonable level of flexibility for tuning your audio, including three preset EQ curves, a loudness setting (which is best used only at low volumes), and a feature called MX, which supposedly increases the clarity of voices and instruments, but didn't really improve the sound quality very much in our opinion.

The Limited also comes standard with the 440 watt Harmon Kardon sound system, alloy wheels, bluetooth voice and audio and much more.To come see this 2014 Legacy and to experience why CitySide Subaru has won the prestigious Dealer of the Year Award by, please call the posted number to set up an appointment.

My suggestions would be similar to what you shared: With so much «noise» out there, the loudest voices are not always the ones with the most accurate information, so folks should do due diligence and educate themselves with the book industry by following and listening to individuals who've been in this «space» a long time and have a great track record of solid experience and sound advice.

I have learned to acknowledge my privilege and recognize that other voices are not celebrated as much from people that look and sound like me.

In this post, I've asked both Mark Waters, the director of my audiobook division (sounds so much better than «my husband who pushed me into audiobooks») and Jennifer Reilly, the producer and voice artist of Earth - Sim to share some of their insights on audiobook production.

Sound is tinny, voices sound overly nasal and there is not much Sound is tinny, voices sound overly nasal and there is not much sound overly nasal and there is not much bass.

-LSB-...] If you're not using a clicker, I would add this into the mix because the click sound is much faster than our voice or showing our dog a treat.

Sound: 7 While there's no voice acting to speak of the music is great, again having that same Fable feel to it with a mixture of Irish and folk themed tunes overlaying much of the mayhem.

Thor and Loki are voiced by the films actors lending some much - needed quality, but otherwise hammer blows sound weak and the music is just generic.

This even applies to the second voice you hear much later in the game; he doesn't sound like anything but a generic hammy bad guy.

I have to really give props to the newer announcer also - he sounds much different from previous announcers and fits the game perfectly with a soft and very clear voice that echoes quite well in surround sound.

Sound: 7.5 Not much to say except quiet background music and a decent commentary voice for tutorials.

You get to pick your character's voice and sound effects, which really just make the whole character feel so much more personal.

In this game, Toad has a rather deep voice that sounded much like a young adolescent.

On the surface, it might just look and sound like an investigation based game where a Pikachu that is not voiced by Danny Devito, is going around town with a magnifying glass, but it's so much more than that.

I liked the soundtrack so much that I went into the settings and turned down the effect and voice sounds so it could dominate my ear canal.

There's not much in the way of voice acting, but those effects that are in the game sound very Japanese, such as Elh's ear - piercing shrieks.

While there isn't too much in terms of sound design, the voice acting and accompanying soundtrack certainly give some extra depth to the overall experience and are a bit better than you might expect for a game of this type.

Mario, Luigi, and Peach sound much like they do in other titles, but the sad fact is that Toad's voice is too much for most people.

To make the noise of combat less suffocating, enemies were given low, medium, and high voices and weapon sounds in combat, giving the game a more orderly atmosphere that also makes for much better player feedback.