Sentences with phrase «voice within society»

Only when we realise the political power we, as a collective have, will we then truly have a voice within society.»

By engaging fully in local and national democracy all young people can have a voice within society.

Not exact matches

At the same time, it was clear that, for all their wrong - headed and occasionally malicious attacks on the Church, these ladies were giving voice to something which was also generally felt within society and particularly by younger women who knew nothing of the Network or its antics but who were not comfortable with answering the Church's critics.

(Religious Society of Friends) No pastor, everyone sitting together silently, listening for the still, small voice within.

Women's organizations and fellowships, such as the Mothers» Unions, represent critical structures for lay participation within the churches and allow women's voices to be heard in the wider society.

Finally, there are those in varying degrees like Rowan Williams who inhabit mainstream orthodoxy, though without appealing to one dominant theological voice; they engage in intensive conversation and critical discourse and appreciate the «celebratory» mode; their main concern is not so much cognitive coherence or invulnerability as fulfillment of a range of complex responsibilities within academy, church and society.

-LSB-...] is that it has given undue predominance and voice to a minority group within wider society, namely the affluent middle class.

Although it impacts upon every sector of society in one way or another its voice is not heard often enough within Government agendas.

The effort showcases how the LRD serves as an important voice for the lipid community within the American Society for Biochemistry and Molecular Biology.

Nevertheless, they also need to be taught the skills to empower themselves, form global movements, participate within society and make sure their voices are being heart while at the same time making society more transparent and democratic.

Quite a bit of the discussion is along the predictable and tired paths of building in some corrective measures into «business as usual» scenarios, but at least a few brave voices from within civil society and some governments are pushing for more fundamental changes in economic and political structures.

As we continue to explore ways in which the Foundation can advocate for artists within our society and amplify their voices, we are grateful to these artists and all of our recipients for the crucial role they play in this ongoing and essential dialogue.

He is part of the artist collective, Delusions of Grandeur, a group of emerging artists focused on providing critique and commentary on social infrastructures within American society, while contributing to the prominence of the collective black voice and presence within contemporary art.

She had one of the strongest voices when it came to relaying what it meant to be a fully engaged artist within society, where one's impact is felt both on and off the canvas.»

A pioneer of Mail art in Brazil in the 60s, associated with Fluxus in the 70s, and influenced by the work of pioneers of the avant - garde such as Marcel Duchamp and John Cage; Bruscky's practice resists straightforward classifications, boldly combining visual and literary language to voice his artistic identity and position within society.

Delusions of Grandeur is a collective of emerging artists brought together by a shared interest and commitment to their art, a need to provide critique and commentary on social infrastructures within American society and to contribute to the prominence of the collective black voice and presence within contemporary art.

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Hamburg 2017 «Performance lecture», Lothringer13, Munich 2017 «Artist's Books», Hamburger Kunsthalle, Hamburg 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», São Paulo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbon 2016 «Par Tibi, Roma, nihil», Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Hamburg 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Brussels 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8th Göteborg International Biennial for Contemporary Art (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Genève 2014 «T293 - in - residence», Sadie Coles HQ, London 2014 «Un Nouveau Festival», Centre Pompidou, Paris 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcelona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

With a script written by Canadian poet Rachel Zolf and a voice - over narrated by the artist Zoe Leonard, McElheny presents a poetic, «speculative expansion» of Scheerbart's original text, re-staging it in a different locale to create a story - within - a-story that playfully deals with themes of gender, sexuality, society and nature.

, Staatliche Museen zu Berlin, Berlin, DEThe Way Home, Gallery Zink & Gegener, Munich; Gallery Martin Kudlek, Cologne, DE Liberty Art Fair, Downtown For Democracy, New York, US Access For All, Crac Alsace, Altkirch, organised within the context of the XV International AIDS Conference, FR; Bangkok, TH Access for all / CRAC hors les murs # 3, Crac Alsace, Altkirch, FR Before the End (The Last Painting Show), Swiss Institute - Contemporary Art, New York, US Voicing the Vagina, Book Works & Infra Thin Projects, Commercial Tavern, London, UK Needful Things: Recent Multiples, The Renaissance Society, Chicago, Illinois, US A Short History of Dutch Video Art, Kunstcentrum Helgelo, Hengelo, NL La Lettre Volée, Musée des Beaux - Arts de Dole, Dole, FR Pilot: 1, International Art Forum, London, UK Drawing Gifts, Gagosian Gallery, New York, US Wer Bietet Mehr?

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Amburgo 2017 «Performance lecture», Lothringer13, Monaco 2017 «Artist's Books», Hamburger Kunsthalle, Amburgo 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», San Paolo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbona 2016 «Par Tibi, Roma, nihil,» Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Amburgo 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Bruxelles 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8a Biennale Internazionale di Arte Contemporanea di Göteborg (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Ginevra 2014 «T293 - in - residence», Sadie Coles HQ, Londra 2014 «Un Nouveau Festival», Centre Pompidou, Parigi 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcellona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

The current exhibition of Lin's work at the Asia Society Museum in New York — her first major solo exhibition in the United States — confirms that her status as an important artistic voice within Chinese contemporary art is indeed warranted.

In recent years, voices from within Taiwanese society have called for a national referendum on the future of nuclear energy.

It was also situated in the transformative paradigm, which assumes that knowledge reflects power and social relationships within society and seeks to improve the social world by privileging oppressed peoples» voices, rather than silencing or overlooking them.