The film is narrated by Ruthie, and the overstating - the - obvious
voiceover narration sounds like it is geared towards a YA audience: «Bullies exist in every small town.
The tone of Frear's
voiceover narration sounds at first like a fizzy champagne toast to fin de siecle decadence, but the story's tone gradually grows serious, even darker, as it follows the pathway where eroticism crosses into emotion.
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In the course of his research, Lipman finds unexpected visual and thematic rhymes between past and present, cutting together archival clips and present - day interviews with a musician's sense of rhythm, often letting his
voiceover narration drop out of the mix as the images and
sounds tell their own story.
Still, at least this sloppy brass orgy has a pulse, as opposed to Horner's «mournful theme,» i.e., the one that accompanies the retarded
voiceover narration of journalist Jack Burden (Jude Law), which
sounds a lot like the piano exit music from the old «Incredible Hulk» TV show.