Sentences with phrase «voices as viewers»

We'll have to make our own voices as viewers are heard and let those running the shows know we want women in those late - night host spots.

Not exact matches

Renae, 22, also from Mississippi, the town of McComb, is a single mom who inspired viewers with her triumph over domestic abuse as well as a richly powerful voice.

While Silverman warns viewers about being kept out of the polls, introducing herself as «your Jewish friend Sarah,» Jackson, who voiced the recent bedtime story for parents «Go the F**k to Sleep,» rhymes his warning to voters, in a video that's been seen over a million times on YouTube.

Some of the voice actors, like Justin Timberlake's prominent turn, strike the viewer as being cast for name recognition over value - adding performances.

Everything from breaking up the movie into chapters (titles rendered in trendy fonts) to faux - New Wave montages, to doubling - up on visual information with unnecessary voice - over (for instance, as Hawkins and Considine leave a restaurant together and enter his crystal - covered van, Oliver announces to the viewer: â $ œIt seems dear Mom is having an affair.â $), all provide escapism, not for the audience into the movie, but for the movie away from itself.

Julia Roberts is amusingly nasty and catty (there's a better word here that rhymes with «witchy») as the Queen, though her comedic secret weapon is the indefatigable Nathan Lane (best known to younger viewers as the voice of Snowbell the cat in the Stuart Little movies) as her put - upon servant Brighton.

The characters in I, Tonya comment on the action as it happens through re-created interviews, voice - over narration, or by directly addressing the viewer.

The cat - and - mouse game with Alan Arkin, Richard Crenna and Jack Weston taking on different personas just by their voices to fool Susy is ingenious, as the viewer aches for Susy to use her own cunning to figure out just who she can trust and who is out to trick her.

The Broadcast Television Journalists Association (BTJA) has been formed as a collective voice to represent the professional interests of those who regularly cover television for TV viewers, radio listeners and online audiences.

Daniel Day - Lewis channels John Huston (whose Noah Cross in Chinatown is a clear template both as a character and a voice) in a literally volcanic performance that slowly builds to an eruption in the film's closing sequences that either sends the film over the top into masterpiece territory or destroys the whole drama of the picture, depending on the viewer.

St Aubyn's books about that time are infused with his biting humor, and the creators allow Cumberbatch free rein to explore that range of emotions, and he's absolutely essential casting to not only pull off the role but to let viewers know it's OK to enjoy the often hilarious, drugged - out debauchery, so long as they can stomach the telling of the whole story (told in flashbacks, with Sebastian Maltz as a young Patrick, plus voice overs from grown - up Patrick and a separate, archly British narrator) and to understand his bad behavior is a bandage covering an awful wound.

Along with getting inside of Riley, viewers get to take a peek at the interior of Mom and Dad's (voices of Dian Lane and Kyle MacLachlan) noggins as well.

The hyper - colour, hyper - kinetic animation is designed with the youngest viewers in mind, as is the film's evident slightness and simplicity; many of the gags, particularly those stemming from the voice work of Samuel L. Jackson (Django Unchained), Snoop Dogg (Scary Movie 5), Maya Rudolph (The Way, Way Back) and Ben Schwartz (Parks and Recreation) as fellow snails, are firmly aimed at their adult chaperones.

More sexual predators and harassers are being outed and expelled from the industry, and just as Kevin Spacey was replaced with Christopher Plummer in All the Money in the World and Louis C.K. is being dubbed over for his voice - acting roles, so too is actor Ed Westwick getting recast so viewers won't have to look at his face.

We, the viewer, reach for our ear plugs as the performer refuses to accept the truth of their wailing banshee voice.

Some of the pre-installed apps include a memo app that works with regular typing as well as voice typing, there's Hancom Office Viewer for working with office documents and PDFs, a Samsung Kids app with educational games and books, there's a Samsung CNN app with lots of news videos, Samsung Milk Music for streaming free tunes, and more.

It contains video clips, photographs, text or voice narrations and music presented in a way so as to inform the viewer of what your book is...

This is a most valuable tool for the author as it allows the viewer to hear the author's voice so this option is well worth considering.

There's no physical keyboard, of course, although Bluetooth and the mini USB socket suggest this possibility, but the rich set of virtual keyboards — a choice of full Qwerty, 12 - key phone pad or some proprietary ingenuity called CooTek T + — together with the option of Google voice recognition make it a very flexible and usable input device, as well as a viewer.

Frei, well - known to millions of television viewers for nearly three decades, as the voice of of the annual Westminster Kennel Club,... [Read more...]

Sound in the game was done pretty well and I felt that the characters came across as pretty believable when dishing out and receiving damage, however I thought that some of the voice overs during the cutscenes were pretty bland and did nothing to make the story feel more impactful to the viewer.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

With a pair of headphones to produce binaural sound, as well as a parametric, or directional sound effects, the viewer will hear soft noises like a whispering voice as they regard the sweeping view outside the window.

Inspired partly by the French critical theorist Roland Barthes, who viewed mass cultural images as signs freighted with latent meaning to be deciphered, she first gained attention for a series of artworks starkly displaying newspaper snippets (headlines, photographs), forcing viewers to examine the way they responded to media's authoritative voice.

Interpretation of the work challenges the viewer to locate «voice», as ambivalence seems to be at its core.

A discord of voices relay incessant thoughts, exclamatory commands and rhythmic chants.This sonorous landscape encourages the viewer to be immersed in an alienating environment, marrying the public with the private and reassesses the impact of language as a source of intimidating, comforting and alienating musical phasing.

Mr. Saul, at the age of 81, still delights in taking unpredictable routes with his artwork, and you could hear the subtle rise in his voice as he talked about his latest opportunity to confound viewers.

The voice - over hereby functioning as the referential frame, wherein the diary - like poems structure the exhibition space, addressing the viewer and embedding him and her into the narrative.

Philipsz deliberately selects particular pieces of music to reinterpret vocally and then separates the multiple audio tracks so that the «viewer» experiences different voices as they move through a space, creating a situation in which familiar music is heard differently and the human voice is understood in a radically different and physically disorienting manner.

King's voice is the first thing a viewer hears before entering the exhibition space; it operates as a unifying cry instead of the source of dissension it was for its time.

Of course, we have lives to live and have come to trust those voices that sound compelling and sensible to us on TV and in the popular media, but do keep in mind that there's a difference between rhetoric and reality and the more rhetorical and appealing it seems to one's emotions, especially as delivered by those for whom science is a kind of performance as we have today with science journalists (they are afterall selling the controversy more than the hard facts), the more likely it requires the reader or viewer or listener to examine it more closely for the precision of its language, logic and scientific interpretation.