Sentences with phrase «volume accompanies an exhibition»

CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2013 (edited volume accompanying the exhibition Words and Places: Etel Adnan)

CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2011 (edited volume accompanying the exhibition God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle / ART COM)

BOOKSHELF A pair of volumes accompanied the exhibition «Basquiat: The Unknown Notebooks,» the first - ever survey of the rarely seen notebooks of Jean - Michel Basquiat, which featured handwritten, doodles, notes, and poems.

This volume accompanies an exhibition at the Schirn Kunsthalle in Frankfurt, marking the 100th anniversary of Guston's birth and presenting a selection of some 40 works from what was his most exciting period.

This volume accompanies an exhibition of the same name on view at the J. Paul Getty Museum from February to May 2016.

Not exact matches

Also, the exhibition «We Wanted a Revolution: Black Radical Women, 1965 ---85» was co-organized by Rujeko Hockley, who also co-edited the accompanying Sourcebook and forthcoming «New Perspectives» volume.

The joint exhibitions will be accompanied by a significant three - volume catalogue with texts by Margit Rowell, a former curator at The Museum of Modern Art, Centre Georges Pompidou, Centro de arte Reina Sofia and the Solomon R. Guggenheim Museum, on Miró's Constellations, and art historian and author Mildred Glimcher on Calder's Constellations.

Published in 2002 to accompany an exhibition at Matthew Marks Gallery, Marden's most significant since «Cold Mountain,» at Dia Center for the Arts in 1991, this volume in wraps is issued in a clamshell case with a magnetic closure, bound in red cloth.

BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Design.»

Martineau wisely selected the attendant publication and the September 1989 volume of Artforum to accompany a short statement about the exhibition that aroused intense public fervor.

Published to accompany a joint exhibition of Georg Baselitz (born 1938) and Albert Oehlen (born 1954), this volume presents the painters» latest series alongside a conversation between the artists.

Banff: The Banff Centre and Vancouver: Setup, Issue 3.5, Summer 2013 D'Agostino, Paul, «The New Brutalists: Not So Brutal,» The L Magazine, Nov 7, 2012 Kress, Melanie and Natalie Bell, «Everything Is Index, Nothing Is History,» Exhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pExhibition catalog to accompany exhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pexhibition presented by Recession Art at the Invisible Dog, May 2012 Panetta, Jane and Veronica Roberts, «(RE) PURPOSE,» May 2012 Schultz, Charlie, «MFA Thesis Shows: Columbia and Parsons,» ARTSlant New York, Reviews and Critic's Pick Behm - Steinberg, Hugh, Eleven Eleven Issue 9, California College of the Arts, Summer 2010 Clarke, Daniel, Feature Article, Niche Magazine, February 2010, pp. 42 — 51 Cofré, Ian, «Constructed Forms» culturehall Feature Issue 37, February 2010 Hegardt, Bjørn, «In Focus», FUKT a magazine for contemporary drawing, Issue 8/9, June 2010 «More Simple, More Fun» Limited Edition Catalog with Jean - Marc Bustamante, Atlantic Center for the Arts, March 2010 Peck, Derek, «Leah Raintree: Mind and Matter», Planet Magazine, August 2009 «Leah Raintree — Excerpts / The Incredible Machine», suckerPUNCH, August 2009 Coffin, Sara D., «Rococo: The Continuing Curve», 1730 - 2008, Assouline, 2008, pp. 242 — 245 «Leah Raintree — Operable Chambers», suckerPUNCH, April 2008 Ha, Jihae, «Project to Surface», Interior World, Volume 60, pp. 188 — 191, 2007 «Review», The Architects Newspaper, June 2007, p. 38, 2007 Sokol, David, «Higher Planes», Surface Magazine — Annual Design Issue, May 2007, pp. 92 - 94

Accompanying a major exhibition at The Metropolitan Museum of Art in New York and Rijksmuseum, Amsterdam, this revelatory two - volume catalogue raisonné (one volume comprised of plates and the other of critical texts) is the most substantial work on the artist ever published, and the first in English since 1978.

The show is accompanied by a slim volume published by Steidl, and includes a selection of images from the exhibition, which is itself whittled down from Eggleston's epic, ten - volume tome of over 1,000 images, released in full last year.

The exhibition is accompanied by an illuminating and unusual volume, in equal parts artist's book and exhibition catalogue, which includes a trio of essays by curators Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that reflect on Williams's engagement with his artistic peers and predecessors, with cinema (particularly the film - essay), and with modes of display and publicity in the art world.

Accompanying the first survey of Christopher Williams's work in the UK, this illuminating and unusual volume is equal parts artist's book and exhibition catalogue.

The exhibition will be accompanied by a fully illustrated two - volume publication: a catalogue with an introduction by the three curators, and an essay by Briony Fer, and a subject index, a second volume in the form of a glossary that is devoted to important ideas in Horn's practice or that relate to individual works.

Accompanying an exhibition of seven large - scale paintings commissioned for the Deutsche Guggenheim Berlin, this lively volume features 40 full - color reproductions.

The second volume comprises a foreword by the exhibition's curator, Iwona Blazwick, an illustrated chronology and documentation of the yearlong SITUATION series accompanied by a personal account of the project by the artist.

Gagosian Gallery has published a two - volume, fully illustrated and scholarly catalogue to accompany the exhibitions.

With 250 color illustrations, this substantial and inspiring volume, and the exhibition it accompanies, were overseen by the artist himself, before his death in the summer of 2012.

Realized on the occasion of the inauguration of the Foundation's new building, designed by the British architect David Adjaye, this volume accompanies the inaugural exhibition, titled «New Skin.»

A two - volume illustrated catalogue accompanies the exhibitions and features essays by exhibition curators John Elderfield and Peter Galassi.

This two - volume publication accompanies the exhibition Ileana Sonnabend and Arte Povera held at Hauser & Wirth New York in 2017.

Moffett is the author of several books, including; volumes on Jules Olitski, [5] Fairfield Porter «A Realist Painter in the Age of Abstraction» (co-authored John Ashberryamong others to accompany the 1983 retrospective exhibition of Porter's work Moffett organized at the Boston Museum of Fine Arts of the American realist's work)[6][7] and Morris Louis.

Key volumes include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017 exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.

This volume accompanies a major retrospective of Kiefer's works at the Royal Academy of Arts which includes a number of new works especially made for the exhibition and explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Complementing an exhibition that was on view at the Art Institute of Chicago, the volume includes Parks's black and white images with narrative captions accompanying the plates; Ellison's typed manuscript for «Harlem is Nowhere,» complete with handwritten edits; and the layout pages for «A Man Becomes Invisible,» reproduced from Life.

Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist.

The exhibition is accompanied by the catalogue Traveler Artists: Landscapes of Latin America from the Patricia Phelps de Cisneros Collection, an authoritative volume on the early history of landscape painting in Latin America, edited by Dr. Katherine Manthorne.

This exhibition is accompanied by the book Traveler Artists: Landscapes of Latin America from the Patricia Phelps de Cisneros Collection, an authoritative volume on the early history of landscape painting in Latin America, edited by Dr. Katherine Manthorne, and will be available for purchase in the Museum shop.

A comprehensive catalogue accompanies the exhibition, featuring essays by the Art Institute's Judith Barter, Field - McCormick Chair of American Art; Ellen Roberts, assistant curator of American art; and other scholars, the volume is available for purchase in the Museum Shop.

Mathieu Copeland is editing a publication, titled å Etre Lue / / An Exhibition to Hear Read (Volume 3), to accompany the eExhibition to Hear Read (Volume 3), to accompany the exhibitionexhibition.

This volume, part of the series MCA Monographs, accompanies the first US museum exhibition to present a substantial cross-section of Starling's work from the past decade.

Accompanying a solo exhibition at Galerie Max Hetzler in Berlin, this bilingual volume presents a group of 15 new works by the British artist.

This volume, part of the MCA Monograph series, accompanies the first major solo US exhibition of Collier's work.

This volume, published to accompany an exhibition at the Kunstmuseum Stuttgart, includes new texts by Sven Beckstette, Julia Gelshorn, Benjamin Meyer - Krahmer and Stefan Ripplinger.

This superbly designed volume, accompanying a major retrospective and including new works especially made for the exhibition, explores the themes that run through Kiefer's oeuvre, from the complex relationship between art and spirituality to the influence of German woodcuts and folklore.

Published to accompany German Expressionist Anselm Kiefer's 2008 exhibition at Galerie Thaddaeus Ropac, Salzburg, this exquisitely produced volume features black - and - white documentary photographs of the artist and his fabled indoor - outdoor Paris studio, a very generous selection of color reproductions and details and an insightful interview of Kiefer by Klaus Dermutz.

With this volume and its accompanying exhibition, the Rubell Family Collection set out to generate a portrait of what they call «American Exuberance.»

Published to accompany Los Angeles — based artist Mark Bradford's (born 1961) 2014 exhibition at Hauser & Wirth, Zurich, this limited - edition volume is presented in a linen - bound case and takes the form of a Z-fold.

This much sought - after and long - out - of - print volume, reissued by the Guggenheim Museum for the occasion, was originally published to accompany the artist's solo exhibition at the Museum in 1995, one year before his untimely death at the age of 38.

Published to accompany an exhibition celebrating the 25th anniversary of the opening of the Fundació Pilar i Joan Miró a Mallorca on the site of Miró's studio, this volume brings together a rare selection of Miró's late works, some of which have never before been published.

This fully illustrated volume accompanies Lévy Gorvy's first solo exhibition of works by Martial Raysse, on view from February 28 to April 14, 2018.

Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern's Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle's printmaking.

Accompanying a major traveling exhibition, this comprehensive volume examines Berthe Morisot's remarkable body of work, painterly innovations, and leading role within the Impressionist canon.

After I inserted the seventy - two - track sampler CD that was issued to accompany the recent exhibition «Lustfaust: A Folk Anthology 1976 — 1981» at Freight + Volume into my computer, the program that identifies music choices from a master database informed me that «Multiple matches were found online for this CD» and asked me to choose the correct title from the following list: Real Men of Genius — Budweiser Beer; Fcd201 — Focus Production Music; The High Calling Volume Two — Howard Butt, Jr.; Kos — 111 Dangerous — Kosinus Music.

This volume, and the exhibition it accompanies at The Armory Center for the Arts in Pasadena, address this oversight, providing the first thorough overview of her ouevre to date.

Accompanying «Noah Purifoy: Junk Dada» at the Los Angeles County Museum of Art, the first monographic museum exhibition of Purifoy, this volume balances important scholarship that gives context to the work of this under - regonized artist with plenty of images of his sculptures and installations.

Reminiscent of the classic 2002 MoMA catalogue Drawing Now and published to accompany a major 2009 exhibition at The Museum, this volume brings together approximately 250 representative works.