Sentences with phrase «volume includes»

That volume includes some small commercial sales.

We have written more than $ 14.5 million in sales so far this year (written volume includes closed and pending transactions).

This volume includes timeless articles on classic moot court concepts and timely articles with current critiques and suggested reforms.

The second half of the Volume includes articles generated by the «YES, WE CArNegie!»

This volume includes, and is completely integrated with, our Guardianships PowerPack for easily creating the Accounting and Inventory forms, as well as the UCCJEA for a guardianship case.

This elegant volume includes details of the works, which take on an abstract cinematic quality, as well as a sixteen - page acetate insert illustrating a cross section of one of the glass sculptures.

This volume includes more than 150 images, reproduced with the utmost care to capture the luminosity of the originals.

In addition to extending the comprehensive documentation of Morgan's output as a painter, this volume includes additions that start to bring the artist's notoriety and career into greater focus.

Miró volume features essays by Joan Punyet Miró, Margit Rowell, and André Breton's prose poems created in homage to Miró's Constellations; Calder volume features texts by Sandy Rower and Milly Glimcher; the third volume includes an extensive chronlogy and correspondence between the two artists.

The Albertina «s architecture collection, established in 1920, comprises some 40,000 works and the selection of 140 in this volume includes diverse drawings and graphic representations by Bernini, Dürer, Canaletto, Frank Lloyd Wright, Adolf Loos and Zaha Hadid.

The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard's own essays from 1946, an illustrated chronology and exhibition history.

The volume includes works by the most celebrated artists associated with the movement — not just Pollock, Rothko and de Kooning, but also Kline, Newman, Still, Smith, Reinhardt and Gorky.

The volume includes an introduction by John Elderfield, who knew Diebenkorn personally and has curated exhibitions of both artists» work; an essay by Jodi Roberts on parallels between the artists» drawings; and a bibliography documenting Diebenkorn's collection of books about the French artist.

The volume includes texts by Danilo Eccher, Dorothy Lichtenstein, Bernice Rose, Jack Cowart, Thomas Zacharias («Lichtenstein Draws»), and Andrea C. Theil, a chronology (by Clare Bell), and a list of exhibitions in Italy.

Published on the occasion of the touring exhibition Sound Speed Marker presented at Ballroom Marfa, the Irish Museum of Modern Art, Dublin, and the Blaffer Museum of Art at the University of Houston, this richly illustrated volume includes all three components of Hubbard / Birchler's newest trilogy, as well as related photography and sculpture.

Traversing Brannon's entire oeuvre, this compact volume includes an intricate and illuminating essay by Jan Tumlir.

The volume includes illuminating artist statements, up - to - the - minute biographical information and an introduction entitled A Gentle Geometry.

Displaying a wide array of Cuoghi's work in the Dakis Joannou Collection, this volume includes an essay by Ali Subotnick that investigates the ideas of constant transformation and change that are at the core of the artist's work.

The volume includes an essay by Mario Diacono and a text by the anthropologist Giancarlo Scoditti who explores the notion of the mask as an expressive form which in many tribal cultures can be related to a mental image that reveals itself in a ritual context: a subtle game of cross-references to something other than what is visible.

The volume includes informative essays by Arthur C. Danto, Joan Simon, and Nina Stritzler - Levine as well as illustrations of the artist's working tools, related drawings, photographs, and chronology.

The Chinese - English bilingual volume includes works and writings by artists such Ai Weiwei, Chen Wei, Chen Zhou, Fang Lu, He Xiangyu, Hu Qingyan, Hu Xiangqian, Huang Ran, Huang Yong Ping, Lan Zhenghui, Li Ming, Li Ran, Li Shurui, Li Songsong, Li Zhanyang, Liu Chuang, Liu Wei, Qiu Zhijie, Shang Yixin, Wang Guangle, Wang Xingwei, Xie Molin, Xu Zhen, Yan Xing, Zhang Enli, Zhang Huan, Zhao Yao and Zhu Jinshi.

Focusing on his recent portraiture, this volume includes an essay by art historian and curator Jane Livingston that provides an overview of Raysse's practice, as well as three texts by the artist.

This volume includes 80 works from throughout Fritsch's career.

This volume includes works by Adel Abdessemed, Le Corbusier, Eugène Delacroix, Isabelle Eberhardt, Douglas Gordon, Pierre Loti, Mona Hatoum, Vik Muniz and Henri Matisse.

The volume includes entire portfolios such as Hockney's The Blue Guitar.

Described as «the first in - depth book devoted to this major figure,» the volume includes forewords by Walter Hopps and Jacqueline Serwer, who was chief curator of the Corcoran at the time.

This slim volume includes an interview with the artist in which she illuminates her work and influences.

Therefore, in addition to color illustrations of the 85 paintings which were exhibited — which span from 1965 to 2007, with the majority dating from 2006 and 2007 — this volume includes plentiful documentary images, as well as quotations, remembrances and short essays from many of his esteemed colleagues and friends, including Jean - Jacques Rousseau, Maria Friedlander, Nicholas Serota, Frank Auerbach and David Hockney.

The first volume includes essays by Fung and Laura Heon, Director of SITE Santa Fe, as well as documentation of the exhibition from idea to implementation and a discussion by the artists of their work.

The volume includes working plans and in - progress drawings by participating artists, as well as texts by curators Stephanie Rosenthal and Mami Kataoka, psycholgist Susan Blackmore and a piece of short fiction and texts by writer and UK editor of Cabinet magazine, Brian Dillon.

The volume includes some 320 illustrations, including full - color plates of each work in the exhibition, which integrates many classics of Pop art with numerous rarely seen works.

Published on the occasion of the artist's first major survey show, at London's Hayward Gallery, this beautifully produced volume includes a 7» vinyl picture - disc, featuring an exclusive recording by the artist.

To contextualize Saar's works, this volume includes writings by the artist from the 1970s to the present day as well as a recent interview with Saar in which she discusses her artistic practice and her views on history, including the current debate about police violence in the US.

The second volume includes color images of the final, installed projects.

In addition to the reproductions of Eggleston's portraits, this volume includes an essay and chronology, plus an interview with Eggleston and his close family members that gives new insights into his images and artistic process.

The volume includes essays by curator Michael Darling, Michael Dylan Foster, Chelsea Foxwell, Reuben Keehan, and Akira Mizuta Lippit, as well as a biography and exhibition history, selected bibliography, and index.

This beautifully designed 256 - page volume includes 250 full - color illustrations.

Volume I includes essays by writer and cultural theorist Stuart Hall and art critic Adrian Searle, a conversation between the artist and curator Thelma Golden and words by Beth Coleman.

An essential book on a groundbreaking artist, the volume includes images of dozens of multicolored works accompanied by preparatory drawings and collages, as well as photographs from the studio and the factory.

This volume includes, amongst other series, selections from «Diary / Landscape,» in which Welling matched the writing of his ancestors» letters with Connecticut winter landscapes; «Glass House» a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his «Degrades,» pure color photograms created in the darkroom as well as selections from his recent «Wyeth» and «Choreograph» track his early interest in painting and dance.

Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus» foremost and wittiest artists.

In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition.

Complementing an exhibition that was on view at the Art Institute of Chicago, the volume includes Parks's black and white images with narrative captions accompanying the plates; Ellison's typed manuscript for «Harlem is Nowhere,» complete with handwritten edits; and the layout pages for «A Man Becomes Invisible,» reproduced from Life.

The signed and numbered volume includes an essay by the exhibition's curator Dean Daderko and three interviews with MPA: by authors Stephano Harney and Fred Moten; investigative journalist Linda Moulton Howe; and architect Vicente de Szyszlo.

Displaying a wide array of Lassry's work in the Dakis Joannou Collection, this volume includes an essay by Tim Griffin that examines how the artist challenges the nature of our perception and questions the meaning of the contemporary image.

This volume includes essays on the history of the series, the artists, the themes connecting them and an annotated chronology of the Project Series exhibitions 1 through 50.

The second volume includes a new text by Martin Coomer and an interview between Yayoi Kusama and Gallery Director Glenn Scott Wright about this new body of work.

A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz.

Designed in collaboration with the artist, this volume includes an interview with Susan May and a new essay by Christopher Bedford.

This clothbound volume includes a critical essay by curator Gary Garrels that contextualizes both the exhibition and the artists» work within the art and culture of southern California, the international art scene, and the trends of the last decade.