Sentences with phrase «volume of material out»

Not exact matches

This is in the main true, but, as I have pointed out elsewhere, Suarez shifts the emphasis in his metaphysics of material substances from the phenomenon of substantial change to the problem of substantial unity, which is precisely the problem that so vexed both Leibniz and Leclerc (For an account of Suarez's metaphysics of material substances, see my article «The Importance of the Concept of Substantial Unity in Suarez's Hylomorphism», in the special Suarez volume of the American Catholic Philosophical Quarterly.)

The volume of this material drew a rebuke from Caproni, who has expressed frequent impatience with what she has criticized as excessively drawn - out defense gambits.

Thanks to the extensive volume of works carried out in this field worldwide over the past decade or so, the list of materials exhibiting multiferroic behaviour has expanded far beyond the few that were studied in Russia at the time of Curie's conjecture in the 1960s.

Our technique, which produces a high yield of crystalline graphene in the form of a concentrated slurry with a significantly smaller volume of solvent, is an attractive solution for industries to carry out large scale synthesis of this promising material in a cost - effective and sustainable manner.»

After her students complained that they were unable to find material they needed for a Black History Month assignment, Dorothy Winbush Riley, a Detroit teacher, set out to find and collect a volume of familiar quotations by people of color.

The volume of ready - made materials for other subjects, mathematics in particular, provided the teachers with an opportunity to weed out activities that did not fit their instructional approach, instead of having to create them from scratch.

The volume buttons, headphone jack, ringer switch, and power button are all in their familiar positions, and even made out of the same material.

- a lot of focus was put on sound effects in order to immerse players in the world of Hyrule - the development team worked with Sound Racer, a studio specialized in sound effects - this studio also worked on Xenoblade Chronicles X - they recorded more than 10 000 different sounds for the game - the team used a school bag to simulate the sound of rubbing leather - for the sound of «normal» footsteps, they mixed various kinds of sands - for the sounds of equipment, they had to search for various materials and find ways to use them - they used an actual block of ice to recreate the sound of footsteps on ice - with the ice block, it always ended up melting, or getting cracks when the staff had to walk on it - Link's footsteps were made by a woman - depending on Link's actions and the equipment he's using / wearing, the recorded sounds were separated out individually - the volume is changed as needed to make a particular sound stand out - check out sound effect samples here

Best known for sculptures made out of everyday materials that address issues of space, light, volume, time, and movement, Shotz's use of steel wire and colorful thread or yarn is a means of combining sculpture with drawing.

His sculptures sketch themselves out in airy volumes, both glorifying and defying the weight and density of the materials.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

However, instead of constructing sculpture from the inside out, so that material mass and volume are emptied out in favor of a skeletal space - as - mass, Toya's guiding paradigm is archaeological.

In the Scale of Carbon brings carbon dioxide emissions out of the abstract by physically representing the volume of various architectural materials that can be produced for one tonne of CO2 emissions.

All of this audio goodness is wrapped in a tall and slender package made from premium materials that is impossibly discreet, especially considering the amount of volume it can pump out.

There's a large rectangular hole cut out in the top for the row of buttons (Power, Volume Down, Multifunction, Volume Up and Pair) made out of luxurious soft - touch material.

The power / lock and volume rocker physical buttons are placed on the right - hand side of this phablet, and they're made out of the same material as most of this device, metal.