Sentences with phrase «volumes on art history»

Forthcoming publications include a journal article in Senses and Society by Routledge, chapters in several interdisciplinary Routledge Companions, and a paper for an edited volume on art history and disability studies by Ashgate Publishing, UK.

Not exact matches

Four essays represent Wach's third and last phase: «Radhakrishnan and the Comparative Study of Religion,» which appeared in P. A. Schilpp, ed., The Philosophy of Sarvepalli Radhakrishnan (New York: Tudor Publishing Co., 1952), pp. 443 - 58; «Religion in America,» which was based on notes from lectures given at various universities in the United States; «On Teaching History of Religions,» which appeared in a memorial volume to honor G. van der Leeuw called Pro Regno Pro Sanctuario (Nijkerk: G. F. Callenbach, 1950), pp. 525 - 32; and «On Understanding,» which appeared in A. A. Roback, ed., The Albert Schweitzer Jubilee Book (Cambridge, Mass.: SCI - Art Publishers, 1946), pp. 131 - 4on notes from lectures given at various universities in the United States; «On Teaching History of Religions,» which appeared in a memorial volume to honor G. van der Leeuw called Pro Regno Pro Sanctuario (Nijkerk: G. F. Callenbach, 1950), pp. 525 - 32; and «On Understanding,» which appeared in A. A. Roback, ed., The Albert Schweitzer Jubilee Book (Cambridge, Mass.: SCI - Art Publishers, 1946), pp. 131 - 4On Teaching History of Religions,» which appeared in a memorial volume to honor G. van der Leeuw called Pro Regno Pro Sanctuario (Nijkerk: G. F. Callenbach, 1950), pp. 525 - 32; and «On Understanding,» which appeared in A. A. Roback, ed., The Albert Schweitzer Jubilee Book (Cambridge, Mass.: SCI - Art Publishers, 1946), pp. 131 - 4On Understanding,» which appeared in A. A. Roback, ed., The Albert Schweitzer Jubilee Book (Cambridge, Mass.: SCI - Art Publishers, 1946), pp. 131 - 46.

Yes, it is possible to write a single - volume general history of art, if you narrow the definition and focus on your own enthusiasms.

THIS YEAR»S SELECTION of the Best Black Art Books includes 12 volumes that in various ways are reframing art history — from scholarly works shedding light on major cultural moments and volumes of groundbreaking photography, to exhibition catalogs surveying broadly the work of important artists such as Kerry James Marshall and Alma ThomArt Books includes 12 volumes that in various ways are reframing art history — from scholarly works shedding light on major cultural moments and volumes of groundbreaking photography, to exhibition catalogs surveying broadly the work of important artists such as Kerry James Marshall and Alma Thomart history — from scholarly works shedding light on major cultural moments and volumes of groundbreaking photography, to exhibition catalogs surveying broadly the work of important artists such as Kerry James Marshall and Alma Thomas.

Caivano's works incorporate an uncompromising yet individual approach to the tradition of abstract painting, drawing as much on unique perceptions of colour, space, texture, volume and light as on art history.

John C. Welchman is Professor of art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art (2016) and After the Wagnerian Bouillabaisse (2018).

Edited by the artist's son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd's influence on contemporary art, art history, and art criticism.

The second volume of Art & Beauty, published in 2003, expanded on the first, adding all - new drawings (also of women) and quotations, likewise taken from the history of aArt & Beauty, published in 2003, expanded on the first, adding all - new drawings (also of women) and quotations, likewise taken from the history of artart.

«British Black Art Works: Debates on Western Art History,» an interesting new volume published this week, «suggests new narratives about canonical artworks of the British Black Art movement» and «introduces readers to an important, long - marginalized movement and recontextualizes it with groundbreaking scholarship.»

Following two precious volumes of writings from the 1970s — 90s Canadian magazine Parachute — Museums, Art History, and Theory and Performance & Performativity — the essays collected in this third volume focus on photography, film, video and new media.

Some of the most respected scholars and art journalists of the day — including Irving Sandler (author of a four - volume history of postwar American art), Lawrence Alloway (the critic who coined the term «Pop art»), and Thomas B. Hess (editor of the magazine from 1948 to 1972)-- visited artists in their studios and reported back on the struggle toward the completion of a painting or sculpture.

An indispensable instrument in understanding video art, this volume offers a panoramic view of the history of this medium and the major artists in the collection active on the international scene, including Joseph Beuys, Fluxus, Bruce Nauman, William Kentridge, Tony Oursler, Martha Rosler, Sophie Calle, Bill Viola, Robert Wilson, to name a few.

Among his many books on landscape painting and Ming and Qing art, he has a new series on the history of the museum; the first volume, published in 2012, is entitled, Art Museum as Knowledge Productiart, he has a new series on the history of the museum; the first volume, published in 2012, is entitled, Art Museum as Knowledge ProductiArt Museum as Knowledge Production.

Reflecting on the importance of artistic debuts in the exhibition catalog, School of Art Director Rex Koontz cites renowned Yale University art historian George Kubler's influential volume The Shape of Time: Remarks on the History of Things (196Art Director Rex Koontz cites renowned Yale University art historian George Kubler's influential volume The Shape of Time: Remarks on the History of Things (196art historian George Kubler's influential volume The Shape of Time: Remarks on the History of Things (1962).

Later that decade, a detail of the Bearden collage was featured on the cover of Sharon F. Patton's «African - American Art,» a 1998 volume published as part of the Oxford History of Art series.

Copublished by the Institute of Contemporary Art, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in - depth examination of McMillian's varied practice and his meditations on social systems, art history, science fiction and public poliArt, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in - depth examination of McMillian's varied practice and his meditations on social systems, art history, science fiction and public poliart history, science fiction and public policy.

Writer, musician, and producer Greg Tate reads from a manifesto, «Kalahari Hopscotch, or Notes Toward a 20 Volume History of Black Science Fiction and Afrofuturism» at the Atlanta Contemporary Art Center on Sept. 15, 2012.

There were only three works on display in Reuben Kadish's Holocaust Sculpture at the Yeshiva University Museum, but those three spoke volumes about the visceral force of an artistic maverick who unaccountably remains in the margins of post-WWII American art history.