Sentences with phrase «vom cooperhaus»

Tags for this Online Resume: soldering, troubleshooting, repair to the component level using schematics, VOM, O'scope, signal generators, computer, installation, repair, harfware and software, calibrate, modify, installation

These programs include the Victim Offender Mediation (VOM) Program, Conflict Intervention Team (CIT), and Court Mediation Program.

The marginal or cash cost includes fuel and VOM costs.

As mentioned above, the cash cost includes fuel and VOM.

Bjerknes, Vilhelm, 1904: The problem of weather prediction, considered from the viewpoints of mechanics and physics (Das Problem der Wettervorhersage, betrachtet vom Standpunkte der Mechanik und der Physik).

In the table you looked at the fuel costs are included in the VOM.

TreeHugger on Frederik vom Saal: Chemical Found in Plastic Linked to Reproductive Disorders Time to Pack In the Polycarbonates The Perils of Being Thirsty While Being Green Gender Bender Chemicals Also Make You Fat

, implying that everyone is relying on the work of one scientist, Frederick vom Saal.

Frederick vom Saal, a reproductive toxicologist at the University of Missouri - Columbia, countered by claiming: «There is essentially no difference in the way that rat or mouse cells respond to BPA and the way that humans respond to it,» adding that while the amount in humans «may seem like an incredibly small amount, it causes effects in human cells at the part - per - trillion level.»

Reproduced: Norbert Lynton, «Barbara Hepworth», Arts Review, vol.13, no. 11, 3 - 17 June 1961, p. 13 Mary Watson, «Sea Inspires the Sculptress», Auckland Star, July 1962 Owen Broughton, «The Technique of Recent British Sculpture», Bulletin of the National Gallery of South Australia, Adelaide, April 1963 (unpag., installation) «Fascinating, horrifying and sensual», China Mail, Hong Kong, 17 Aug. 1964 Denis Farr, British Sculpture Since 1945, 1965, pl.4 «Works of Eminent British Sculptors on View», Times of India, Delhi, 17 Nov. 1965 J.P. Hodin, «Vom Stil der Barbara Hepworth: Zuden Arbeiten der englischen Bildhauerin», Die Kunst and das Schöne Heim, vol.64, no. 7, April 1966, p. 276 Keith Roberts, «London», Burlington Magazine, vol.110, no. 782, Aug. 1966, p. 301 A.M. Hammacher, Modern English Sculpture, 1967, p. 86 (in col.) Guy Burn, «Hepworth», Arts Review, vol.20, no. 7, 3 April 1968, p. 184 Christopher Neve, «Holes in a Sculptor's Landscape: Barbara Hepworth», Country Life, vol.143, no. 3710, 11 April 1968, pp. 887 Bijutsu Techo, Japanese monthly mag., Aug. 1970, p. 3 Cross 1984, p. 114, pl.70 (in col.) Lesley Jackson, The New Look: Design in the Fifties, Manchester, 1991, p. 56 Michael Tooby, An Illustrated Companion to the Tate St Ives, 1993, p. 13 Andrew Causey, «Liverpool and New Haven: Barbara Hepworth», Burlington Magazine, vol.136, no. 1101, Dec. 1994, pp.860 - 1, p. 860

Public Space and Free Space, Curated by Janneke de Vries, GAK Gesellschaft für Aktuelle Kunst, Bremen Vom Großen und Ganze, Sammlung Haus N in der Gerisch Stiftung, Neumünster Laugh - in: Art, Comedy, Performance, Museum of Contemporary Art, San Diego 2014 Fortune III Grey skies and sunny dispositions, The Ister, Paris.

Group exhibitions 2018 «VOM HANDELN», Halle für Kunst Lüneburg, Lüneburg 2018 «Don Quixote», Galerie Barbara Weiss, Berlin 2017 «Policing the Police» (performance), MoMA PS1's Back to School Benefit, New York City, NY 2017 «Sie sagen, wo Rauch ist, ist auch Feuer», Kunsthalle Bern, Bern 2017 «Let Me Be an Object that Screams», Gallery 400, University of Illinois at Chicago, Chicago, IL 2017 «Marching the Beat», Jessica Silverman Gallery, San Francisco, CA 2017 «Sayonara Jupiter», 356 Mission, Los Angeles, CA 2017 «Whitney Biennial», Whitney Museum of American Art, New York City, NY 2017 «Daniel Albuquerque & Puppies Puppies», BFA Boatos Fine Art, Milan 2017 «The Revolutionary Suicide Mechanised Regimen Band», Rob Tufnell, Cologne 2017 «Group exhibition 2017», James Fuentes, New York City, NY 2016 «Barbarossahoehle», Rob Tufnell, Cologne 2016 «Vie D'ange», Vie D'ange, Montreal 2016 «New Intimacies», XYZ Collective, Tokyo 2016 9th Berlin Biennale, Berlin 2016 «Rage Farmer Rage Profeteer», organized by Alivia Zivich, Beautiful Gallery, Chicago, IL 2016 X Nicaraguan Biennale, Managua 2016 Paramount Ranch, Los Angeles, CA 2016 «Artists» Clothes», Carlos / Ishikawa, London 2016 «Is it living?»

The most startling work is Klaus vom Bruch's video «On War & Peace & Art» (1995), which replays endlessly a snatch of historical film footage over a repeated sequence of unintelligible voices electronically altered to sound like something between barking and birdsong.

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

Anna Oppermann, Paradoxe Intentionen (Das Blaue vom Himmel herunterlügen), 1988 - 1992; Paradoxical Intentions (To Lie the Blue Down from the Sky), 1988 - 1992, S.M.A.K. Gent, Installation view 2017, photo: Dirk Pauwels, Courtesy Estate Anna Oppermann, Galerie Barbara Thumm

His diary of his odyssey - Vom Gehen im Eis - was released four years later; an English translation was published by Jonathan Cape in 1980 as On Walking in Ice and a Spanish translation was published by Gallo Nero Ediciones in 2015 as Del caminar sobre hielo.

Within the framework of the art fair Munich Contempo, Francoise Heitsch Gallery presented a special exhibition with works by the German video art pioneer Klaus vom Bruch.

«Tote Mutter,» from the series Vom Tode II (On Death II), 1890.

With this exhibition walk - through we have a look at the exhibition «Der Traum vom Fliegen — The Art of Flying»...

Yoshitomo Nara - Nobody's Fool [anlässlich der Ausstellung «Yoshitomo Nara: Nobody's Fool»; organisiert vom Asia Society Museum New York, NY, USA, 9.

The exhibition «Vom Handeln» is a conceptual continuation of the three - part group show presented at Halle für Kunst in 2016 and 2017 dedicated to «fantasy,» «expression» and «authenticity.»

2005 Lawrence Weiner Poster Archive, Bury Art Gallery, UK Within a Realm of Relative Form, Lisson Gallery, London, UK Vom Tafelbild Zum Wandobjerkt (Mozart Year 2006), Museum der Moderne, Salzburg, AT Tate Collection — New Acquisition, Tate Gallery London, UK

Working closely with senior perfumer Marc vom Ende of Symrise — one of the world's foremost fragrance and flavor companies — Bouchet engaged in a process of replication, which required over a year of scientific research and development.

«Vom Gefuhlskarussel ins Fegefeuer.»

This will be the first screening of vom Gröller's films in London outside of a singular event in 2012 at the South London Gallery.

System - Vom Pointillismus zum Pixel, Heidelberg 2012 Akademie der Künste (Ed.)

Vom Schrecken der Situation.

Richard Saltoun is pleased to present the films of artist and filmmaker Friedl vom Gröller, alongside her current exhibition at the gallery.

2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City

The Politics of Selection — Vom Nutzen der Angst gathers works (video, text, photography) that were created during extensive travels through the Midwest of the United States in the past 12 months.

«Culturefield, oder die Kunst als Notausgang in die Gegenwelt», Kunstforum, April 2015 «Artist Ryan Gander: Painting is «an illogical act»», BBC.com, 08.07.2014 «Use your imagineering: Ryan Gander's world of pranks and puzzles», The Guardian, 07.07.2014 «Here's looking at you», The Sunday Times, 06.07.2014 «Lost in Kassel», Die Zeit, 06.06.2012 «Ryan Gander», Art, 06.2012 «Der Mann, der vom Himmel fiel», Monopol, 03.2012 «Wir Retronauten», Monopol, Dec 2011 «Eurovision 2036», ArtAsiaPacific, Sep - Oct 2011 (Courtesy the author and ArtAsiaPacific) «Ryan Gander: guessing games raised to a fine art», The Telegraph, 30.08.2011 «Meet Ernö Goldfinger, the unsung hero of furniture design», The Guardian, 07.06.2011 «London: Ryan Gander», L'Uomo Vogue, May 2011 «Ryan Gander», Artforum, 11.03.2011 «Looking Back Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gander.

It will be a rare opportunity to view a selection of vom Gröller's early films in their original format (16 mm) together with more recent ones (12 short films in total, from 1968 to 2014).

Die Schrift der Kunst / Vom futuristischen Wort zum virtuellen.

2014 The Unwinding, Cookie Butcher, Antwerp, Belgium The Little Things Could Be Dearer, MoMA PS1, New York, USA The Registry of Promise: The Registry of Moving Things, Centre d'art contemporain d'Ivry — le Crédac, Ivry - sur - Seine, France Merzen, LiveInYourHead, Geneva, Switzerland Little Forest, TOR 13, Bremen, Germany Surplus living group exhibition, KM Tempoaer, Berlin, Germany humanonhumain, Foundation D'Entreprise Ricard, Paris, France Technokinesis, Blum & Poe, New York, USA Soft Material, Wallspace, New York, USA Another Look at Detroit: Part 1 & Part 2, Marlborough Chelsea / Marianne Boesky Gallery, New York, USA Vom Dasein & Sosein.

Vom Gröller went on a hiatus from filmmaking after her marriage to Peter Kubelka, fervently returning to it after their divorce.

Artist: Peggy Buth Exhibition title: The Politics of Selection — Vom Nutzen der Angst Venue: Klemm's, Berlin, Germany Date: November 7 — December 19, 2015 Photography: images copyright and courtesy of the artist and Klemm's, Berlin We are pleased to present Peggy Buth's third solo exhibition at our gallery.

Hanna Bekker vom Rath / Frankfurter Kunstkabinett, Frankfurt am Main.

Traveled to Schirn Kunsthalle, as Between Art and Life: Vom Abstrakten Expressionismus zur Pop Art, April 30 — July 10.

The full list of artists taking part in «Generation Loss include: Eleanor Antin, Ed Atkins & Simon Thompson, Charles Atlas, Lutz Bacher, Lynda Benglis, Bernadette Corporation, Johanna Billing, Dara Birnbaum, Hannah Black, Chris Burden, Matt Calderwood, Patty Chang, Ian Cheng, Jen DeNike, Nathalie Djurberg & Hans Berg, Cheryl Donegan, Trisha Donnelly, Cao Fei, Peter Fischli & David Weiss, Dara Friedman, Cyprien Gaillard, Douglas Gordon, Barbara Hammer, Christian Jankowski, Joan Jonas, Jesper Just, Imi Knoebel, Mark Leckey, Klara Lidén, Gordon Matta - Clark, Paul McCarthy, Lutz Mommartz, Bruce Nauman, Jon Rafman, Lucy Raven, Reynold Reynolds & Patrick Jolley, James Richards, Rachel Rose, Jack Smith, Wolfgang Tillmans, Ulay & Marina Abramović, Steina Vasulka, Klaus vom Bruch, Hannah Wilke, Jordan Wolfson, Tobias Zielony.

2010 Group exhibition - Alan Cristea Gallery, London, United Kingdom Das Geistige in der Kunst — Vom Blauen Reiter zum Abstrakten Expressionismus - Museum Wiesbaden, Wiesbaden From a collection of Abstract Works on Paper 1941 - 1971 - Cheim & Read, New York City, NY Inquiring Eyes: Greensboro Collects Art - Weatherspoon Art Museum, Greensboro, NC The Etching - Leslie Sacks Fine Art, Los Angeles, CA Abstraction Revisited - CAM - Chelsea Art Museum, New York City, NY A Selection of rarely seen, privately owned, early Abstract Expressionist works.

Continued to: The Museum of Contemporary Art, Illinois, US; Walker Museum Of Art, Minnesota; US 1988 Vom Landschaftsbild zur Spurensicherung, Museum Ludwig, Curated by Reinhold Misselbeck, Cologne, DE 1998 Television and Art, Queens Museum, Curated by Mark Miller, Queens, NY, US 1998 The Nature of the Real, White Columns, Curated by Renee Ricardo and Paul Laster, New York, NY, US

From 2011 to 2016 Hafner has been the artistic and managing director of the Kunstverein für die Rheinlande und Westfalen, where he has organized monographic exhibitions with artists such as Tim Berresheim, Charlotte Prodger, Josephine Pryde, Rosa Sijben, Dominik Sittig and Walter Swennen and thematic exhibitions such as «Das Beste vom Besten «on art's differentiating economies, «Zum Beispiel «Les Immatériaux ««co-curated by Christian Kobald with reference to Jean - François Lyotard's seminal «philosophical «exhibition «Les Immatériaux «from 1985 or «Die Kunst der Türken / The Art of the Turks / Türklerin Sanati ``, co-curated by Manuel Graf; in 2012 and 2013 Hafner also presented the first museum survey of the artistic oeuvre of Henry Flynt in Düsseldorf and ZKM Karlsruhe.

Klaus vom Bruch has a special exhibition with Françoise Heitsch Gallery (Munich), Derya Demir (Galeri NON, Istanbul) presents works by Extramücadele (Extrastruggle); Klaus Kiefer (Galerie KK, Essen, Germany) introduces us to the work of Yongbo Zhao; Manuela Huber (Arthobler Gallery, Lisbon and Porto, Portugal) explains the video works of Jakub Nepras; and Matthias Hauser (Galeria Hauser, A Coruna, Spain) talks about the work of Regina Silveira.

VernissageTV visited the fair during the press preview and spoke with several gallerists, German media artist Klaus vom Bruch, and architects Florian Schmidhuber and Fabian Ochs (O.S.A.).

2018 Vom Handeln, Halle Für Kunst, Lüneburg DIS, Thumbs That Type and Swipe: The DIS Edutainment Network, La Casa Encendida Madrid, Spain

Furthermore, Bauermeister participated in two exhibitions which exemplified her prominent role in shaping art of the 1950s and 1960s: Die sechziger Jahre, Kölns Weg zur Kunst - Metropole — vom Happening zum Kunstmarkt (The Sixties — Cologne's Road to Becoming an Art Metropolis — from Happening to Art Market) at the Kölnischer Kunstverein in Cologne (1986) and Return to the Object: American and European Art from the Fifties and Sixties at the Guggenheim Museum in New York (1988).

John Weightman as Francis Bacon: Full Face and in Profile, Oxford 1983, pl.101 (col.) H. Platschek, «Francis Bacon: Alle Kunst ist Instinkt», Art: Das Kunstmagazin, no. 10, Oct. 1984, p. 34 (col.) Wieland Schmied, Francis Bacon: Vier Studien zu einem Porträt, Berlin 1985, p. 127, pl.170 Friedhelm Mennekes, «Francis Bacon: Distanzierung vom Augenschein - Transformation des Mythischen», Kunst und Kirche, no. 1, 1986, p. 36 Michel Leiris, Francis Bacon, London 1988, pl.94 (col.) Wieland Schmied, Francis Bacon: Commitment and Conflict, Munich and New York 1996, [p. 131], pl.38 (col.) Into a typically restricted pictorial space Bacon brought together the four protagonists listed in the painting's title: Three Figures and Portrait.

Viola Yesiltac Vom rudimentaeren Unverstaendniss, 2012 calligraphy and fountain pen ink on paper 19 1/2 x 25 1/2 inches

Part II, 1950 — 2000, Whitney Museum of American Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 13).

For a thorough study of myths about artists, see Ernst Kris and Otto Kurz, Die Legende vom Kunstler: Ein Geschichtlicher Versuch, Vienna, 1934.