Sentences with phrase «von bismarck»

Bismarck is named after German Chancellor, Otto von Bismarck.

The Atlantic — Various texts — Prince Otto von Bismarck — You can listen to an Edison wax cylinder recording of some nonce verse spoken by Bismarck.

To paraphrase Otto von Bismarck, in a lot of ways, making a building is like making sausages; it is better not to see them being made.

«After China and the United States recently announced an agreement to phase - down HFCs, it's encouraging to see them discussing implementation,» said Alexander von Bismarck, executive director of EIA.

«While we applaud the US and China for taking a step in the right direction on HFCs, immediate action to control HFC - 23 will give life to the words of the Agreement» said Alexander von Bismarck, EIA's Executive Director.

Alexander von Bismarck, EIA Executive Director, explains «As a legally binding treaty ratified by nearly all members of the United Nations, CITES can play a critical role in protecting endangered trees and fragile forests.

Alexander von Bismarck, EIA US Executive Director said, «The Kigali Amendment, with the Paris Agreement, gives 2016 the biggest one - two punch in the history of battling global warming.

«This shows leadership by India at an important time,» said Alexander von Bismarck, U.S. Executive Director of the Environmental Investigation Agency (EIA).

On exhibition at Berlin's Alexander Levy Gallery along with the whips he used, von Bismarck's «Punishment I» refers to an old story of Egyptian Pharoah Xerxes ordering the punishment of the strait at Hellespont with 300 lashes of the whip, after storms destroyed bridges that had been built there.

From October to December 2011, von Bismarck travelled from Switzerland, South America and the United States armed with a whip and re-enacted this «allegorical anger» on various sites.

In an effort to recreate a pre-Christian account of a furious pharoah faced with a natural disaster, German artist Julius von Bismarck travelled the world, literally whipping nature and the monuments he comes across, recording the acts in a series of photographs and videos.

One of the highlights of Art Basel in Basel 2015 was German artist Julius von Bismarck's artwork Egocentric System in...

With contributions by: Alexander Alberro, Renée Green, Beatrice von Bismarck, Ulrike Gerhardt, Akiko Bernhöft, Hannah Black, and Justin Matherly.

The projects included Ai Weiwei's tower of 760 bicycles and a giant spinning saucer by Julius von Bismarck, who sat inside his creation and spun for hours.

Installation view of «Julius von Bismarck: Good Weather,» Marlborough Contemporary.

Daniel Sinsel in Home is not a Place (curated by Marlene von Carnap and Coraly von Bismarck) at the German Embassy, London, UK 30 May — 30 September 2017

Catalogues — Publications 2015 «SUPER SUPERSTUDIO», exhibition catalogue, PAC - Pavilion of Contemporary Art, Milan «Ärger im Paradise», exhibition catalogue of the exhibition, Bundeskunsthalle 2014 «The State of a Ghost While Hosted as a Guest», publication from the Villa Romana Fellows, Villa Romana Editions, published by Argo Books ISBN 978 -3-942700-62-7 «Kushtetuta # 2 About Mums & Dads», edited by Petrit Halilaj and Alvaro Urbano, Self - published zines «TRANSLATION ACTS > PERFORMING POLITICS», Concept by Ifrex, Edited by Ifrex and Fotini Kushtetuta, Published by KOSOVO 2.0, Edited by Petrit Halilaj and Alvaro Urbano «MAPPING EVERYTHING», Institut für Raumexperimente (Berlin) and Institut für Landschaftsarchitektur (ETH Zurich) Project Conception: Olafur Eliasson and Guther Vogt, Nicola Eiffler 2012 «STUDIO MAGAZINE # 2», an Architecture and Urbanism Publication 2010 «Ottos impossible talks / Lets start to implement little errors Imposible topics / rescued futures,» Otto Rössler with the Institut für Raumexperimente, edited by Julius von Bismarck, Jeremias Holliger, Laura McLardy, Mathias Sohr, Alvaro Urbano, Euan Williams, Graphic design and concept book by bureau - aeiou 2009 «UNPLANNED: Research and Experiments at the Urban Scale», concept book by Superfront Graphic design by: Do not bend Kønst magazine issue n. 4 Erasing Darkness Pidgin - Magazine issue n. 6 (text by Jose Esparza)

Joining Roth in Pencil / Line / Eraser are AKassen and their Flatten image series, Julius von Bismarck & Benjamin Maus and the «Perpetual Storytelling Apparatus» drawing machine, and Christine Sun Kim, who, though deaf since birth, explores the materiality of sound through painting, drawing and performance.

Included in the line up are the likes of Joey Holder, Marguerite Humeau — who had a solo show at Berlin's Import Projects, of which Samman is the founder, in 2014 — Paul Kneale, Julius von Bismarck, Chris Coy and Martin Callahan, all of whom work with these themes close to the words of Samman.

Among Berlin - based artists are Nevin Aladag, Oliver Laric, Yngve Holen, Julius von Bismarck and Thomas Zipp, among others.

Programme developed by Beatrice von Bismarck, Benjamin Meyer - Krahmer and the V - A-C Foundation.

Charrière collaborated with the artist Julius von Bismarck on Some Pigeons Are More Equal Than Others for the 13th International Architecture Exhibition — La Biennale di Venezia.

Pencil / Line / Eraser features work by Julius von Bismarck & Benjamin Maus, Ariel Hassan, Justin Hibbs, AKassen, Christine Sun Kim, Rafael Lozano - Hemmer, Sam Messenger, Manfred Mohr, Diogo Pimentão, Evan Roth, Ignacio Uriarte, John Wood and Paul Harrison.

The Independent Curators International has started something like this, as well as the / D / O / C / K project in Leipzig, initiated by Beatrice von Bismarck, and the CuratorLab at Konstfack in Stockholm.

Julius von Bismarck (b. 1983) grew up in Riyadh (Saudi Arabia) and Berlin, where he currently lives and works.

Works such as those by Jens Ullrich examine the poster as a medium of political protest, while artists such as Julius von Bismarck or Mark Flood deal with the manipulability of media images and new, primarily medial forms of political participation and production of opinion.

Known for their adventurous site - specific interventions atop icebergs in the North Atlantic, restricted military facilities, forests, deserts and sea, von Bismarck, Charrière, and Kiessling's individual artistic practices all share a concern with inhuman forces, elemental materials and processes that play out in enormous scales of time and space.

The work of Julius von Bismarck (1983) has been exhibited internationally.

A native of Germany, von Bismarck is a graduate of the University of Fine Arts, Berlin, and a student of the Institute of Spatial Experiments; he also studied in the MFA program at Hunter College.

Professor Beatrice von Bismarck is professor for art history and visual studies at the Hochschule für Grafik und Buchkunst (HGB) Leipzig and programme director of the academy's own gallery.

In the year the gallery of the HGB Leipzig was reopened Beatrice von Bismarck conceived a programme of exhibitions and events titled «Grenzbespielungen.

He first broke through with the 2012 work Some Pigeons Are More Equal than Others, created with Julius von Bismarck for the Venice Architecture Biennale, a device that attracted pigeons, then spray - painted them in colorful hues.

These explorations of the subconscious's expulsion from the city are the strongest point in the show: particularly Julius von Bismarck's video work «Landscape Painting (Jungle)» (2015), which depicts a group of painters whitewashing a jungle's leaves, before repainting them in various shades of green.

This series features screenings of new works, accompanying source materials and performances, along with in - person appearances by Andrew Norman Wilson, Fabrizio Terranova, Ursula Biemann, and Julius von Bismarck and Julian Charrière (as well as a virtual appearance from Donna Haraway.)

This February and March, Anthology Film Archives hosts Swiss Institute for a series — taking its title from a work by artists Julius von Bismarck and Julian Charrière — that will explore how changes to our ecology and landscape appear from the perspective of non-human vision.

A Stratigraphic Fiction features artwork by 10 international contemporary artists: Julian Charrière, Nadja Frank, Kelly Jazvac, Mary Anne Kluth, Laura Moriarty, Elise Rasmussen, Robert Smithson, Nick van Woert, Julius von Bismarck, and Jennifer West.

Essays by Beatrice von Bismarck, Colin Richards and Okwui Enwezor address various aspects of Breitz's oeuvre.

Text by Beatrice von Bismarck, Douglas Coupland, Yilmaz Dziewior, W. S. Di Piero.

chaired by Jens Hoffmann with Julia Bryan - Wilson, Michelle Grabner, Emiliano Valdés and Beatrice von Bismarck.

«Home is not a Place» will display contemporary Art from Berlin and London includes works by Cornelia Baltes, Julius von Bismarck, Simon Fujiwara, Oliver Osborne, Florian Roithmayr, Random International, Daniel Sinsel, Wolfgang Tillmans and Nicole Wermers.

(It plays on the inner ear's vestibular system, which insulates us from the motion of a system when it remains constant — for von Bismarck in Basel, the saucer, for the rest of us always, Earth.)

In 2015, von Bismarck made his biggest splash yet, getting picked up by Marlborough Chelsea for a May solo show and setting himself up on a concrete flying saucer at the entrance of Art Basel in Basel's Unlimited section.

Plus: Pavlensky stripped of Human Rights Foundation award Julius von Bismarck wins Wolfsburg art prize and David Bowie's art collection comes up for auction

Julius von Bismarck wins Wolfsburg art prize Julius von Bismarck has been awarded the city of Wolfsburg's 2017 art prize.

A star of Olafur Eliasson's Institute for Spatial Experiments in Berlin, von Bismarck has been a staple in the German capital for the past several years.

Screening of the work «Objects in Mirror Might Be Closer Than They Appear» by Julian Charrière & Julius von Bismarck at Swiss Institute Contemporary Art New York.

For his new work, «Punishment I», Julius von Bismarck went on a journey through Switzerland, South America and the U.S. armed with a whip.

Emerging from recent trips to Colombia, Venezuela and Mexico, this body of work continues von Bismarck's explorations of the intersection of human beings and the relentless forces of nature.

Julius von Bismarck took up this anger allegorically for his new series of works.

2017Group Exhibition, Tanya Leighton, Berlin (upcoming) Home is not a place, German Embassy, London, curated by Coralie von Bismarck (upcoming)