Sentences with phrase «von bonin»

This recent donation of German collector Thomas Borgmann shows an extensive number of contemporary art works from the 90's and the beginning of the 21st century - including work by Cosima von Bonin, Isa Genzken, Michael Krebber, Lucy McKenzie, Matt Mullican, Paulina Olowska, Wolfgang Tillmans, and Heimo Zobernig.

Christian Nagel opened his gallery (with the first solo exhibition by Cosima von Bonin) in 1990 as well, and the artists Stephan Dillemuth, Josef Strau, Nils Norman, Merlin Carpenter and Kiron Khosla presented the Friesenwall 120 art space, which they ran until 1994.

Frances Scholz and Mark von Schlegell last collaborated on the episodic film Starlite, which was commissioned by the artist Cosima von Bonin as a component of her exhibition tour throughout Europe between 2011 and 2012.

This year, artists such as Aram Bartholl, Cosima von Bonin + Tom Burr, Nicole Eisenman, Ayşe Erkmen, Pierre Huyghe, Justin Matherly, Peles Emire, Thomas Schütte, and Hito Steyerl present new site - specific works in Münster.

After collecting and reviewing more than 50 proposals from a wide range of artists recommended by an international advisory committee, High Line Art has selected 12 shortlisted proposals for the inaugural Plinth Commissions by artists Jonathan Berger, Minerva Cuevas, Jeremy Deller, Sam Durant, Charles Gaines, Lena Henke, Matthew Day Jackson, Simone Leigh, Roman Ondak, Paola Pivi, Haim Steinbach, and Cosima von Bonin.

In Glasgow, GoMA is being revitalised with a brilliant new curator, though I'm biased because I recently curated a Cosima von Bonin exhibition there.

The book features an essay by Meredith Malone, associate curator at the Mildred Lane Kemper Art Museum at Washington University in St. Louis, as well as a new installment in a series of scripted «conversations» between Cosima von Bonin and Daffy Duck, written by von Bonin's longtime collaborator Dirk von Lowtzow, a Berlin - based musician and art critic.

By artists Franz Ackermann, Cosima von Bonin, Thomas Demand, Isa Genzken, Charline von Heyl, Sergej Jensen, Michel Majerus, Manfred Pernice, Wolfgang Tillmans, and Corinne Wasmuht, the featured artworks investigate issues relating to digitization, material instability, and the individual's attachment to — and detachment from — historical notions of place.

Yet the aphorism nevertheless aptly describes von Bonin's modus operandi, which is to make work that examines and intervenes in the rules of the game — the game being art as a cultural and social practice.

Matthias Bitzer, Jackie Brookner, Alex Da Corte, the Haas Brothers, Jessica Jackson Hutchins, Jennie C. Jones, Nancy Lupo, Jorge Pardo, and Cosima von Bonin

MARIANNE BOESKY GALLERY is pleased to present Cells, a group exhibition featuring works by Matthias Bitzer, Jackie Brookner, Alex Da Corte, the Haas Brothers, Jessica Jackson Hutchins, Jennie C. Jones, Nancy Lupo, Jorge Pardo, and Cosima von Bonin.

These pieces are the creations of Cosima von Bonin whose work has been displayed in some of the most prominent art institutions around the world, including London's Tate Britain; the Museum für Neue Kunst in Karlsruhe, Germany; the Museum of Contemporary Art, Los Angeles; and the Museum of Modern Art in New York.

While her work is often compared to that of Jeff Koons due to her similar use of appropriation and animal imagery, in an interview with The Wall Street Journal last month, von Bonin cited artists André Cadere, Marcel Broodthaers, Cady Noland and Mike Kelley as her first major influences.

Cosima von Bonin, «Who's Exploiting Who in the Deep Sea?»

Cosima von Bonin was born in Mombasa, Kenya in 1962.

This statement — wry, gnomic, a touch haughty, and evincing a nonchalant economy of terms — seems like a good starting point for any discussion of the art of Cosima von Bonin.

He became friends with the influential husband - and - wife artists Michael Krebber and Cosima von Bonin, with whom he has collaborated on projects, and he has made antic, underground - style films with the sculptor Isa Genzken, whose work was the subject of a MoMA retrospective in 2014.

That is until 2016 when von Bonin's decades» long fascination with the deep - sea was brought to the fore in a traveling sculptural show, «Who's Exploiting Who in the Deep Sea?»

Main image: Cosima von Bonin in «Jump into the Future — Art from the 90's and 2000's.

From Glasgow International, to New York's Sculpture Center, and in 2017 Oakville Galleries, Ontario, von Bonin's cast of oceanographic characters rippled with mystery, fun and contradiction.

We'll be reminded of the draw of northern Britain's cultural capital by Glasgow International (8 to 25 Apr), a lively if sometimes hotchpotch citywide extravaganza that will include the first Scottish solo exhibition of Cologne - based artist Cosima von Bonin.

Among the artists about whom he has written catalogue essays are Cosima von Bonin, Thomas Demand, Marcel Odenbach, Jorge Prado, Manfred Pernice, Jack Pierson, Gregor Schneider and Rosemarie Trockel.

Gentles, Timothy We Are All Traitors: Artistic Subjectivity and the Betrayal of Community in the Work of Bunny Rogers and Cosima von Bonin

In line with her longstanding collaboration with the musician Moritz von Oswald, Cosima von Bonin has conceived this exhibition as a quodlibet, looping her earliest work through her most recent.

Dirk von Lowtzow invited his artist friends Cosima von Bonin, Sergej Jensen, Michael Krebber and Henrik Olesen to participate in this publication.

This folder contains 22 musical scores by Phantom Ghost (Thies Mynther / Dirk von Lowtzow) and is illustrated with images of a collaborative painting by Cosima von Bonin, Sergej Jensen and Michael Krebber.

Like Broodthaers in his self - consciously late work, von Bonin has moved from vampirizing others to an auto - vampirization.

On the occasion of Cosima von Bonin's new exhibition in the Galerie Daniel Buchholz, Daffy Duck, who has hitherto played a subordinate role in her work of, makes a new appearance as the publisher's imprint on the invitation card.

Inverting the uncanny animism of J. J. Grandville's satirical engravings (in, say, Un autre monde, from 1844), von Bonin has presented her animal - avatars, such as the red hermit crab slumped over an ersatz mid-century biomorphic table, as limp and exhausted since the exhibition in Bregenz last year.

He has curated numerous solo projects with artists such as Hassan Khan, Cosima von Bonin, Shilpa Gupta and Kerry Tribe.

With the profligacy that is characteristic of her, Cosima von Bonin will spread out her entire goods and chattels in the two rooms of the Galerie.

During the exhibition, von Bonin positioned parakeets in birdcages on top of the works, resulting in an irregular spray of bird droppings still visible across their surface.

The layout of the book has been developed in collaboration with Cosima von Bonin.

Haq has organsed numerous solo exhibitions with artists such as Hassan Khan, Cosima von Bonin, Imogen Stidworthy, Kerry James Marshall and Shilpa Gupta.

Although Cosima von Bonin has been included in group shows at Magasin 3, this is the first solo presentation of her works in Scandinavia, and includes an exciting new acquisition.

Cosima von Bonin's (* 1962) exhibition at the Museum Ludwig is the final chapter of an exhibition series connecting four European cities.

Just as significant is the idea of laziness, a recurring motif in Cosima von Bonin's work.

10 October 2010 The «Sloth» section from Cabinet no. 29 is reprinted in an exhibition catalogue for Cosima von Bonin at Witte de With

With irony and provocation, Cosima von Bonin thus makes laziness — simultaneously a vice and a dream in today's times in which every minute counts — the leitmotif of an exhibition cycle that has more to do with manic production and hyperactivity than with idleness and indolence.

So is Cologne - based artist Cosima von Bonin, whose sculptures run the gamut from larger - than - life fabric - covered mushrooms to fiberglass missiles.

Cosima von Bonin, 2010 - 2011, installation view, Arnolfini, Bristol 2011 (c) Courtesy Galerie Daniel Buchholz, Cologne / Berlin For the Museum Ludwig's vast skylight gallery, Bonin created a spectacular installation that is simultaneously a clever exhibition design.

Cells Matthias Bitzer, Jackie Brookner, Alex Da Corte, the Haas Brothers, Jessica Jackson Hutchins, Jennie C. Jones, Nancy Lupo, Jorge Pardo, and Cosima von Bonin, 6 - 8 pm Marianne Boesky Gallery, 507 West 24th Street, NY, NY Info

Cosima von Bonin does not focus exclusively on a specific technique or style.

The donation includes over 600 works, among them pieces by Jack Goldstein, Wolfgang Tillmans, and Cosima von Bonin.

Cosima von Bonin, THE BONIN / OSWALD EMPIRE»S NOTHING # 4 (CVB»S PURPLE KIKOY SLOTH RABBIT ON PINK TABLE & MVO»S KIKOY SONG), 2010, fabric, varnished - wood table, wheels, DVD - R, dimensions variable.

Featuring a range of work from artists and architects such as Arakawa and Gins, Justin Favela, Cosima von Bonin, Niki de Saint Phalle; Benedict Drew, Friedensreich Hundertwasser, Plastique Fantastique, Walter himself and more, it draws together work not previously exhibited together, or hardly exhibited at all.

Alongside reconstructions of her own exhibitions, the artist will incorporate works from MUMOK's collection by the likes of André Cadere, Isa Genzken, Mike Kelley, and Cady Noland; stage concerts (involving longtime confidant Dirk von Lowtzow); and present a selection of cherished movies (e.g., by Tati and Romero)-- all of which are prone to be implicated in von Bonin's allegorical explorations of the lingering promises of participation and post-Fordist ennui.

At Motto Kennon casts himself, Daniel Buren, Cosima von Bonin, and Will Benedict, alongside Michael Krebber and John Armleder in a game of associations out of sync with how dominant ideologies wish us to see them and ourselves.

Cosima von Bonin, DER ITALIENER (THE ITALIAN), 2014, Styrofoam, fiberglass, laminate, galvanized steel, lacquer.

Was there a critical entry point into Cosima von Bonin's reference - laden retrospective, or have we reached a historical condition in which the «handmade readymade» — a couture item especially manufactured for the museological context that also refers to the stream of mass - produced commodities — is all we have at our disposal?