Not exact matches
Following last week's much - ballyhooed launch of TheCoveted.com — a closet -
voyeur site we talked about yesterday — the fashion blogosphere has exploded with allegations that TheCoveted.com stole its name
from an already - established fashion blog called The-Coveted.com.
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Curiously, Jarhead transforms Swofford himself (played by Jake Gyllenhaal)
from the book's duty - bound youth, desperate to live up to his father's military legacy, into an enigmatic
voyeur whose feelings and motivations are rarely made clear.
That seems to be as reflexive a gesture as Clark can muster
from the film's thinly sketched presentation of a group of young Parisian skaters moonlighting as novice hustlers, replete with Clark's typically poseur -
voyeur aesthetics.
Writer Paula Hawkins» bestseller is about a woman whose life falls apart and who becomes a hard - drinking, train - riding
voyeur, spying on what she imagines to be the perfect lives lived by the two couples she regularly watches
from her commuter train windows.
The divorced
voyeur has spent months projecting fantasies onto a couple she sees
from her commuter train, only to learn that she has direct ties to them in real life.
Meanwhile, The Last Samurai lifts the nursing -
from - injury / courtship / surrogate father cycle whole
from Peter Weir's Witness (an accidental
voyeur moment nearly shot - for - shot), marking the piece as over-familiar even as the realization that we are in this film only about sixty - years before the Japanese begin their massacre of the Chinese at the onset of WWII provides the piece a sort of ambivalence that compels as the one thing truly its own.
I began to feel like a
voyeur in their lives and found it difficult to detach myself
from the characters.
The
Voyeur's Motel by Charles Frazier
From Gay Talese, a remarkable new work of reportage more than thirty years in the making.
(yes, that little bit of
voyeur in me likes to look at the 13Fs filed by portfolio managers that I really admire) What piqued my interest was that Klarman seemed to view BBEP as a bit of an inflation hedge, or at least that was my interpretation
from the several interviews with him that referenced his position.
Why do you think we have such a rich panorama of precedence
from Duchamp, who brilliantly summarized nearly every avenue of the visual arts in «Etant donne:...», which merged painting, sculpture, installation, viewer participation, perspective,
voyeur, high craftsmanship, shoddy behind the scenes facade construction, performance... it goes on.
The experience within the installation feels sinister, quickly moving
from the tip - toing
voyeur to the user, playing with Lorna's life.
Bushwick Open Studios This annual
voyeur - a-thon will give you the opportunity to poke your head into dozens of art studios in Bushwick, Ridgewood and Bed - Stuy on Saturday, June 6 and Sunday, June 7
from noon to 7 pm.
Her installation asks visitors to create their own narratives as they transition
from viewer into
voyeur and vice versa.
Like both of these works, Mad Tracey
from Margate, Everyone's Been There positions the viewer as
voyeur and confidante of Emin's most intimate thoughts and confessions.
Limp
Voyeur in a Humid Landscape will provide a rare opportunity to encounter Di Meo's surrealist paintings, sculpture and mixed - media reliefs
from the 1950s and 1960s, when he played an active part in the famous «Monster Roster» — a group of painters and sculptors characterised by their mystical, fantasy - like works.
Drawn in Colour: Degas
from the Burrell The intensity and sensuality of Edgar Degas, the great
voyeur of late 19th century art whose pastels are as potent as his paintings, should scintillate in this exhibition of his works
from Glasgow's Burrell Collection.
The series of images on display, collectively titled The Park, were taken at night in the vicinity of Tokyo
from 1971 to 1979 and capture sexual encounters between straight and gay partners, and the
voyeurs who stalked them.
The snake is both a
voyeur and an assertive playmate, watching and wanting to take on the Museum's Mark di Suvero (Ave, 1973), made
from I - beams, and the masterpieces of modern sculpture in the Nasher Sculpture Center across the street.
Like a
voyeur, the viewer's eye becomes a hand, and
from there all senses are participatory.
Violence and its Freudian cousin voyeurism play lead actors in this group of psychologically charged assemblages whose small - scale format adds to the sense of nervous suspense and where lust, seduction and yearning get collaged into something that only the viewer - cum -
voyeur can drag up
from deep within.
This has consequences that range
from redlining customers based on their perceived value to being able to act as a digital
voyeur on people's intimate lives and habits.