Sentences with phrase «voyeuristic feeling»

The rich game - world — all bright colors and detailed rooms set in a dimly lit mansion — helps with the creepy voyeuristic feeling.

Not exact matches

Personal Attack on John Musick # 2: «However, regardless of how you personally feel about Tony, the blood lust and voyeuristic glee that is being demonstrated here in response to Julie's unaccountable torrent is deeply troubling.»
However, regardless of how you personally feel about Tony, the blood lust and voyeuristic glee that is being demonstrated here in response to Julie's unaccountable torrent is deeply troubling.
Glazer has made a ferociously original thriller that feels like a stealth gender study, starring a moonlighting Hollywood celebrity as both object and source of a voyeuristic gaze.
It can be easy for certain kinds of films to feel overly voyeuristic.
Its brief tour of an unpleasant corner of reality feels less revelatory than voyeuristic.
And despite the film's meticulous editing and strong performances — especially from Cate Blanchett — this voyeuristic look at one woman's tragedy may leave even some adults feeling let down.
Its bouts of lurid violence and voyeuristic sex feel as if they've been dragged in from somewhere trashier
On the other hand, its bouts of lurid violence and voyeuristic sex feel as if they've been dragged in from somewhere trashier, like the Taken films or something with Sylvester Stallone in it.Jennifer plays Dominika Egorova, formerly a star dancer at Moscow's Bolshoi Ballet who is forced to quit after a bone - crunching onstage collision.
Russell directs in a somewhat voyeuristic fashion, with a steady - cam following the cast members around, making us feel like we are an invisible member of the cast listening in on real conversations.
Writer / director David Robert Mitchell employs an effectively retro score with a voyeuristic camera to keep you on edge, and the impossible to pinpoint time period allows the film to feel both fresh and nostalgic simultaneously.
Whether gliding ominously down long, lavishly decorated corridors or fixed between doorframes looking into perfectly symmetrical rooms, DoP Larry Smith's voyeuristic lens gives the film a hypnotic, haunted feel.
The dreamy, voyeuristic 1970s approach to this story feels like a luxury that women today may not be able to afford; we are living in more direct times, in which the goals of liberation have become sharper and more straightforward.
The film lingers on the consequences of celebrity and fame, and the cruelty of the public eye — but does so in its own voyeuristic way that feels like watching a train wreck for a second time, in slow motion, and with commentary.
As a result Birdman feels especially voyeuristic.
(Waterstone's) «Ashworth has the rare gift of being able to make her reader feel perverse and voyeuristic, implicated somehow in the tragedy laid out on the pages.»
Did you feel that staying with the Tribe was voyeuristic in any way?
Where this perspective does work, however, is in its relationship with the camera - a voyeuristic, slightly shaky jobby that's often a little bit askew, making you feel particularly vulnerable when the twiggy heroine is climbing a precarious pile of books or vertiginous filing cabinet.
The subdued tones of black and white and the closed field of vision give an intimate feel to the series, an almost voyeuristic sensation that grips the viewers, drawing them into the intriguing atmosphere of secret interiors and exteriors.
Furthermore, the artist often makes sure that the viewer is aware of the voyeuristic nature of photography, something that establishes an uneasy feeling of intruding upon a potentially private moment.
A voyeuristic and uneasy feeling lingered: something was not quite right.
Yet as we walk through, we start to feel voyeuristic: these are snapshots of someone's life and we're spying on uninhabited rooms.
Art critic Adrian Searle said: «Her use of footage from the fire itself never feels voyeuristic or meretricious.
Alternatively, some pictures assume a more voyeuristic, cinematic feel, such as Lee Friedlander's New York City, 1966, in which the photographer's foreboding shadow appears, unbeknownst to his subject, on the back of her fur coat.
Deep Dive member Joanna Harmon, who played the character of Faith in OpenMind, describes it as the difference between giving an audience agency to explore a story world from a voyeuristic point of view, and the specific feeling that the story itself is responding to a participant's actions.
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