The rich game - world — all bright colors and detailed rooms set in a dimly lit mansion — helps with the creepy
voyeuristic feeling.
Not exact matches
Personal Attack on John Musick # 2: «However, regardless of how you personally
feel about Tony, the blood lust and
voyeuristic glee that is being demonstrated here in response to Julie's unaccountable torrent is deeply troubling.»
However, regardless of how you personally
feel about Tony, the blood lust and
voyeuristic glee that is being demonstrated here in response to Julie's unaccountable torrent is deeply troubling.
Glazer has made a ferociously original thriller that
feels like a stealth gender study, starring a moonlighting Hollywood celebrity as both object and source of a
voyeuristic gaze.
It can be easy for certain kinds of films to
feel overly
voyeuristic.
Its brief tour of an unpleasant corner of reality
feels less revelatory than
voyeuristic.
And despite the film's meticulous editing and strong performances — especially from Cate Blanchett — this
voyeuristic look at one woman's tragedy may leave even some adults
feeling let down.
Its bouts of lurid violence and
voyeuristic sex
feel as if they've been dragged in from somewhere trashier
On the other hand, its bouts of lurid violence and
voyeuristic sex
feel as if they've been dragged in from somewhere trashier, like the Taken films or something with Sylvester Stallone in it.Jennifer plays Dominika Egorova, formerly a star dancer at Moscow's Bolshoi Ballet who is forced to quit after a bone - crunching onstage collision.
Russell directs in a somewhat
voyeuristic fashion, with a steady - cam following the cast members around, making us
feel like we are an invisible member of the cast listening in on real conversations.
Writer / director David Robert Mitchell employs an effectively retro score with a
voyeuristic camera to keep you on edge, and the impossible to pinpoint time period allows the film to
feel both fresh and nostalgic simultaneously.
Whether gliding ominously down long, lavishly decorated corridors or fixed between doorframes looking into perfectly symmetrical rooms, DoP Larry Smith's
voyeuristic lens gives the film a hypnotic, haunted
feel.
The dreamy,
voyeuristic 1970s approach to this story
feels like a luxury that women today may not be able to afford; we are living in more direct times, in which the goals of liberation have become sharper and more straightforward.
The film lingers on the consequences of celebrity and fame, and the cruelty of the public eye — but does so in its own
voyeuristic way that
feels like watching a train wreck for a second time, in slow motion, and with commentary.
As a result Birdman
feels especially
voyeuristic.
(Waterstone's) «Ashworth has the rare gift of being able to make her reader
feel perverse and
voyeuristic, implicated somehow in the tragedy laid out on the pages.»
Did you
feel that staying with the Tribe was
voyeuristic in any way?
Where this perspective does work, however, is in its relationship with the camera - a
voyeuristic, slightly shaky jobby that's often a little bit askew, making you
feel particularly vulnerable when the twiggy heroine is climbing a precarious pile of books or vertiginous filing cabinet.
The subdued tones of black and white and the closed field of vision give an intimate
feel to the series, an almost
voyeuristic sensation that grips the viewers, drawing them into the intriguing atmosphere of secret interiors and exteriors.
Furthermore, the artist often makes sure that the viewer is aware of the
voyeuristic nature of photography, something that establishes an uneasy
feeling of intruding upon a potentially private moment.
A
voyeuristic and uneasy
feeling lingered: something was not quite right.
Yet as we walk through, we start to
feel voyeuristic: these are snapshots of someone's life and we're spying on uninhabited rooms.
Art critic Adrian Searle said: «Her use of footage from the fire itself never
feels voyeuristic or meretricious.
Alternatively, some pictures assume a more
voyeuristic, cinematic
feel, such as Lee Friedlander's New York City, 1966, in which the photographer's foreboding shadow appears, unbeknownst to his subject, on the back of her fur coat.
Deep Dive member Joanna Harmon, who played the character of Faith in OpenMind, describes it as the difference between giving an audience agency to explore a story world from a
voyeuristic point of view, and the specific
feeling that the story itself is responding to a participant's actions.