Sentences with phrase «walking simulators with»

I don't like games that are pretty much just walking simulators with a little bit of combat thrown into the mix like Assassin's Creed.

Fragments of Him is a walking simulator with poor interaction and with some technical problems that can't be ignored.

Heaven Forest NIGHTS is an interesting walking simulator with some cool set pieces, but that's about it.

6 hours long walking simulator with no replay value, no physical release and deliberately made unattractive looking main protagonist, compared to the real life model it was based on.

- Intertwining stories can be confusing and left for interpretation - A walking simulator with no other gameplay elements

It will basically be a walking simulator with some loud noises and a jump scare every now and then.

A boring walking simulator with ridiculous slow walking speeds is a match made in heaven...

Hevn is most definitely a walking simulator with an intriguing backdrop but Games From Miga needs to find a way to connect the player to the story still.

The game doesn't try to fool you into playing a walking simulator with very few interesting moments or jump scares; instead, Detention is, weirdly enough, a point and click kind of game, without the actual pointing and clicking.

Not exact matches

It's been four years since Fullbright created waves in the gaming industry with Gone Home, a light adventure, or «walking simulator,» that divided gamers on what defines a game.

Layers of Fear: it's another one of those often despised walking - simulators, except this one takes great delight in constantly playing with perception so that when you turn around everything has suddenly changed, or perhaps even creepier just one thing has changed.

A retrospective walking simulator of sorts, Breached allows you to recover fragments of your own consciousness in order to understand what is happening around you, and how to escape it... with a twist.

With Midnight Hub stating that Lake Ridden isn't a walking simulator, I have to disagree and say that it is very similar.

Initially, Aporia seems to fit into the walking - simulator genre, a game based primarily around the exploration of a fallen civilisation, but it doesn't take long before you're solving puzzles and even dealing with an enemy that floats around like the much angrier version of Casper the Friendly Ghost.

we need more games like this, and i don't mean walking simulators in hell but games with grotesque and taboo themes and images, i hate sjw bullshits

As a genre, although whether it's a genre in its own right is a debatable point, I'm perfectly happy with walking simulators, figuring that done correctly they can provide some fascinating experiences.

Like I mentioned previously, Lake Ridden seems adamant about not being pigeonholed as a walking simulator, but it certainly shares a lot of similarities with them.

It's fair to say that Hellblade is more an experience than it is a gamer's game — and I know that's going to earn it some mixed reactions along with accusations of being a «walking simulator» — but in existing as what it is, it crafts a story that simply couldn't be told in any other way.

Firewatch, a first person «walking simulator,» has been a curious little mystery title since its announcement, with devs Campo Santo keeping a great deal of the story under wraps.

It's been four years since Fullbright created waves in the gaming industry with Gone Home, a light adventure, or «walking simulator,» that divided gamers on what defines a game.

If you aren't someone who enjoys or otherwise appreciates the so - called «Walking simulators» or non-traditional games that aim to deliver something a little different from the norm, such as the developer's previous work in The Stanley Parable, then it is best to step away now — this isn't the game for you, and there's nothing wrong with that.

So, this is a game all about the story and thus it falls largely into the once much - maligned walking simulator category, albeit with some nice puzzling to go along with it, but we'll come back to those later.

If you have no problem with «walking simulators» or games that attempt to do something different then it's worth your time and your money.

Doors of Silence — the prologue is the 1st game in an episodic series that aims to make for an immersive scarefest with a few different styles of gameplay that keeps this from being just another walking simulator.

When you combine these elements with the easy puzzles, the game begins to feel a bit like a walking simulator.

The Trail can best be described as a «walking simulator»; yes, that can be associated with low - quality games, but this game goes quite a bit beyond just being your average, every day walking sim.

Perhaps most excitingly, it's now that we start to see whole genres and styles largely associated with the indie market either flourish or come into existence, not least the «walking simulator» — games primarily about exploring a space and a story through environmental detail and voiceover.

Despite universal coverage across the board by the usual group of gaming websites, the incredibly niche and arty walking - simulator Where The Water Tastes Like Wine has somehow not resonated with gamers.

Even playing it with VR, it still provides a unique experience for Tomb Raider and certainly blows away most proper «walking simulators» on the market.

P.S. Due to this revelation of mine, I'm no longer sleeping with six indie developers who were scheduled to release walking simulators this year.

Kennyd1 got on very well with the Finches: «The real successor to Gone Home, a «walking simulator» that uses really imaginative gameplay to make you feel close to characters long dead and to the tragedies buried deep within.

If you did enjoy those games however, then you're in for a treat, because Where the Water Tastes Like Wine is up there with some of the best «walking simulators» around.

But the genre doesn't always include the shooter part, with «walking simulators» becoming increasingly popular in the past couple of years and even RPGs taking a stab at the perspective.

If you've never heard of «Walking Simulators» before, it's a game «genre» where you get to walk from point A to B with lots of story in between.

If I were to try and draw you a picture of what this game is, I'd start with Gone Home for emotional gravitas, add in That Dragon, Cancer for its use of experimentation in the first person, and the walking simulator, and offer a touch of Firewatch for its evocative use of atmosphere and environment to tell a story.

I've always been a fan of walking simulators, and ones that have a rich narrative that can be explored even well after the completion of the game and make you think tend to stick with me and remain memorable.

I have a very bittersweet relationship with walking simulators.

Gone Home is also another good game, it is for the most part a walking simulator but, there is more to then that, it more explore every detail of a house to found out the story which for a one time play is great, I would recommend this to anyone that looking for a good decent game that will changeling them but not really bombard them with complex enemies.

I was so involved with the story that I forgot I was effectively playing through a walking simulator.

it had an interesting story great sound but i agree with people that it resembles a walking simulator that is boring.

To put it bluntly, this is basically a walking simulator sprinkled with the occasional moment of avoiding monsters.

Housekeeping: Community Question for next podcast: With the popularity of «Walking simulator / Exploration games», is this a genre that interests you?

By no standard could it be considered a bad narrative, but for a better example of how walking simulators can also be interesting games, most would be better off with something like Journey or Grow Home.

From sequels to classic franchises like The House of the Dead and Columns, to new franchises like SEGA GT and arcade oddities like The Typing of the Dead, a collaboration with Namco, and a dog walking simulator.

Trading in tight or complex gameplay for what is often an engaging and thought provoking narrative wrapped in vast exploration, walking simulator video games have created a genre of their own and with any luck are here to stay.

It takes inspiration from narrative walking simulators like Gone Home, but with an element of mystery and suspense that keeps you on your guard.

Along with Dear Esther, it is often credited with popularising a certain type of linear narrative - focused game, often pejoratively labelled «walking simulators».

It treads along the lines of a few different genres, with it feeling like a hybrid of a point - and - click adventure, a platformer, a walking simulator, a rhythm game, and even a collection of mini-games — it really has a lot to offer and keeps things feeling surprisingly varied from start to end.

You might be familiar with developer Bennet Foddy, but you probably know his literal walking simulator QWOP, that humorously weird game about trying to walk and shuffle down a track.

Edith Finch is a major structural evolution of what people have termed «walking simulators,» first person narrative storytelling, a hybridization of filmic story with narrative drips from static object interactions.