Sentences with phrase «wall breaking references»

Sporadically, role - playing games make fleeting, fourth - wall breaking references to the game industry.

Every character has their own muted personality, playable or not, and there are some hilarious fourth - wall breaking references throughout to the voice over work, the re-use of actors, animations, and character models.

Throwing in the different universes only adds to the topical humor — fourth - wall breaking references to the Noir world's sepia tone palette, for instance, and the obligatory mummy jokes in Ancient Egypt.

Throwing in the different universes only adds to the topical humor — fourth - wall breaking references to the Noir world's sepia tone palette, for instance, and the obligatory mummy jokes in Ancient Egypt.

Not exact matches

In that day you looked to the weapons of the house of the forest [Lebanon — the reference is to Judah's arsenal], and you saw that the breaches of the city of David were many, and you collected the waters of the lower pool, and you counted the houses of Jerusalem, and you broke down the houses to fortify the wall.

Leitch and his cast nail the right snappy rhythm for the dialogue as well, as the writers unload a barrage of fourth - wall - breaking quips and pop - culture references.

That goes double for a character like Deadpool, whose fourth wall - breaking nature makes such references not only easier but that much more anticipated.

And of course there are the Deadpool - signature fourth - wall - breaking references, calling Cable «Thanos», as Josh Brolin plays both and no, Lainey, you will not be confused because he is a giant raisin in Infinity War, and a reference to the Dark & Gritty ™ DC movie - verse.

Breaking the fourth wall can completely take you out of a movie, especially when you are attempting to cleverly reference one of the most well - known characters in the genre.

It's a cool addition to the game that serves as a fun reference to gaming history without breaking the fourth wall too hard.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

Director Tim Miller keeps the pace brisk as Reynolds, clearly having a blast, delivers an endless succession of meta references, knowing in - jokes and super-crude innuendo, often breaking the fourth wall.

Likewise, Hart and Middleditch have ample opportunity to sell ridiculous lines, break the fourth wall and generally have a ball without getting bogged down or restrained by Dreamworks» typical reference - heavy humor.

Deadpool 2 follows in its predecessor's footsteps, finding the Merc with a Mouth once again breaking the fourth wall with abandon, dropping references and burns that would demolish continuity if they came out of anyone else's mouth.

Less charming are the thunderously obvious musical interludes (including a silly «Perfect Day» fantasy — c» mon guys, Trainspotting has that one on lockdown), fourth - wall - breaking asides, and blatant references to rock royalty.

There is in this tale of a man who has super powers, but refuses to be a hero, evinces a bold and bracing willingness to engage in a complicated form of self - reference and self - mockery that fearlessly breaks the fourth wall with a breathtaking geometric progression through time and space and other movies while including us in on the joke.

The new trailer for Deadpool 2 prominently features Josh Brolin's time - traveling Cable, but, as we've come to expect from the fourth wall - breaking Merc with a Mouth, it's sprinkled with references to other movies, including the actor's role in the Marvel Cinematic Universe.

More of Ryan Reynolds breaking the fourth wall as Wade Wilson aka Deadpool whose superpower is, as he describes it, «unbridled cancer»; More overt and covert pop culture references; More melodramatic 80s music; More opening credit gags and CGI extravaganzas.

Reynolds is in true motormouth form, breaking fourth walls and cracking skulls as the nearly three - minute trailer cues up Air Supply and references «Sisterhood of the Traveling Pants» (the latter a nod, naturally, to the breakthrough film of Reynolds's real - life wife, Blake Lively).

So if you loved the first movie because of the pop culture references, fourth - wall breaking, and crazy R - rated madness, don't worry; there's plenty of it in Deadpool 2.

Whether this qualifies as breaking the fourth wall is debatable, as these are references to a character that represents the player, rather than the player themselves.

The translation staff at NIS America clearly had fun localizing Trinity Universe, breaking the fourth wall multiple times and making references to other games and anime series.

Then there's the game's near obsession with breaking the fourth wall, constantly referencing various other adventure games to the point where it almost becomes annoying.

The situations that Rufus finds himself in and the solutions he comes up with for many of them are simply hilarious, with quite a bit of 4th wall - breaking humor thrown in as well, including Rufus» himself referencing the fact the has to come up with absurdly contrived ways of doing things.

The game is constantly breaking the fourth wall and has so many references to pop culture.

The referencing and willingness to break the fourth wall puts the game in a curious position.

Beetlejuice interacting with Batman and referencing Michael Keaton's character in Birdman is the kind of fourth wall breaking that makes LEGO Dimensions so charming.

In Deadpool, the «merc (enary) with a mouth» gets his own third person action shooter / action game and goes up another number to break the «fourth wall» into several video game genres and various jokes / references.

This «merc with a mouth» constantly breaks the «fourth wall» (think theater reference where the plane is between the audience and the performance) and even dishes out trophies just for starting up the game.

You'll find that the voice may question your moves and even break the fourth wall by making various video game references, though it's this type of humor that I found enjoyable as I began to hunt down the various flood of demons and creatures that prevented me from progressing forward.

Tannatt, while working on predetermined «hanger» forms he was translating into glass elements for wall mounted sculptural / painting work, re - remembered an aspect of Mike Kelly's «Uncanny» project and incorporated the reference into his intention of «breaking in» and how we now «break in» in virtual ways i.e. codes & «watermarks.»

On such an afternoon some score of members of the High Court of Chancery bar ought to be... engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee - deep in technicalities, running their goat - hair and horse - hair warded heads against walls of words and making a pretence of equity with serious faces, as players might... between the registrar's red table and the silk gowns, with bills, cross-bills, answers, rejoinders, injunctions, affidavits, issues, references to masters, masters» reports, mountains of costly nonsense, piled before them... This is the Court of Chancery, which has its decaying houses and its blighted lands in every shire, which has its worn - out lunatic in every madhouse and its dead in every churchyard, which has its ruined suitor with his slipshod heels and threadbare dress borrowing and begging through the round of every man's acquaintance, which gives to monied might the means abundantly of wearying out the right, which so exhausts finances, patience, courage, hope, so overthrows the brain and breaks the heart, that there is not an honourable man among its practitioners who would not give — who does not often give — the warning, «Suffer any wrong that can be done you rather than come here!

Again, I like to break out my handy blue painter's tape and mark the top and bottom of my gallery wall off so that I can use them as a reference while I'm working through hanging the pieces without having to measure it over and over again.