Sentences with phrase «wall collage in»

Not exact matches

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I love the pink themed collage wall, it's a design idea that anyone can do in their own home!

I've had my desk in three different locations over the past year, one of which was in front of the big collage wall — which made zero sense.

You'll see in the next few photos this is not exactly how the collage ended up looking on the wall — the bottom two pieces in particular ended up being lower — but it guides you when once you start hammering into the wall.

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Looking at the Mimic series as a sort of allegory of the dangers of technology is a given; locating a man - child, his room encased in a plastic sheath and taking pictures of his neighbours for a collage on his wall, as the centre of a Mimic sequel is something like a stroke of (derivative) genius.

I have the pictures arranged in a collage over the back of shelving units and walls, then the quotes hung in cloud shapes from above.

When he hung that improvised collage on the studio wall, the famed modeler stood silently staring at it for ten minutes while Gandini trembled, then announced in a loud, disapproving voice, «I understand nothing!»

One wall and a desk in the Frank Sinatra Room, also in the Movie Colony, are plastered with collaged images of the crooner.

Bedroom walls are clad in a black photo frame collage depicting the splendor of the «40s.

As one traverses the long room that houses the three recent projects, lights switch from one piece to the next, flashing over walls covered with large text, posters, and collages — abounding in heavily leftist political statement.

Mary Lum: Assembly (Lorem Ipsum) Mary Lum, who lives in North Adams, works in a range of media, including wall drawing, painting, collage, photography, and artist books.

In the background, meanwhile, large, vibrant collages are strung together with rope, with the words «ME ME FAIRY» projected against the wall behind them — a tarot card (the Hanged Man) rotating in the centrIn the background, meanwhile, large, vibrant collages are strung together with rope, with the words «ME ME FAIRY» projected against the wall behind them — a tarot card (the Hanged Man) rotating in the centrin the centre.

The exhibition's big, brassy hits are the big, high - keyed collages Vicente completed in the late 1960s, after the peak of wall - sized Abstract Expressionism had long passed.

Greet Billet, 1/256 — 256/256, 256 different kinds of black in a movie, 2009 Grey color on wall, video projection WITH YOUR EYES ONLY is an experimental project, which analyses the elements of perception in a collage of artistic interventions and objects.

Initially, Meyer - Ebrecht showed off only his own work, book covers embedded in walls and clean collages of furniture amongst them, each standing out from the crowd for their formal resolution.

The collection includes many works acquired early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman; sculpture by Kiki Smith; wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.

Singh, who collaborated with Jonah Freeman and Justin Lowe on their own sinister and all - encompassing installation, scans photocopies of found images to produce the digital materials for his collage, which he displays in thick white frames up and down the walls.

To, thankfully, some of the very interesting explorations in collage, 3 - D printed art, like Ashley Zelinskie's reverse abstractions (see the photograph of her table - top sculpture below) and paintings that extended from the vertical walls into the horizontal planes of the floor.

Wangechi Mutu brings collage materials in preparation for her monumental entrance wall drawing, Once upon a time she said, I'm not afraid and her enemies became afraid of her The End.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Both of these artists create intricate art - Brookes works with clay and mixed media creating wall works in high relief and King is a mixed media artist who has worked primarily with paint and collage on canvas and paper, but now has added three dimensional digital art to her oeuvre.

On the facing, dividing wall, Stevi has pinned up a number of loose works, in what she calls a «collage» arrangement, which emphasises their improvisatory qualities.

If you have already thrown your money away on lottery tickets, you might find the sad results in Colleen Ford's glass piggy banks or Ghost of a Dream's wall collage, which looks up close like a board game and from afar like a rising Asian skyline.

In addition, large - scale wall bound works on mirror as well as enlarged sketches and collage bare traces of early 20th century Expressionism.

His gallery installations are cabinets of curiosities featuring intricate wall paintings of beautiful women, indigenous statues and deities, collages crafted from vintage magazines penned and inked by the artist, human - like insect heads encased in vitrines, dolls that have been transformed into gang members, and images of pin - up girls with full tattoo sleeves.

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

Look for the series of muted, monochromatic watercolors by Paul P., moody photographic botanical studies by Milijohn Ruperto and Ulrik Heltoft, Charline Von Heyl's wall of contrast - rich collaged abstractions, and Karl Haendel's painstaking pencil drawings all executed in grayscale.

Chiara Fumai The Return of the Invisible Woman (also known as Visites fantastiques de Vito Acconci au Pays du fouet), 2014, collage and embroidery on Sacher - Masoch's «Venus in Furs», wall painting

In 2011, she made a wall piece collaging hundreds of Kruger look - alikes that she found on the internet, and in November, she staged her first - ever performance: a flash sale of Barbara Kruger merch modeled after a «drop» from Supreme, the skatewear brand whose logo mimics the white - Futura - on - red text treatment that she layers over black - and - white photographs.In 2011, she made a wall piece collaging hundreds of Kruger look - alikes that she found on the internet, and in November, she staged her first - ever performance: a flash sale of Barbara Kruger merch modeled after a «drop» from Supreme, the skatewear brand whose logo mimics the white - Futura - on - red text treatment that she layers over black - and - white photographs.in November, she staged her first - ever performance: a flash sale of Barbara Kruger merch modeled after a «drop» from Supreme, the skatewear brand whose logo mimics the white - Futura - on - red text treatment that she layers over black - and - white photographs...

A collage of profile pictures featured on a break room wall at the North Carolina Facebook Data Center in 2012.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallIn the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

Site - specific installation detail: collaged dry - wall panels with collaged elements, canvas with torn edges, acrylic, text, 9 1/2 ft high at highest point; images of ancient texts of the Abrahamic religions from 10 Centuries of peaceful co-existence; one text in ancient Coptic dialect; book of Exodus written in an arabic dialect; a page of the Koran written in Hebrew script

The four walls and collages (or clocks) are «talking to» a childhood memory, «imported from London», according to the press release, which sits in the middle of the room and is a sculpture of a clock based on the model used in the on - stage dramatization of Philip Pullman's Dark Materials.

Across from a wall displaying several of his Tropical Readymades, Figueroa's installation Please Hold Me, 2015, resembled a messy collage of handmade signs sporting phrases such as «necesito dinero para producir arte, mi pais esta jodido... please help me» [«need money to make art, my country is fucked»] and «soy un pobre diablo de una isla tropical en banca rota» [«I'm a poor devil from a tropical island in bankruptcy»].

The script was written from producing a large collage of images, text print - outs and handwriting — all set out like a mind map spanning the length of a wall in my studio.

Among a selection of work that deals with the practice of image making — looking closely at color, pattern, texture, and materials — photographer Matt Lipps combines personal history with the history of photography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earliest works.

Best known for his photographs of the desolate, debris strewn, and decaying environs in and around Vancouver, which have been associated with Vancouver school artists like Jeff Wall and Stan Douglas, Roy Arden has also worked in collage, sculpture, and video.

Fausto Fernandez, I Ate Some Mushrooms And Remembered I Was Madly In Love With Her, 2013, collage with architectural prints, sewing patterns, maps, wall paper, image transfer, acrylic, and paint markers on canvas, 72 x 72 iIn Love With Her, 2013, collage with architectural prints, sewing patterns, maps, wall paper, image transfer, acrylic, and paint markers on canvas, 72 x 72 inin.

The exhibition «Cindy Sherman - Untitled Horrors» is partly arranged in wall collages.

Later, as the work propagates, we will begin to think about structure and how these collaged and pieced works could be displayed in space, on the wall, or within a structure.

The walls of the gallery are transformed into vast paper collages in which folded pho - tographs of often overlooked urban infrastructure and dead zones — like multi-storey car parks, abandoned open - plan offices, motorway slip roads, tunnels and emergency exits — are mounted directly onto the walls.

«Localized Histories,» the new exhibition in Artpace's Hudson (Show) Room, begins, comes full circle, and ends with Linda Pace's «Orange Crush,» a large, multimedia wall collage comprised of everyday objects ranging from stuffed animals to Tide detergent bottles — all in bright shades of orange.

The wall collages are forming a dialogue between images from different series and periods in Sherman's oeuvre, and opens new possibilities for reading the images.

After several years assembling hanging installations of two - sided figurative paintings, Mastrangelo has recently returned to wall - mounted work in a series of impressive figurative collages made by adhering shapes of brightly patterned fabrics to fiberglass scrim with acrylic binders.

Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.