Sentences with phrase «wall colour as»

Hi Maria If BM White Dove, Cloud White, Simply White or Mascarpone all look fine with a greige wall colour as the trim, what works best to tone down orange hardwood floors?

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I love the wall colours as well!

Not exact matches

Whether its learning to colour - in between the lines, or discovering that art work belongs on paper rather than on your parents» walls, being creative as a kid allows us to develop our skills at the same time as having fun.

The film, available in Chill and Blaze colours, produces stunning results and transforms all manner of interior spaces such as entrances, skylights and curtain walls.

Grab a handheld mirror and check whether your vaginal wall is a paler colour (such as light pink) than its natural dark purple — this is a classic sign your natural lubrication's lacking.

I want to paint the 2 walls in the picture above in the same coal colour as in my bedroom.

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Whether you paint a wall in a vibrant hue or grow bright blooms, make sure you choose cooler colours such as purples and blues that make the space feel larger.

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Just love this colour scheme as we are doing something similar with a dark blue feature wall.

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Love your picture wall and the colour of your walls in general, and as a Swede I see absolutely nothing wrong with some ikea furniture Thanks Abby!

Grey Cotton Fine Double Bedsheet with 4 Pillow Covers — Bedsheets such as this one with an ethnic print in a grey and green colour combination look great in a bedroom with deep blue walls.

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You'll come across a couple of new mechanics such as being able to warp between coloured gates and slide down a hot wall in order to catch fire and melt ice but nothing significantly changes the basic jump and dodge hazards formula.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

The world of Sin City exists in hard - edged black and white, though occasionally a streak of colour tears through the darkness — such as the stony green eyes and sticky red lips belonging to Ava (Eva Green), a strange woman from a house on the hill, surrounded by tough guys and high walls.

Year 3 2014 National Curriculum Science self assessment child speak 2014 National Curriculum KS1 & 2 Science Assessment self - assessment targets arranged as bricks on a wall — perfect for children to colour / tick / record / date when they think they have mastered the objective.

Photo pack — Colourful A4 poster pack showing key things related to the water cycle, such as sun, snow, rain, ocean etc Water cycle diagram to label and colour Several versions of images showing the complete water cycle with varying levels of difficulty Extra large images to make a full water cycle display — eg A4 size sun, clouds, rain drops, etc Fact cards — half 4 size with facts about water and the water cycle — great for reading or display Key word cards — half A4 size showing all words relating to the water cycle Water cycle booklet to complete Presentation to make with cue cards for pupils to complete Draw a water cycle worksheet Acrostic poem to complete True or false quiz Sentence writing sheet to summarise topic understanding Mind map Weather types matching cards to use as memory card game World map to demonstrate size of oceans Long banner to head display Extra large patterned lettering to head wall display (patterned with raindrops) 3 patterned and plain display borders Writing booklet cover to keep pupils project work together Writing border with water cycle image to use for generic writing tasks Word search Sack tag to keep resources organised

After the third blood transfusion the Animal Emergency Clinic says that Patches» red blood count is now up to 22, (needs to be around 40), his gum colour is pink (was white), he is eating a little, drinking well, still has diarrhea and some blood in his urine, but this is to be expected as the bladder walls feel spongy and have absorbed a lot of blood.

Colour schemes reflect those you find in nature such as green walls dark wood, palm patterned wallpaper, light wood floors and even jungle wallpaper with frolicking monkeys.

There you can watch the changing colours as the sunlight reflects from the sheer walls.

The hostel feels quirky and bohemian, accentuated by the brightly coloured tiles and mosaics that decorate the walls, the relaxing rooftop terrace (complete with hammocks that they rent out as cheap digs in the summer), and the al fresco shower.

Known as The Red City because of the colour of the thick, sandstone walls surrounding the old city, it's in many ways still as exotic as its name suggests.

The hotel's decorative features include the wall arches, the huge series of cogs in the front desk area and futuristic elements, such as the different - coloured robots.

The colour scheme is a combination of white cool creamy walls and bright red accented details such as cushions and curtains.

While the divers explore the walls and depths, you'll be gliding over the reef tops, mesmerised by the vivid colours of the fish as they dart in and out of the corals and anemones.

Day 7 Tour of the painted churches includes Sucevita, which is the best preserved of all with imposing walls and defensive towers, Moldovita and Voronet, known as the «Sistine Chapel of the East», famous for the blue colour used by the artists as background for its frescoes and a black pottery workshop in Marginea.

Both rooms, as you can see, are endowed with finest tiles, elegant crystal chandeliers in the ceiling, and with fine perimeter wall lamps, whose colours match those of the tiles and of the courtains.

Great White Wall, described perfectly by Taveuni Dive Resort as «a perpendicular wall covered in ice coloured soft coral below 16m which keeps going deeper...&raqWall, described perfectly by Taveuni Dive Resort as «a perpendicular wall covered in ice coloured soft coral below 16m which keeps going deeper...&raqwall covered in ice coloured soft coral below 16m which keeps going deeper...».

The game continuously blurs the lines between the game world and reality, repeatedly breaking the «fourth wall» in order to either incorporate colours and sounds or to personalise the game experience to you as much as possible.

While they are called paintings, these wall - mounted works are composed of layers of laser - cut birch wood ply and MDF, milled, perforated and painted so that evocations — of colour, form and image — seem to shift and dissolve as the viewer moves in front of them.

As if floating on the gallery walls, Tom Henderson's works are composed of coloured Plexiglas panels, partially covered with oil paint, each supported by an aluminium armature which projects through the surface.

The big, playful paintings in this exhibition, from Dexter Dalwood's fantasy landscape mash - ups to David Salle's postmodern explosions of thought and colour, could just as easily be painted on a wall in London or Cairo as on canvas.

In 1988, after having created a series of hand - painted spot paintings on board such as «Spot Painting», and the first work on canvas «Untitled (with Black Dot)» (1988), Hirst painted two near - identical arrangements of coloured spots onto the wall of the «Freeze» warehouse.

Linoleum, in all its many unappetizing colours, is a signature material, configured as wall and floor pieces.

Around the same time as creating the work on canvas, Hirst painted two near - identical arrangements of coloured spots onto the wall of the warehouse at «Freeze».

Here the Point became the gold seat of a swing, your support as you swung out over a floor covered in autumn leaves in a room whose four uniform walls were linked up by chaotic strands of coloured plastic rope.»

Kosuth has also coloured the gallery walls as part of his montage that yields meaning and visual effects not only within individual elements, but also from the collision of, say, a gashed Fontana canvas, the blown - up definition of the word «red», and a wall coloured in Benjamin Moore household paint, an industrial medium favoured by Frank Stella and Andy Warhol.

His large abstracts of the Sixties — one of which, the succinctly titled 17.7.69, hangs in the Academy's current show «British Art in the Twentieth Century» as a reproof to academic shortsightedness — were massive walls of colour, mutely resistant to the figurative imagination.

These procedures suggest an affinity with conceptual art, but Martin also views them, and other aspects of his artmaking, as in keeping with Leonardo's advice to the artist to «look at certain walls stained with damp or at stones of uneven colour» so that «the spirit [will be] quickened to new inventions.»

«It seems I have a need for colour, probably,» he adds, and then, as if to try to state his process and his drive as simply as possible, «and in a way to conquer the space of the wall.»

The pieces are not instantly recognisable as Kelly's — no blocks of bright colour, no linear pivots, none of the hyperchromatic test cards which have marched across gallery walls since Kelly first developed his distinctive brand of abstraction, sometimes called hard - edged, sometimes called geometric, sometimes grouped with minimalism and Pop Art (all terms, incidentally, which Kelly himself rejects).

The space bridging the two large exhibition spaces draws the exhibition together both spatially and through colour, but simultaneously functions as an independent installation of new compositions on both the walls and the floor.

Appearing as a mirage of mechanical brushstrokes applied in graduating grey, the painting creates a subtle optical illusion as the colours dissolve into the gallery walls and manipulate our trust in its structure.