Sentences with phrase «wall construction by»

In one nook was a neon light sculpture by Dan Flavin and a black rubber wall construction by Robert Longo.

The Mitchell Algus Gallery presents Screaming Swifts, an exhibition of paintings and a wall construction by the Austrian artist Tillman Kaiser opening on Wednesday September 7 and continuing through Sunday October 23.

Erick C. JohnsonThis solo exhibition features sculptures and wall constructions by artist and educator Erick C. Johnson.

Not exact matches

Mulvaney also preemptively addressed questions about the cost of the wall and how many miles could be paid for by the requested sum, pointing to the still - uncertain plans for its construction.

As they trek towards the Mexico - U.S. border, a group of construction workers are building a wall — ordered by President Trump — to prevent anyone from coming into the country.

The crisis — spurred largely by Syria's civil war — has caused numerous political spats, leading to the construction of walls around certain countries and the closing of borders between others.

By the same token, the former East Germany, whose loss of citizens to West Germany proceeded with alacrity until the construction of the Berlin Wall, would have been an overpopulated country, its government's constant complaints about labor shortages notwithstanding.

Trump also committed to work with Congress to repeal and replace the health care law, to divert education funds to school - choice programs, and to stop illegal immigration by funding the construction of a wall on the Mexican border and other provisions.

Amazon's push into the furniture category is expanding with construction of four large warehouses designed to handle furniture and appliances, according to a report by The Wall Street Journal.

Can the president order the construction of a wall in the southern border just by himself, such as with an executive order?

The false weapon of community backing, shamelessly exploited by LILCO and its Wall Street and nuclear industry buddies, and the lobbyists, banks, insurance companies and the powerful construction trade unions, was dramatically snatched right out of their hands.

Republicans have attacked the Democrats» opposition to new wall construction, noting that a number of prominent Democratic lawmakers had endorsed new funding in an immigration package passed by the Senate in 2013.

Trump's promise to use existing funds to begin immediate construction of a wall on the U.S. - Mexico border has hit a financial roadblock, according to a document seen by Reuters, with the DHS identifying only $ 20 million that can be re-directed to the multi-billion-dollar project.

By signing a pair of executive orders, President Trump began a sweeping crackdown on illegal immigration, ordering the immediate construction of a border wall with Mexico and aggressive efforts to find and deport unauthorized immigrants.

Based on a scientific literature review of 14 other publications, including some that looked at effects of existing walls and fences on the border, the authors outlined several concerns about the proposed wall, including habitat destruction and degradation caused by the construction of the wall and the roads on either side of the wall.

Already, it's clear that by making the wall one of his first week priorities, there are signs the Trump administration will take aggressive action to begin construction.

Exocytosis is the process by which cells secrete packets of protein and carbohydrates outside their membranes to support extracellular processes like the construction of cell walls.

Such tools could help planners decide whether a given part of a coastline would be better served by «soft» techniques, such as beach replenishment or preservation of wetlands, or by «hard» techniques, such as construction of sea walls or levees.

And so, in what feels like their true follow - up to their highly underrated and underseen 2014 time travel flick, Predestination, the brothers Spierig take on the real life mysteries likely still held within the walls of the winding Winchester mansion that is located in San Jose, California and was constantly under construction by the widowed Sarah Winchester for thirty - eight consecutive years until her death in 1922.

However, The Great Wall (as evidenced by the teaser trailer, above) imagines a different, more fantastical explanation for the massive construction: A battle fortress created to repel not human invaders, but an attack by rampaging monsters of ancient Chinese mythology.

The film features a period - perfect recreation of late - 1950s America and a gloomily oppressive portrait of East Berlin after the construction of the Berlin Wall, a sharp screenplay co-written by Ethan Coen and Joel Coen, and the directorial signatures that remind us again that Spielberg is one of the great directors.

The courtyard and a feature wall at its boundary were designed and managed by local property and construction consultancy Ingleton Wood LLP.

Students will investigate the construction and fall of the Berlin Wall as well as comparing and contrasting speeches by both President Kennedy and President Reagan made at the Berlin Wall.

He looks not just at the barrier that partitioned a city, and the human stories of those effected by the Wall, but also at the global politics behind its construction in 1961, 16 years after the war had ended and 13 years after Stalin's failed attempt to seal off the city had been foiled by the Berlin airlift.

When she opened her eyes, she found Lizzie and the boy were building a sand castle of prodigious size, not the usual lumpy kid construction, but something far more sophisticated, with sheer, smooth walls pierced by arched gates, buttresses, and high, round towers.

These areas of heat loss can be caused by poor construction, where walls were not properly patched or insulated.

Your dog's destructive behavior may be caused by fear if the destruction occurs when he's exposed to loud noises, such as thunderstorms, firecrackers or construction sounds, and if the primary damage is to doors, doorframes, window coverings, screens or walls.

Cubic Feet: 1.9 Suitable Housing For: 1 - 3 Dwarf Hamsters (Campbell Dwarf Hamsters and Winter White Dwarf Hamster pairs generally need more floor space, Roborovski pairs get along better in this cage) Average Price: $ 35 - $ 65 New Pros: Flexible and durable plastic construction, well made accessories, integrated carrier, expandable with additional habitats and accessories, full length second floor with walls Cons: Floor space is partially dominated by wheel and tube access to second level.

Thoughts of ancient dynasties are inevitably inspired by exploration of the stately halls and warren - like living quarters of the former Imperial Palace and the Summer Palace at Beijing, or gazing at the world's most colossal construction, the Great Wall.

Rust's strong point is construction: as you gather materials from its wilderness, you can begin to lay down a variety of items in a The Sims - like manner, creating your perfect rural retreat by slotting together floors, walls, staircases, and windows.

And then it'll throw in a time travel mechanic where you can play with two completely different timelines, or a section where an entire construction facility is shifting around you, as you do your best to navigate your way through it without getting crushed by a moving wall.

Thus Gilmore may find herself thwarted by high - heeled shoes in a humbling endeavor to surmount a literal wall of her own construction.

Further, Patron will present sculptures, wall constructions and a large - scale mural by Harold Mendez (b. 1977), and Galeria Marilia Razuk's booth will feature an extension of Rodrigo Bueno's (b. 1967) studio.

In a similar fashion, the artists» drawings and stainless steel wall constructions explore ideas of experience and perception within a formal dialogue by using thread to lead the eye from one point to another.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greaWall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

These works were followed by a series of wall - mounted constructions that resembled knotted arms or eruptions of pleated fabric.

These works were followed by series wall - mounted constructions that resembled knotted arms or eruptions of pleated fabric.

Hagen emphasises this difference in level by making a self - supporting construction in metal space frames — structures formed by interlocking struts — that forms an L - shape, jutting out from the first - floor space and meeting the wall of the lower main space at an angle.

Works by Lynda Benglis, Jackie Winsor, Dorothea Rockburne and Lee Bontecou are, yes, placed against a wall — Ms. Winsor's primal construction Bound Square (1972) leans against it.

In the wall - constructions she fuses relief elements, such as exposed structural fragments or sand - cast bronze, shaped by the physical process of the pour.

In 2002, on the Museum's east lawn, Seven Walls, a concrete structure by conceptual artist Sol LeWitt, was installed with support for its construction provided by the Jere Abbott Acquisitions Fund.

Tuttle also choreographs us — we might stub our toe on an object nestling against the wall or be arrested by a construction's ascent into space.

So Joan Wallace and Geralyn Donohue's highly theatrical and rather fun - loving display of self - critiquing abstract wall constructions seemed to be exceptional — if only by virtue of the fact that it took certain viewers» suspicions about current art into account.

This leads to «Self Incorporated», aptly illustrated by Ashley Bickerton's wall - mounted leather - clad construction Commercial Piece # 1 (1989).

A still life photograph of a bouquet of flowers, referencing a work by Bas Jan Ader, is installed on a wall made to the artists specifications, which is based on a work by Christopher D'Arcangelo that involved the construction of a wall for the purpose of displaying others artworks.

Fascinated by mechanical, industrial and construction skills, the artist transforms common bathroom ceramics into abstract wall art and sometimes alternative environments.

By juxtaposing extremes like Hannelore Baron's intimate box assemblages of distressed remnants or Anne Ryan's sensitive paper collages with the aggressive wall constructions of Nancy Grossman and Lee Bontecou, [un] common threads offers the versatility of a medium once reserved to craft and dismissed because of its associations with the home.

The show, Parkinson writes, features «works by Andrew Bick, Stuart Elliot, Robert Holyhead, Clare Kenny, Maria Lalic, Karim Noureldin, David Rhodes, Cullinan Richards, Brandon Taylor, exhibited alongside a «museum» of printed matter related to British Construction and Systems Art... I have the sense of a past that is locked, only partially accessible via faded documents, memory and influence, as if the works on the wall are familiarly connected to the archive material or they can be interpreted as having evolved from a «constructive context,» some more consciously connected to the base than others, like the system formula that eludes my attempt to discern it, or like Noureldin's drawings wending their way through various permutations, continually repeating and changing, awareness of the past leading to an informed openness to an unknown future.»

West Gallery: This exhibition by Toronto artist Michael Davey will comprise a large wall, wood and plaster construction as well as twelve cast bronze and lead works.

Sculptures by Josh Faught, Françoise Grossen, Charles LeDray, and Robert Rohm — crocheted, knotted, and sewn — variously lean against the wall, sprawl, pile on the floor, and hang to evoke the body by its covering, adornment, and poses only possible through their shared soft construction.