Sentences with phrase «wall display so»

I have included a title for your wall display so all you need to do is simply print, cut and laminate for durability.

I never find enough baskets to make wall display so I'm totally jelly.

Not exact matches

i cant help my anger at this point becos its a result of so much pent up frustration and the managers failure to recognise issues and failure to ever acknowledge our fans and i refuse to stick my head in the ground and come up smiling after beating stoke at home 2 - 0, maybe if the manager had ever once just said «i feel for the fans» or apologise to travelling fans after gutless away displays, but no he does nt feel accountable to any1 despite the thousands of times «theres only one arsene wenger» rings in his ears, hes gotten more love and trust than youd give your wife but wot has he given you in return the last 4 years???? not even acknowledgement, and in between the poor run hes given us more than his fair share of touchline controversy which reflects badly on us and the club in regards to fair play.and he never sees anything!!!! be honest and come out like moyes and bruce, its refreshing!!!! the standards at the club hav plummeted and where chels, utd, pool and even villa / city / spurs hav so many players who fight and uphold club traditions we only hav cesc, gallas, verm, RvP, sagna and arsha who, IMO really care and who fight when our backs are to the wall....

My suggestion would be to FRAME THAT LETTER and display it on a wall the majority of workers pass, so they can continually be reminded that a compliment was passed on to them.

That's why we put computer monitors, TVs, and other electronic displays near walls, on furniture, up above our heads, or in our hands: so we won't bang into them.

The plasma display panel is finally making good on a decades - old promise: a big, bright screen so thin it can be hung on a wall.

So, whether my paper self is stomped under foot or laminated and displayed on the wall, I truly exist anchored in eternal love and in that place I am always enough.

So for this week I found a few DIY spring wreaths that will look great on my front door (as soon as I get it painted), and some ideas for creating a wall display with some of the old, ugly junk that I can't bear to throw away.

Thanks for the tip... it made our display wall so fun and personal!

We have ours displayed in the kitchen on those thin Riba shelves from Ikea, against a white wall, and the entire collection (which I'm not showing you here, on account of lack of time) is just so much fun.

Antique Zinc Metal Clad Wall Frames These gorgeous metal wall frames come in four sizes so you can create the perfect wall arrangement to display your... [Read MWall Frames These gorgeous metal wall frames come in four sizes so you can create the perfect wall arrangement to display your... [Read Mwall frames come in four sizes so you can create the perfect wall arrangement to display your... [Read Mwall arrangement to display your... [Read More]

You guys know how much I love creating pretty storage solutions — so instead of hiding all your things away, why not display your jewellery or accessories on the wall?

The teachers and Pastore have even discussed how they might make the world map portion of the display permanent, so that it can be used all year long by the entire school as a «learning wall.»

The wall display work our students have created to date has been nothing short of sensational (even if I do say so myself!)

Display a variety of paper — tissue paper, wall paper, newspaper, wax paper, tissues, and so on.

Experts suggest that aisle displays should be shorter so that everything is within view of the cash register, and displays along the wall should be taller for the same reason.

«I've never been drawn to plain, old grid or flat wall, so we would decorate or frame [product displays].

An ample hanging sleeve is sewn to the back of the quilt, so it is ready to be displayed on a quilting rod as a decorative wall hanging.

ACS has announced plans to build a new, state of the art facility with glass walls so that adoptable pets can be clearly displayed to the public.

Despite its game - breaking ninjutsu and lackluster boss fights, each stage is a high - octane adrenaline rush backed by a soundtrack with an urgent tempo, and Ryu handles so fluidly that wall - kicking and leaping across ledges in a perfect display of momentum driven skill is a feeling which doesn't just emulate that of the NES classics, in many ways, it is superior.

The solution was to make it easy for this player to destroy most walls in his way, so that the gameplay would become a simple display of raw power where you just make your way through everything and kill whoever was in the way.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greaWall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

At the Morgan, three walls display just under fifty pages, along with a facsimile, so that one can imagine flipping through the rest.

So Joan Wallace and Geralyn Donohue's highly theatrical and rather fun - loving display of self - critiquing abstract wall constructions seemed to be exceptional — if only by virtue of the fact that it took certain viewers» suspicions about current art into account.

«Black Block» Is Newest Brooklyn Buy — So taken is the Brooklyn Museum with their current exhibition of large - scale sculptures by Ghanaian artist El Anatsui, that the institution has decided to purchase «Black Block,» an unusually monochromatic wall hanging comprised of everyday materials, which is currently on display in the institutions's current show, «Gravity and Grace: Monumental Works by El Anatsui» and will be traveling to museums in Des Moines, Miami Beach San Diego once the exhibition ends in August.

Shown across five monitors, the work seeks to create an alternate reality in which five totemic entities recite an eerily subjective poem.A second piece of work utilises the cables from each of the five monitors, so that they become an integral part of a large black and white paper collage displayed on the other side of the wall, questioning what is the back, what is the front, and what the subject is?

The wall of paint - altered records displayed in the gallery suggests both a new version of their lost sounds and a MacGyver-esque reconfiguration of the ways that so - called spin art has been made intermittently since the 1960s.

The show begins with a small room of found, framed works, each reversed in its frame and hung on the wall, so as to only display its posterior side to viewers.

Developing 180 Learning Centers across the United States, that «peel» back the walls of model homes so that consumers, municipalities, students, trades, and vendors can look inside the inner workings of the home, experience hands - on interactive displays, and view educational videos.

Keep in mind, though, that power to the display must still be provided, so it will help if there is a wall outlet near the installation location.

The display's 57 - pound weight (again the same as last year's model) puts it on the heavier side, so if you want to mount it on your wall you'll want to make sure you've got secure anchors.

It is so thin the display seems a floating picture when it is turned on, and it also appears flushed on the wall.

This device can project an Android - based screen on a wall, floor, table or any flat surface so that owners can interact with the display, just like they would with an Android tablet.

Other rumours about the 2017 iPhone include OLED display technology, so the entire from of the handset will look like «a single sheet of glass», The Wall Street Journal reported in June.

Gallery walls and photo displays should be constantly evolving in family homes, so Sarah recommends stocking up on your favourite frames, so you'll have them on hand in the future each time you print new pictures.

Geometric display shelves, especially hexagon, and gallery walls are so popular for wall decor.

So whether you're just looking for ideas, or you've got a mantel, ledge, or wall shelf display blog post you'd like to share - we hope to see you at our e-party on Tuesday the 4th!

Fix a peg rail to the wall above your desk then rummage through your snaps and choose photographs that share a common theme so that your display looks considered rather than thrown together.

Step 3: Create templates of all your frames Step 4: Label templates Step 5: Measure the area where you want to create your display and mark centre point Step 6: Start at the centre and work outwards Step 7: Tape your templates to the wall so you can use it as a guide Step 8: Use a spirit level to ensure it is straight Step 9: Repeat & tape up other templates measuring spaces in between Step 10: Measure distance of nail position from edge of frame Step 11: Measure and mark nail position on each template Step 12: Hammer nails in place Step 13: Remove templates Step 14: Hand your pictures

So here is an easy Embroider with Love DIY craft for your to get creative with and put your own signature on a picture wall display.

Display family photos in a group on a wall for a homely focal point and include a sofa bed or day bed in your guest room so the space can be used as an area to relax in, too Similar wallpaper Wallpaperdirect Similar sofa bed Ikea

I'm of German descent, so this would be extra special for me to display — probably in some form in my kitchen — a wall hanging or something.

Simply fix a piece of string or twine across the width of one wall and clip on mini pegs so your budding little artist can display their pictures as they wish.

Make the space personal with open shelving and wall hooks, so your teenager can display favourite accessories and mementoes.

A wall - hung unit is the ideal place to store tumblers and clip - top glass jars — be selective about what to display so the overall effect is attractive, not cluttered.

Wall - mount reading lamps free up the tabletops so they can be used to display more books, decorative elements, and a collection of bedtime necessities such as lip balm or hand lotion.

Floating shelves on the walls are also an easy display solution — just make sure the shelves aren't too close to the sink or range so there isn't risk of a book falling into soapy water or onto a hot burner.

I have a huge wall and so we made 3 (odd number rule, etc.) Yet, most of the shelves displayed are in groups of 2.

This is only because I have no idea what I'm going to put on the walls in here, and I had these prints done for my office (I rotate my session displays) so I filled them.

I wanted some extra storage and a place to display his favorite books, so I hung these crates on the wall (just screwed them into the studs).