Sentences with phrase «wall displays like»

White tends to be the default colour when it comes to avant - garde wall displays like this quirky geometric design, but blue adds depth and, let's face it, looks WAAAAY more interesting!

Not exact matches

Hsieh has lots of other ideas, too -; displayed as 108 multicolored Post-it notes, assembled in columns, on his living - room wall, with words like Farmers Market, Breakfast Place, Community Kitchen, and Pool scrawled on them.
That said, the other day I walked past a tiny pineapple display at my local grocery store, and the scent coming off these fruits was like walking into a thick, sweet wall of intoxicating, tropical brightness.
i cant help my anger at this point becos its a result of so much pent up frustration and the managers failure to recognise issues and failure to ever acknowledge our fans and i refuse to stick my head in the ground and come up smiling after beating stoke at home 2 - 0, maybe if the manager had ever once just said «i feel for the fans» or apologise to travelling fans after gutless away displays, but no he does nt feel accountable to any1 despite the thousands of times «theres only one arsene wenger» rings in his ears, hes gotten more love and trust than youd give your wife but wot has he given you in return the last 4 years???? not even acknowledgement, and in between the poor run hes given us more than his fair share of touchline controversy which reflects badly on us and the club in regards to fair play.and he never sees anything!!!! be honest and come out like moyes and bruce, its refreshing!!!! the standards at the club hav plummeted and where chels, utd, pool and even villa / city / spurs hav so many players who fight and uphold club traditions we only hav cesc, gallas, verm, RvP, sagna and arsha who, IMO really care and who fight when our backs are to the wall....
To maintain focus, add a glass sand timer, which you can find at Marshalls stores, and mount a narrow clipboard wall display to keep important reminders in sight like this one from T.J.Maxx.
To make it easier to grab hats like this one, I've moved my hats from the top back corner of my closet and put them on «display» hanging from nails on my wall in place of art.
The President did not insult Nana as he mischievously posted on his wall and carried by some portals.Nana knows Mahama well even than some who are close to the President, his tolerance level and constant display of good manners these were the traits Nana considered when he once predicted Mahama's leadership although he went on further to question why a perfect human being like Mahama should be in the NDC.
Perhaps files could become less accessible over time — like consigning old photos to a shoebox in the attic rather than displaying them on the wall.
Easy wall mount has 2 open shelves to decoratively display items or hold household essentials like towels, soap, and more.
One of the things that our fashion and decorating diva really likes is the simple sayings that seem to be everywhere these days, in all forms of display, whether it be on walls or cell phone screens or PC wallpapers.
Why don't you use a picture hook to display the garment on your bedroom wall like a piece of Art.
You can even use your bedroom walls to display three - dimensional decor like sculptures, vases and pictures.
Buy «Wall Mounted Display» products like Umbra ® Corda 11 - Inch x 14 - Inch Photo Display in Natural, MCS 8 - Inch x 10 - Inch Team Photo Picture Frame in Black, Malden ® 8 - Inch x 10 - Inch Flip Flop Photo Frame, MCS 11 - Inch x 14 - Inch Magazine Display Case in Black, MCS 12 - Inch x 12 - Inch Shadow Box in Black
The best thing in the Bare Minerals store at West Town Mall, besides all the natural makeup, or the candy - like display of eyeshadows; besides the new luxurious skincare line and the friendly staff, the best thing is the photo on the wall of a woman with freckles.
The dining room felt like a good space to bring green accents, with the painted storage cubes, and an otherwise neutral backdrop of grey walls, the space got a bright green feather tree that I made, displayed ornaments, and a hot cocoa station with reindeer dishes for fun.
I love floral displays like the wall art.
Buy «Display Ledges» products like Melannco 4 - Piece Ledge Set in Black, Melannco 4 - Piece Ledge Set in White, Danya B ™ «U» Ledge with Photo Frame in Laminated Black (Set of 2), Danya B ™ «U» Ledge with Photo Frame in Laminated White (Set of 2), Oenophilia 9 - Bottle Wine Ledge Wall Rack in Black
I can't wait for my wedding day to have a beautiful floral wall displayed just like the one at Bering's!
The metal baskets look stunning on your wall and look like a high end Anthropologie display.
Unfortunately, watching this experiment in accelerated intimacy is like being a fly on the wall of a one - night stand during which the two parties display enviable sexual endurance, but never shut up and go to sleep — or give you much reason to pay attention to what they're saying.
«Adaptive learning is the process of automatically recommending content to users based on user profile data, stated interests, content they like / dislike / comment on, data on their calendar and mandatory learning ─ usually displayed via a personalized «wall».
Resources included are as follows: 3 0 P D F files for you to print: Key word cards, chapter 2 to read, chapter 2 writing task about finding the key, Story elements, Story board to complete, writing pages, A 4 topic title to introduce the book, retell the story from another point of view, write a diary entry task, write a postcard, acrostic poem to complete, make words from letters, photo pack, flashcards of character names, character descriptions, my favourite part of the story is — drawing page, I like this story because writing task, design a new book cover, draw a garden scene, hand puppet template to draw, draw a family portrait, writing booklet cover to keep pupils project work together, large display items door to the garden and large key, long banner to head wall display, large letters to spell out book title, display border to edge wall display, story sack tag to keep resources together.
Photos and quotes from notable Black, Latinx, Asian and multiethnic figures are displayed prominently on the walls, while the philosophies of thought leaders like Booker T. Washington are weaved into lesson plans ranging from art to music to math.
A really interesting timeline is shown on a wall in the new Museo Lamborghini, a total of four large display will show the different models made in Sant «Agata over the years, cars like the Miura and the Sesto Elemento will pass as a slideshow for visitors to learn the history of some of the most legendary exotic cars ever made.
Once you select the e-books, they appear within a couple of hours on an Axis360 site called the Magic Wall, which shows all of your e-book offerings in an attractive display, much like Amazon or other online stores.
Its flagship W7 signature TV model comes in 65 - inch and 77 - inch sizes and has a display detached from a sound bar which makes it look like a poster on a wall.
What's amazing about this 30 gallon «display» tank is that it is just one on a wall of aquariums with fish that are for sale, proving that if a store wants to sell more fish, offer them out of tanks that look like display tanks in themselves.
Viscome: I think the most visual impact you can have is through a wall display, either a waterfall or flat on the wall, as opposed to hanging clothing on a rack, where the customer has to finger through them like at a department store.
Like many ideological displays in Cuba, the Wall is a perfectly distilled cocktail of pride and spite, featuring cartoonish renderings of Ronald Reagan in a cowboy hat, George Bush I in a Roman toga, and W. in a Nazi helmet reading a book upside down.
The walls are lined with cases displaying memorabilia, including the St Christopher's Medal worn by Elvis Presley in Jailhouse Rock and the ukulele played by Marilyn Monroe in Some Like It Hot.
The fortress - like Seongsan Ilchulbong tuff cone, with its walls rising out of the ocean, is a dramatic landscape feature, and Mount Halla, with its array of textures and colours through the changing seasons, waterfalls, display of multi-shaped rock formations and columnar - jointed cliffs, and the towering summit with its lake - filled crater, further adds to the scenic and aesthetic appeal.
Eat Italian classics while you appreciate the surroundings like the wine selections on display in a large wall that compliments the modern décor of the restaurant.
Italy looks beautiful, and you'll be visiting a varied range of locales on your jolly little subterfuge expedition, but what's not beautiful is seeing a nazi stuck running in a chest high wall, or the bad lip syncing on display during cutscenes that would make Bruce Lee films look like Oscar - bait.
Among the pieces displayed were plywood slats — angled pieces of wood that pointed, like split arrows, up to the ceiling; tin alphabet letters that appeared to have been hurled randomly at the wall but were actually carefully arranged (recently purchased by MoMA); cloth octagons in dyed pastels and white paper octagons glued to the wall; «string pieces,» or drawings dancing across the floor; and wire works.
This week the museum debuted the largest multi-touch screen in the country, a 40 - foot, super-interactive Collection Wall that displays over 3,500 objects from its holdings, offering opportunities for art - making, sharing, games, and the creation of individualized tours for devices like iPads.
These installations, which featured things like refrigerators, gigantic photographs pasted on walls, and piles of salt on the gallery floor, seemed to physically consume the spaces in which they were displayed.
Once - revolutionary artists now look like old masters, as in three 1973 Mao portraits by Andy Warhol, together on one wall at Mnuchin, and Skarstedt's display of works by»80s artists like Cindy Sherman, Richard Prince and George Condo.
Over the last two hundred and fifty years, these spectacular displays of art — dominated by what has become a famously crowded and collage - like arrangement of pictures across the Academy's walls — have provided thousands of artists with a crucial form of competition, inspiration and publicity, and captured the interest of millions of visitors.
Other readymades in this first room include works from The New series (1980 - 83), Hoovers bought and kept in pristine condition in plastic display cases, like collectors» items, or props from American Psycho — the film being rather apt, as it was in 1979 that Koons started working on Wall Street as a commodities broker.
Like Breuer, he relies on movable walls and high, gridded ceilings to accommodate varied displays of art.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greaWall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
Objects from India to Italy, which suggest a modern day grand tour, were displayed side by side, heightened by the sensational jewel - like tones of the walls.
On display are several new bodies of greatly varied work: a series of paintings based on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitler.
It ranges from a rebus - like experimental film telling a French fairy tale (also on display, incidentally, in a concurrent show at Michael Werner gallery on the Upper East Side), to a full - sized recreation of his own Brussels apartment — the walls studded with words relating to art - making («Canvas,» «Museum,» «Composition,» etc.).
The muted wall displays the paintings in a softer, more natural light, causing them to feel less like coats of arms, and more like starbursts and constellations.
Densely distributing the works on three walls of the light - filled gallery, Young invoked a symmetrical, chapel - like display punctuated at the end wall with Untitled, a two - part piece.
At David Zwirner, the Polaroids are displayed at eye - level on a long thin aluminum railing attached to the gallery's main walls, continuing into additional interior, spiral - like spaces built for this installation.
Walking into the new Consumer Research Center / itself feels like entering a different world — the pristine white gallery walls confer a sense of deep importance on the spare but carefully curated display of books.
Nares had built on the success of his extraordinary slo - mo film Street, with only slightly faster but equally captivating video portraits of friends like Jim Jarmusch, Amy Taubin, Hilton Als, Douglas Crimp, and Walter Robinson, among other rogues seldom displayed on gallery walls.
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