Sentences with phrase «wall drawing practice»

Roberts says that in making Wall Drawing # 46, LeWitt realized that «art didn't have to be a static object,» and that perhaps his «entire wall drawing practice is indebted to Eva.»

A demonstration of the catalogue explores the breadth of LeWitt's wall drawing practice and provides a digital tour of its dynamic features.

Not exact matches

Townsleygallery told us, «I have always loved drawing and painting since I was young but haven't had the confidence to really explore this beyond practicing at home; recent holidays in Cornwall inspired me to paint some of the scenery to hang on my walls at home... this had led to commissions and I am slowly taking this forward.

Students reacted positively to creative and fun ways to practice handwriting, such as drawing in sand and on walls.

If we think about drawing as an act that has utilization beyond the studio walls, then we can see the potential the drawing practice has once you re-discover your drawing mind.

He might start that night to draw in charcoal on canvas pinned on his studio wall (his habitual practice), or perhaps he would wait for tomorrow's daylight.

Nonetheless, her oeuvre played a critical role in heralding the advent of Minimalism, influencing, among others, Eva Hesse's sculptural practice and Sol LeWitt's wall drawings.

Accepting the term neo-primitivism as «loose and inaccurate, but inescapable», his diverse media practice consists of sequences of cyclical bead paintings, collections of vintage «West German» pottery dressed with beadwork skirts, low - relief drawings / sculptures carved from book - binders» card, collage - topped - tables, stark wall paintings.

This work is representative of Robin Rhode's wall drawing and performance practice.

His wall drawings of the late 1960s, which are the foundation of his practice, were executed not by his own hand, but by his assistants.

He recently presented a paper «Sol LeWitt's Wall Drawings: Conservation of an Ephemeral Art Practice» to the American Institute for Conservation's 43rd annual conference in Miami.

Kyle Jenkins is a Queensland based artist whose cross-disciplinary practice expands from reductive painting into a variegated discourse including sculpture, drawing and music as well as photography and wall painting.

Starting with wall drawings (of a bicycle, for instance, which children in a South African township would wish for in vain), Robin Rhode developed an artistic practice that cleverly and humorously makes it possible to experience everyday observations, political statements, desires and (in his latest work) references to art history — via gestures that sometimes resemble slapstick.

Working across a number of media including digital print, wall drawing, video, sculpture and installation, Mark Titchner's practice explores systems of belief, both secular and spiritual, often focusing on the marginalized, discredited or forgotten ideologies and objects we place our faith in.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.

SN: Although nsibidi was a point of departure for you at the beginning of your practice, to what extent do you still rely on its repertoire of pictographic and ideographic scripts in your wall drawings?

Walking in the landscape is the basis of Long's practice but over the past 40 years he has extended his concerns to encompass photographic and text - based work, sculptures made in stone and wood, small - scale works using handprints and fingerprints on paper and driftwood, and monumental wall drawings made using mud and clay.

It is my understanding that it was the context of an earlier exhibition in Amsterdam that sparked what has become a critical aspect of your practice, the ephemeral wall drawings.

Sol LeWitt, 2 Part Composite, 1971 Serigraph edition 59/60 Collection Albright - Knox Art Gallery Gift of Seymour H. Knox, Jr., 1972 August 7, 2010 — February 27, 2011 Although wall drawings represent the foundation of his practice, Sol LeWitt's works on paper, sculptures, artist's books, and writings on Conceptual art were equally important to his oeuvre.

SN: Memory is central to your practice and even more fundamental to your wall drawings, which is why you call them «drawing memories.»

His work combines aspects of street art, minimalism, social practice, and urban design in explorations of play, reenactment, and gesture that manifest as photo documentation, performances, and wall drawings.

While the wall drawings, which he started in 1968 at the age of 40, constitute LeWitt's most emblematic practice, his oeuvre also includes three - dimensional works (which he referred to as «structures»), innumerable drawings on paper, photographic series and artist's books.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Building on the artist's frequent use of visual and verbal puns, Borne Frieze creates a bridge between the political heritage of his home country and the energy, spontaneity, and ephemerality of his artistic practice, which has long included the wall drawing as a key form.

In recent projects Schlitz expands her drawing practice directly on the present walls and ceilings (2016 Brooklyn Art Space, 2017 Galerie Oberwelt Stuttgart, 2017 Galerie der Stadt Kirchheim).

Although each drawing records a specific moment from my life, as a whole, they also reflect societal changes over that time too... It has become commonplace now to post daily pictures and accompanying texts on one's digital «wall» but I still am constantly surprised and rewarded by this simple practice of working daily on paper.»

So there's a good chance that this retrospective exhibition, which includes some 230 works spanning the past forty years — from childhood drawings to recent installations, videos to wall paintings — will reveal both the problems linked to the «musealization» of artistic practice and the Berlin - based artist's doubts regarding formal categorization.

Its walls are plastered with an array of works, mostly on paper (although some extend into sculptural forms or moving image) that demonstrate the variety and idiosyncrasy of drawing practice amongst these artists, as well as the links and themes that arise when these works are collected together.

Spanning more than 40 years of Craig - Martin's radical and innovative practice, it presents some 50 paintings, sculptures, wall drawings, neon works and text pieces.

Whatever it is, if drawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallerydrawing presents a certain window into the artist's brain, then the exhibition «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the galleryDrawing,» which opens at the Studio Museum in Harlem on Thursday, will serve as a trip inside the mind's eye of an artist whose practice has included everything from multimedia paintings comprised of acrylic and collaged felt to site - specific installations and even a ballet — one that explodes off the page and directly onto the gallery walls.

Studying systems of line and color, his prolific output of wall drawings represents a breakthrough in his career and solidifies his engagement with two - dimensional practices spanning painting, drawing, photography, and printmaking.

• Particularly effective in roofing, repairing, re-roofing and insulating pre-installed roofs for commercial projects in a timely, organized and team oriented manner • Specialized expertise in EPDM, TPO, PVC and shingling • Skilled in carrying out maintenance and repair of mechanical, electrical and other physical structures • Well - versed in painting of structures, performing carpentry work, repairing plumbing fixtures and woodwork • Excellent physical stamina, ability to climb a ladder, bend, stoop and work in confined spaces • Special talent for metal roofing construction including flashing, wall panels, fascia and soffit • Apt at using various tools needed for cutting hammering and fastening roofing materials • Track record of completing projects in strict accordance with job specifications, project layout and applicable safety guidelines • Profound skills in installation of low sloped roof systems including TPO, BUR and bitumen • Proficient in carrying - out general roof repairs, exterior siding adjustments and HVAC installation repairs • Particularly effective in removal and installation of all types of commercial roof systems including slate, tile and asphalt • Well practiced in covering roofs with topping material including sheets, PVC and spray foam • Adept at utilizing manual and electric tools and maintaining the same in a functional order • Efficient in laying and adhering insulation with metal fasteners or binding adhesives • Expert in cutting stripes of flashing and fitting into angles formed by walls, vents and intersecting roof surfaces • Firsthand experience in carrying out regular preventive maintenance of pre-installed roofing systems • Substantial knowledge of various roofing systems and associated installation protocols • Familiar with OSHA workplace safety guidelines • Excellent listening skills with profound ability to follow verbal and written instructions to book • Great attention to detail with proven skills in interpreting and implementing given drawings and blueprints with accuracy • Strong numeracy skills, apt at generating accurate cost estimations for given projects